Kieran’s Our City, Our Town, 18 June 2015

797a. Plan of Dominican Abbey with section of walled town of Cork

Kieran’s Our City, Our Town Article,

Cork Independent, 18 June 2015

Cork Harbour Memories (Part 27)

Stories from St Mary’s of the Isle Abbey

 

   Carew’s Map of Cork, c.1600 shows the Dominican Abbey on a marshy island to the south-west of the walled town. The map illustrates a church with a large steeple with an adjacent water mill built next to the river. The name of the island was Sancta Maria de Insula or St. Marie’s of the Isle, the area of present day Crosses Green. This marshy island like the islands on which the adjacent walled town was built on, would have been subject to constant flooding at high tide. Therefore it can be assumed that when the abbey was being built, the unfavourable local ground conditions would have been taken into account.

    An insightful book by Tomas Flynn (1993) entitled The Irish Dominicans, 1536-1641 reveals that in 1216, the Dominican order received papal approval. Due to its universal teaching mandate, it was not long before they established priories in towns and cities in medieval Europe. In addition due to their native French beginnings, it was only natural that the Anglo-Normans in Britain and Ireland became their first patrons. On arrival in Ireland in 1224, the first priories were established at Dublin and Drogheda. In general, initially the Dominicans were viewed as part of the spiritual wing of Norman civilisation and colonisation, but they quickly distanced themselves from that image and became highly favoured and respected by the leading Gaelic families as well.

    Within thirty years, the Dominicans had established over ten friaries geographically spread adjacent to urban settlements such as Anglo-Norman Walled Towns. Among these were among the Dominican Abbey at Cork in 1229 under the patronage of Lord Philip de Barry. Antiquarian Charles Gibson in his History of Cork in 1861 details that the abbey reputedly held a bronze equestrian statue of the De Barry, which was kept in the abbey’s church up to the 1540s.

    As the Dominicans were establishing themselves in Cork, the Franciscans on the North Mall were doing the same. An unfortunate by-product of Dominican success was rivalry with the Franciscans. This included conflict over theological opinions, the making of foundations, sources of alms and benefactions, and recruits. To attract vocations, both orders claimed closer resemblance to the work of the Twelve Apostles. However, arising out of this came strong ambition to succeed and a lot of self seeking in medieval times. They did though over time after numerous quarrels come to acknowledge mutual respect between their orders.

    The early historic references detail the respect that the upper classes in medieval society had for the Dominican order. This is evidenced by a reference in a royal charter in 1317 that tells of free passage for the Mayor of Cork, bailiffs and the Dominican friars into the walled town over South Gate Bridge. The charter goes on to describe that the friars were to be let in for the sake of the good town peoples. Without doubt, the spiritual and educational contributions by the friars would have been invaluable to the quality of urban life within the town. In general, historical works on other Dominican abbeys in Britain and Ireland have shown that the Dominicans helped with social problems such as literacy in a walled town, professional guilds and other devotional organisations.

   Royal respect, in the form of money offerings or alms, was also granted to the Dominican Abbey during the late thirteenth century and in the fourteenth century and fifteenth centuries. Regarding the nobility, many of them with religious connections to the abbey are recorded as been buried on the grounds of the property itself. It is recorded in the late fifteenth century that the Dominican Order at Cork was involved in a reform of the Dominican rule of observance or rules of the order. It is stated that some monks elsewhere in Ireland and Britain had strayed from the typical strict observance of the Dominican rules. The new rules of observance came into effect in Cork in 1488.

   As with the Franciscan Abbey on the North Mall, the mid 1500s was also a turbulent time in history for the Dominican Abbey. During King Henry VIII’s reign the property of the abbey was confiscated. The list of the physical properties of the abbey give an indication of how large the Dominican order was in Cork. It is recorded that Abbey possessed three small gardens containing two acres, a watermill, a fishing pool, thirteen acres of arable lands and twenty acres of pastural land (in County Cork).

    It is also recorded in the medieval period that the monks at the Dominican abbey had two prized relics, the images of St. Dominick and the Blessed Virgin Mary and child. The images of St Dominick were unfortunately publicly burnt due to religious conflict between the Dominicans and the English Garrisons’ orders at the high cross in the walled town on North Main Street in 1578. The blessing Virgin Mary was a small carving in ivory and can be seen today preserved in a silver case now in the possession of the friars at St Mary’s Dominican’s Church, Pope’s Quay.

 To be continued…

 

Captions:

795a. Plan of Dominican abbey with section of walled town of Cork from Map of Cork, late sixteenth century as depicted in Sir George Carew’s Pacata Hibernia, or History of The Wars in Ireland (1633), vol. 2, opp page 137.

797b. Crosses Green, former site of Dominican abbey (picture: Kieran McCarthy)

797b. Crosses Green, former site of Dominican Abbey

Kieran’s Upcoming Historical Walking Tours, 27 June-3 July 2015

Saturday afternoon, 27 June 2015, 12noon, Historical Walking Tour of St Finbarr’s Hospital, Meet at gate, Douglas Road, in association with the Friends of St Finbarr’s, (free, duration: 1 ½ hours).

 

Wednesday evening, 1 July 2015, 6.45pm, Historical Walking Tour of Blackrock, Meet at Blackrock Castle (free, duration: 2 hours).

 

Thursday evening, 2 July 2015, 6.45pm, Historical Walking Tour of Ballintemple, Meet in Ballintemple graveyard, Templehill (free, duration: 2 hours).

 

Friday evening, 3 July 2015, 6.45pm, Historical Walking Tour of Docklands, Meet at Kennedy Park, Victoria Road (free, duration: 2 hours).

Farewell to Lord Mayor, Cllr Shields, AGM, Cork City Council

Comments by Cllr Kieran McCarthy

12 June 2015

Forever Summer

  Lord Mayor, can I add to the congratulations on a successful year and to your focus on building community capacity and topics such as equality and social inclusion.

  I met you last week on The Marina, opening the new slip of the Lee Rowing Club.

  We are blessed to live in a very beautiful city, especially now as the new leaves are appearing on our trees.

  I am always impressed by the city’s blossom trees and As each summer rolls around, those trees in places such as the gorgeous Marina and places such as Pearse Road. The summer offers warmth, which your own personality abounds in and offers as well renewal, re-birth, growth, hope, re-imagination and inspiration. The dark evenings end as the daylight lengthens. It’s hard not to romanticise about the blossoms and their effects on all those who drive and walk the local roads.

  They add immensely to the sense of place and identity of this area…their roots spreading into the undulating topography of the city. . It’s as if the blooms want to say ‘remember us’, ‘wonder in us’ be inspired; they are in their own way, part of the city’s cultural DNA, a piece of life, a way of life, the trees are always in flux just like politics and the essence of the chain you hold.

  Cork songwriter John Spillane writes of the cherry blossoms “as putting on the most outrageous clothes and they sing and they dance around”.

 The Vita Cortex workers in their struggle in 2012 commented on the cherry blossoms on Pearse Road;

“They stand tall like us, magnificent in their beauty. They sway in the wind and bend with it but remain unbroken. They have been there lining the street as long as any of us can remember.  For everyone in Ballyphehane they are part of the local landscape and history, The cherry blossom trees on Pearse Road are like sentries guarding the road to the factory; our home, our workplace,

But the trees were no accident in their original planning but part of a wider renewal plan in this area way back in time.

  The stories of Turners Cross & Ballyphehane and other suburbs are also one of re-birth, renewal and experimentation, the creation of new architecture and housing – which defined the ethos of making a Modern Ireland – a Chicago architect’s design for a modern church that of Christ the King – and the planning for the future of new communities, building on successful social housing models in Capwell Road, in the Congress Road area and in Gurranbraher, and just like the framed branches of the blossom trees, creating different scenes, ideas framed the idea of what community should be.

 

A Re-New-ed Republic:

  A number of the roads in the area are named in honour of famous people. These included the names of the signatories of 1916, Pearse, Connolly, Kent, Clarke, MacDonagh, McDermott, Plunkett. All of whom we will commemorate next year, which the new Lord Mayor will have to negotiate. The line of the blossom trees exaggerate the boulevard-esqueness of Pearse Road just like the edginess of the 1780s Lord Mayor’s chain. Pearse, the first President of the Irish republic, founded the Gaelic league at an early stage and acquired a fluent Knowledge of Irish. In 1903 he became the editor of An Claoimh Solais, the official organ of the Gaelic League. He wrote many stories and poems in Irish.

   The country looks forward to the 1916 commemoration activities, which will ignite renewed interest in the essence of our country, our cultural heritage, our common past, our inheritance and let us aspire to hope, re-birth, re-imagination and inspiration.

  Ireland is trying to emerge a very tough economic phase in its evolution. And much effort is being put into rebuilding the economy whereas less effort is being put into rebuilding society

The country, yes, badly an economic plan but so do Irish communities.

 Lord Mayor you headed up the passing of our development plan over the last few months, which will go along way in pushing this fair city forward

  Our communities need a plan to create a better society, something that is better that what we left during the now mythic Celtic Tiger days. During your year, you and your colourful and energetic Deputy Lord Mayor, Cllr O’Flynn, espoused the need to take responsibility for part of this plan.

 Society leaders like yourself are like giant spotlights in the sky; they can and will continue to uphold human values for all to see and replicate, they can send out the message that we do need to care – care about something… to do something purposeful…to move ourselves forward… to hone our personal talents, which we all have or even seek advice.

 Today’s Society needs all of those traits in abundance.

 Lord Mayor I welcome you back to the benches and thank you for a great year of inspiration. 

Go raibh maith agat.

Kieran’s Our City, Our Town, 11 June 2015

796a. John's Rocque's line drawing of Red Abbey, 1759

Kieran’s Our City, Our Town Article,

Cork Independent, 11 June 2015 

Cork Harbour Memories (Part 26)

Inscribed in Stone at Red Abbey

 

  Following on the Augustinian Red Abbey story from last week, the City is lucky to possess such as an old tower. Post the heyday of the abbey, during the year 1724, at a time when the penal laws were in full flow by the British government, an Augustinian provincial chapter was held in Dublin. At this event, there was a review and revision of the Augustinian Constitution. It was decided to re-organise twenty two houses of which Red Abbey was one of them. A government report in 1731 outlines a friary in Cork City but gives no details of its whereabouts. It was only in March 1744 that a government report on the State of Popery described a new friary in existence in a lane called Fishamble Lane.

   Fishamble Lane no longer exists but in today’s terms was located near present day Liberty Street. Three Augustine friars are said to have resided at this small friary. The names recorded were John Casey, Laurence O’ Toole and Augustine Byrne. A Cork City map drawn by cartographer, John Rocque in 1759, shows clearly the site of the friary. It is located hidden amongst the various other lanes that existed within the old city quarter. On 20 November 1780, the foundation stone of a new Augustinian priory was laid, which was replaced by the present church on the corner of Washington Street and the Grand Parade during World War II.

           By the mid eighteenth century, parts of the buildings of Red Abbey were used as part of a sugar refinery. This refinery was burnt down accidentally in December 1799. Since then, the friary buildings with the exception of the tower have been taken down piecemeal. The tower is maintained by Cork City Council who were donated the structure by the contemporary owners in 1951 and also own other portions of the abbey site.

  In an archaeological sense, Red Abbey has been the focus of attention for over two centuries from John Windele in 1844 to contemporary Cork City Council Archaeologists. In the early half of the 1800s, it was recorded by John Windele that a Rev. England from Passage possessed an altar stone belonging to the Red Abbey’s church. It was described as a small square slab of marble on which were cut four crosses, the letters I.H.S. and the date 1648. On the edge of the four corners of the slab stone were crosses within circles. The slab stone itself was reputed to have healing powers. Rev. England also had in his possession a silver remonstrance or chalice belonging to the church. In addition, Windele described that a Mr George Martin from Cork possessed an old oaken chimney-piece with figures of archers on it from the Augustine Church as well.

  Three excavations have been completed at Red Abbey in the last twenty-five years. The first took place in May 1977, when a section to the west of the remaining tower, now an amenity square was excavated. Twenty-five burials were uncovered skeletons were discovered and these showed burial spanning a number of years. However, it was suggested on examination that they were inserted under the former grounds of the abbey after its demise and that they date to post seventeenth century. A single piece of French Saintonge medieval pottery was found along with seventeenth, eighteenth and nineteenth century pottery. Approximately three hundred pieces of lead shot were also recorded and were suggested to be used during the Siege of Cork in 1690. In April 1992, another excavation took place, this time to the north of the tower. Here two medieval walls were discovered along with a medieval floor surface and associated pottery dated to the mid thirteenth century. The third excavation took place in 2000 when further medieval walls were uncovered.

    It is also alleged that there are vaults or buried rooms situated at the south of the tower but are as yet unexcavated. Sometime in the early 1800s, a restless horse on the grounds of a yard in Cove Street poked his foot through the ground. On investigation by the owner a John Sisk, underground passages were revealed that had brick arches. A story at the time relates that a dog ran barking after a rat through one of the passages heading in the direction of Red Abbey. The dog got home safely but not by the way he had entered. Thus, there was another exit somewhere. It is recorded at the time of discovery that cartloads of bones with no skulls were taken out. It was argued by the people present at this discovery that these were the mortuary vaults of the abbey.

   In the last 1920s on the western corner of what is now the Red Abbey plaza Paddy O’Sullivan, of M & P O’Sullivan set up a tobacco factory in Cork. Pat O’Sullivan and Gerry O’Mahony, a long serving member of the Company traversed the country from Clonakilty to Wexford buying up and selling as much tobacco as financially possible. The store on Mary Street was filled up to the ceiling with tobacco. The company in time became the imminent M & P O’Sullivan Cash and Carry.

To be continued…

 See www.corkheritage.ie for a historic trail around the south parish including the Red Abbey site

 

Captions:

 796a. John’s Rocque’s line drawing of Red Abbey, 1759 (source: Local Studies, Cork City Library)

 

796b. Red Abbey, present day from a side profile, old walls and tower to be seen (picture: Kieran McCarthy)

 

796b. Red Abbey, Present Day

Kieran’s Our City, Our Town, 4 June 2015

795a. Plan of Augustinian Abbey with South Gate Bridge from Map of Cork

Kieran’s Our City, Our Town,

Cork Independent, 4 June 2015

Cork Harbour Memories (Part 25)

Stories of Red Abbey

 
    George Carew’s Map of Cork, c.1600 also places an emphasis on the Augustinian Abbey. The central bell tower of the church of Red Abbey is a relic of the Anglo-Norman colonisation and is one of the last remaining visible structures, which dates to the era of the walled town of Cork. Invited to Cork by the Anglo-Normans, the Augustinians established an abbey in Cork, sometime between 1270 A.D. and 1288 A.D. The uncertainty of the date is due to an absence of records for this medieval order in Cork and the information we do possess primarily appears in the work of Sir James Ware, an Elizabethan antiquarian who highlights the history of Red Abbey in his writings in 1658; ‘De Hibernia et Antiquitatibus Eius’. In addition, nineteenth century Cork antiquarians such as John Windele in 1844 and Charles Gibson in 1861 relate in their publications on Cork, stories of archaeological discoveries and folklore about the area.

    It is known that in the early years of its establishment, the Augustinian friary became known as Red Abbey due to the material, sandstone, which was used in the building of the friary. It was dedicated to the Most Holy Trinity but had several names, which appear on several maps and depictions of the walled town of Cork and its environs. For example, in a map of Cork in 1545, it was known as St. Austins while in 1610, Red abbey was marked as St. Augustine’s. In medieval times, an abbey comprised a church, which was divided in two by a central tower. The tower divided the altar area from the public area and connected to the church area were religious and domestic rooms. In the case of religious rooms, these included a sacristy, a reading room or chapter room. In the case of the domestic rooms, these took the form of a kitchen, refectory, cellars and a dormitory. Apart from been connected to the church these rooms would also encompass the abbey’s central garden and walking area known as the cloister garth.

    Sir James Ware, the Elizabethan antiquarian, in 1658 noted that an interesting event in the Augustinian diary for Cork occurred in the year 1313. It is known that the population size of the community was growing and a problem arose when a decision was made among the group to extend the buildings of the abbey. The extension entailed closing part of the Kings highway, which is the vicinity of the adjacent Douglas Street today. Proceeding before the local authorities, the friars explained that they would replace the portion of the highway, they sought with another route. Their plea was heard and approved locally by the King’s Justiciar of Ireland, one Edmund le Botiller.

  The Augustine Abbey occupied an area now bounded by Dunbar Street, Margaret Street, Mary Street and Douglas Street. The nearby neighbourhood of Friars Walk in Turners Cross echoes that the area was once used as a walking area and eighteenth century maps of Cork show the former gardens belonged to the Augustinian monks. Their lives were bound by strict religious discipline and devotion to God. With an absence of definite sources, it can be speculated that a hierarchy existed within the Augustinian order at Red Abbey and the order was quite large in size with at least fifty monks living in the abbey. During King Henry’s suppression of monasteries in the 1540s, surveyors of the King came in February 1541 to the silent prayful Red Abbey, accompanied by local Jurors: Water Galwey, John Skiddy, Richard Gould and Patrick Coppinger. These family names played a major part in the economic, civic and social history of medieval Cork. These were the names of some of Cork’s great Mayoral families. They described that the Augustinians had a church, gardens including self-sufficient vegetable gardens, cemetery, an old and new dormitory, cloister and other usual structures of a religious house. They also noted for the King, that salmon fishing was carried on nearby and that the friars possessed a half share in a local water-mill.

  In 1541, Henry VIII ordered the closure of Red Abbey and the Augustinians were forced to leave their abbey for a short time. It is known that they did remain in the local area and aimed to stay established. As soon as monarch pressure eased, conventual life was resumed at Red Abbey. Sometime in the years 1687 to 1690, Ignatious Gould, Merchant and property owner bought a portion of Red Abbey from the friars while the rest of the portion was given to Othowell Hayes of Ballinlough in the southern suburbs of Cork. Hayes owned a thatched cabin and garden with half an acre of land in Coulin on the south side of the abbey itself.

   The friars left at this point and in 1690, Red Abbey was used as a base by the English to fire cannon balls into the City during the siege of Cork. It is unknown if the English troops damaged Red abbey during the siege but it is known that the Augustinian order in Cork was affected by the penal laws which outlawed open public worship among Catholics and condemned Catholic religious orders.

 To be continued…

 Captions:

795a. Plan of Augustinian Abbey with South Gate Bridge from Map of Cork, late sixteenth century as depicted in Sir George Carew’s Pacata Hibernia, or History of The Wars in Ireland (1633), vol. 2, opp page 137.

795b. Red Abbey, present day (picture: Kieran McCarthy)

 

795b. Red Abbey, Present day

Kieran’s Our City, Our Town, 28 May 2015, Curtain Up for Sweet Charity

794a. Ensemble call with Shannon Hurley (Charity) and Patrick Kirwan (Oscar) & Sweet Charity ensemble; Picture: Miki Barlok

Kieran’s Our City, Our Town Article,

Cork Independent,  28 May 2015

Sweet Charity at the Firkin Crane

 

    Diving into directing Sweet Charity, the musical at the Firkin Crane (4-7 June) has brought enormous and exciting challenges. It goes without saying that a rich vein of musicality runs underneath our city. Cork’s DNA embraces the promotion and development of music as an artistic discipline to be developed and one that brings a community together to engage with it and appreciate it. The city in musical theatre terms is particularly blessed by several stage schools, small and large, who promote amongst our young people creativity, skill development, education, performance, community building and audience development, and the charity of sharing their craft, amongst other important traits.

    Building an amateur musical society in our city is inspired by many elements – the work of schools such as CADA and Montforts (and others) under great school directors such as Catherine Mahon Buckley and Trevor Ryan, those who teach and thread the boards in the warren of rooms of the Firkin Crane, the work of the Cork School of Music, Cork Opera House and the Everyman Palace and musicians and directors such as the late Bryan Flynn, John O’Connor, Joe C Walsh and John O’Brien, to name a few, whose work I admire. All have engaged with drama, various musical genres, musical theatre and all forms of opera in bringing to the Cork masses high levels of entertainment which the city can be proud of and all add to the canon of Cork being an ongoing European Capital of Culture. Such personalities and more have done so much for music and drama education over many years in our city. It is amazing what has been created on the dark canvasses of Cork stages. For my part, over the years I have been inspired by the latter individuals and schools.

    Amateur musical societies are multiple in nature up and down the country. All bring their local communities together under a volunteer and charity umbrella – collaborating and bringing people together to create an outlet for people and to put drama, music and all ultimately form a key cultural vein within towns and villages. Fermoy, just a few miles to the north of our fair city, can boast 90 years of musical theatre shows and is the oldest society in the country. Macroom has also fared well through the past number of years. Meanwhile Cork has had many starts and stops over the last few decades.

   The creation of an amateur musical society brings together many strands but in particular focuses on the aspect of community building and the promotion of musical theatre amongst adults and the idea of inclusivity and self- development for all who wish to engage with it. Establishing a society, producing and funding a musical, and building an audience has brought its own adventures. The road to-date has brought challenges and inspiration plus the innate power in these.

   The idea of bringing ideas and people together and charity of heart also pervades our first musical. I chose Sweet Charity for a multitude of reasons, not least for some of Cy Coleman’s well known numbers such as Big Spender and Rhythm of Life but also for its story. I am a firm believer that everyone has a story to tell. Sweet Charity in the opening sequence presents ‘the story of a girl who wanted to be loved’ – such a sentiment can be applied to all of us and not just Charity. Indeed fitting in, finding oneself, wanting to belong to something pervades all our lives, which makes Charity’s adventures universal in their themes. She wears her heart on sleeve but for all that Charity is a tough cookie and as the song at the end of act one declares, she is the “bravest individual” that the male lead character of Oscar has ever seen. We as an audience get to spend time with this brave individual as she negotiates the advice of her friends, goes off on tangents and contemplates the questions and actions of the quirky characters who she encounters in the various scenes along the way. Dorothy’s Cross’s book and script allows us to access Charity’s thought processes and questions on life. Bob Fosse’s choreography allows us to see the rigid and fun sides of characters as he moves the narrative onwards through the various scenes. His “machine”, amongst other ideas, allows us to contemplate the 1960s industrial age and the universal machinations and the rigidity of many people’s lives.

    Building this piece of work brought together many collaborators. I am particularly indebted to Paul McCarthy and Ann Rea of the Firkin Crane; it is the Firkin Crane with whom this production is a part fundraiser for. David O’Sullivan, our musical director has brought the sweeping jazz and sassy score alive whilst Aileen Coffey has framed Bob Fosse’s choreography whilst bringing her own mark in reframing the power of dance and storytelling. I am also indebted to a very hard working cast and Yvonne Coughlan (production manager) for her professionalism and insights. I have a long thanks list on the programme for Sweet Charity. Come along to the Firkin Crane, Shandon, support Cork City Musical Society, 4-7 June, 8pm, tickets (e.20) from the office at 0214507487 or www.firkincrane.ie.

 

Captions:

794a. Ensemble call with Shannon Hurley (Charity) and Patrick Kirwan (Oscar) & Sweet Charity ensemble (pictures: Miki Barlok)

794b. Charity played by Shannon Hurley and Helene played by Angela Newman, part of the Sweet Charity cast

 

794b. Charity played by Shannon Hurley and Helene played by Angela Newman, part of the Sweet Charity cast; Picture: Miki Barlok

Kieran’s Question to the City Manager/ CE and Motions, Cork City Council Meeting, 23 May 2015

Kieran’s Question to the City Manager/ CE and Motions, Cork City Council Meeting, 23 May 2015

 

Question to the CE/ Manager:

 To ask the CE/ Manager for information on the following:

1. Number of dogs taken into CSPCA for 2013 and 2014?
2. Number of dogs reclaimed during this same period?
3. Number of dogs surrendered by members of public?
4. Number of dogs put to sleep?
5. Number of dogs that died of natural causes?
6. Number of dog Licences issued by CSPCA?
7. Number of dogs seized by Dog warden?
8. Number of dogs given to other Dog charities?
9. Number of dogs rehomed during this period?

  1. What was the total cost to the public of retaining the dog service for 2013 & 2014, including Wardens van maintenance, wages, amount per dog per night etc.?
  2. Details of any other sums of money given to the CSPCA by City Council?

(Cllr Kieran McCarthy)

 

Motion:

That any flag poles erected on City Council property during the ensuing year to mark the 1916 Rising be for the business of the Council or government commemorating the rising and not for the appropriation of the site by any one political party or group (Cllr Kieran McCarthy)

Kieran’s Our City, Our Town Article, 21 May 2015

793a. Franciscan Well Brewery Entrance, North Mall

Kieran’s Our City, Our Town Article

Cork Independent, 21 May 2015

 Cork Harbour Memories (Part 24)

 Ruins of the North Abbey

    Perhaps, the most known remaining feature of the North Abbey is its water well. The well is situated at the foot of a rock face, on the grounds of the Franciscan Well Brewery and is located within a stone-built well house. At one time, the entrance had a wooden panel with the date of 1688 in iron numbers on it. The well is said to be holy in nature but is not dedicated to any particular saint and at one time is reputed to have been used by Corkonians as a cure for sore eyes, consumption and other ailments.

    Next to the well on its west side, there is a second stone walled room, which is partially cut out of the domineering sandstone rock face. The purpose of this room is unknown but the rockface forms the end wall after a number of metres into this space. Legend has it that beyond this end wall is an underground passage leading up into the environs the Gurranabraher. However, the same legend does not relate any stories of its usage. 

   Two other architectural stone pieces from the North Abbey exist. The first was presented to a Rev. Brother Leonard, a Christian Brother and was built into the garden wall of his monastery at Peacock Lane at Sunday’s Well. Its subsequent history though is shrouded in mystery and its remains are lost. A sketch was drawn of it in 1894 by John Dalton, a city historian, and he describes the piece as a broken fragment of a larger piece. The G of the word Gloria is broken off, the letters I.M. represent the initials of Jesus and Mary. The date on the stone was 1590.

    The second stone is a cut stone head of one of the abbeys window. In architectural terms, it was a double ogee-headed piece. The letters S. B. M. C. stand out on the piece. It was argued in the 1890s by John Dalton who drew a sketch of it that these latter letters stand for ‘Santa Beata Mater Christi’ or ‘Blessed Virgin Mother of Christ’. This stone can still be seen today and is preserved in the distillery wall of Wise’s Distillery (established 1779) at the foot of Wise’s Hill where the hill itself meets the North Mall.

   This stone piece at the foot of Wise’s Hill is said to mark the spot of another holy well named Tobar na Bhrianach translated the well of learning or eloquence. This well, now long gone may have also belonged to the abbey at one stage as it is mentioned in a Franciscan deed in 1588 as in possession of the abbey. It is reputed that people used to come from around the country in the early 1700s to this well, which was adjacent to Wise’s Distillery. Urban folklore has it that this became troublesome as on one or two occasions, the excise authorities caught some persons bringing out buckets of whiskey instead of water out of the adjacent distillery. The owners, the Wise family, were forced to stop the practice of visiting the well and the well was closed and an architectural stone of the Franciscan Abbey was placed on the site to mark where the well was located. Indeed, another well known as ‘Sunday’s Well’ was only a mile to the north west of the walled town. It is said that this well was located in a small circular building, capped with stone and surrounded by trees. The well disappeared under road widening in 1946 and a plaque outlining its location now marks the spot. The surrounding area is named after the monument – Sunday’s Well.

    Apart from the well and associated room of the North Abbey, which can be seen, several of the garden walls behind the buildings, which front the North Mall possess several architectural features of a medieval abbey. In several gardens, stone corbels can be seen jutting out from the wall. These would have been used to support timber roof beams. The same design can be seen in the more complete Franciscan Abbey at Kilcrea in the Lee Valley, Co. Cork.

    Due to political circumstances in Britain, it was only in the mid to late 1600s that a Franciscan chapel and house were built on the site of the abbey. These buildings still existed in the early half of the 1700s but did disappear over time under eighteenth and nineteenth century housing on the North Mall. In 1688, King James II arrived in Cork, and stayed in the house of the North Abbey. He was attended to by two Franciscan Friars and attended by many others in their habits.

    In the years 1730 to 1750, evidence shows that the Franciscan order had moved from the North Mall to three main areas in the city. The first site was adjacent to Shandon, the second in Cotner’s Lane situated in the city centre, between North Main Street and the Coal Market and the third location was near the present area of Oliver Plunkett Street where it meets the Grand Parade. By 1750, the Franciscans had moved from this location and set up a central friary in Broad Lane, which today is part of the present site of St. Francis Church on Liberty Street.

 To be continued…

 

Captions:

793a. Franciscan Well Brewery Entrance, North Mall (picture: Kieran McCarthy)

793b. Well House, Franciscan Well Brewery, North Mall (picture: Kieran McCarthy)

793c. S. B. M. C. could stand for ‘Santa Beata Mater Christi’ or ‘Blessed Virgin Mother of Christ’. This stone can still be seen today preserved in the former distillery wall of Wise’s Distillery (source: Cork City Library).

 

793b. Well House, Franciscan Well Brewery, North Mall

 Copy of 793c. 793c. S. B. M. C. could stand for ‘Santa Beata Mater Christi’ or ‘Blessed Virgin Mother of Christ’.

Kieran’s Our City, Our Town, 14 May 2015

792a. Plan of Shandon Abbey, from Map of Cork, late sixteenth century

Kieran’s Our City, Our Town Article,

Cork Independent,  14 May 2015

 Cork Harbour Memories (Part 23)

 Franciscans at the North Abbey

   Depictions of the walled town of Cork in George Carew’s Pacata Hibernia, c.1600 emphasises a Franciscan Abbey on what is now the North Mall. By 1600, it is to have at least a church with a belfry but with an unknown number of bells. The belfry separated the altar area from the congregation area. The friary was set against a rock face dedicated to Our Lady and early records show that the church was markedly divided in two by high columns and had an excellent choir or altar area in the church. Depictions of the abbey do not show a wall around the whole complex.

    In the twelfth and thirteenth centuries, a number of religious houses were established in the suburbs of the walled town of Cork and further out into the region. On the northern hillside, large tracts of land were owned by the Franciscans who also established an associated abbey on what is now the North Mall. The abbey was founded in 1229 by the Irish chieftain, Dermot McCarthy, King of Desmond who was loyal to the English monarch at the time, Henry II. It was one of the first Franciscan structures to set up in Ireland. An abbey at Youghal had been set up in 1224 whilst one in Timoleague was established in 1240. It became commonly known as the North Abbey or Shandon Abbey and flourished for nearly three centuries in particular in terms of the constant population size of its occupants and the financial support of the surrounding lay community in Munster. From early available Franciscan records, it is clear that provincial chapters or National gatherings of the Franciscan monks also took place at the abbey. The years included 1244, 1288, 1291, 1521 and 1533. Indeed, the first Franciscan provincial chapter in Ireland was held at the North Abbey in 1244. Other accounts come from Sir James Ware, an Elizabethan antiquarian who highlights the history of the North Abbey in his writings in 1658; De Hibernia et Antiquitatibus Eius.

     In April 1540, a royal survey under the instruction of the English monarch, Henry VIII detailed that the site of the abbey comprised one hall, one kitchen, one cloister, six large dormitory chambers which could hold a number of monks (number unknown), six cellars, a water mill, a fishing place for salmon, a salmon weir, and several plots of land in the townland of “Teampal na mBrathar” or “Church of the Monks”. Also belonging to the abbey, a dole house or a dwellling existed, which tended to the impoverished people of the Cork area. This stood just to the east of the main complex and in a present day context was located in the vicinity of North Abbey Square on the North Mall. Placename evidence also suggests that the friars possessed a chapel in the northern hills overlooking the walled town known as “Cilleen na Gurranaigh” or “The Little Church of the Groves”. In time, this placename changed to “Gurradh na mBrathair” or “Friars’ Grove”, which is highlighted in the present day northern suburb of Cork City known as Gurranabrahar.

    In 1540, the lands of the abbey were confiscated under King Henry VIII. The royal survey which apart from detailing the buildings and possessions of the contemporary abbey also highlighted that the church and belfry were to be demolished and that the rest of the buildings were to be used for non-religious functions. The abbey was taken for King Henry VIII and be let out to a David Sheghan, who had been a merchant of Cork for 21 years. By 1562, the land belonged to a John Brown and Edmond Gould who were forced to hand it back to the Catholic Church under Queen Mary. However, Queen Mary’s sister, Elizabeth I suppressed monasteries again during her reign and the lands were passed to a wealthy merchant named Andrew Skiddy.  It is unknown if Skiddy took up residence in the Abbey complex but by 1626, much of the buildings had been demolished except the walls of the church.

     John Windele, an eminent Cork antiquarian related in his History of Cork in 1844, that on digging foundations for the current red brick houses in 1804, a number of stone coffins belonging to the Franciscan abbey were discovered. Amongst these was a stone coffin, sculptured with the figure of a sceptre with an incomplete inscription on the lid. The partial inscription was in Norman French and comprised of the following “Sa Alme hait merci”, which translated into English means “his generosity dislikes thanks”. The location of these stone coffins today is unknown.

   Robert Day, an eminent antiquarian, related that on digging the foundations of present day Herbert’s Square on the North Mall in 1896, a stone was discovered with the date 1567 etched on it. In addition, a small plate of metal was found on which was etched a representation of the Nativity and a long inscribed description in Dutch. In addition, a font and a silver chalice were discovered. Both the font and chalice were sent to Whitechurch Chapel just north of the City.

 To be continued…

 

Captions:

792a. Plan of Shandon Abbey, from Map of Cork, late sixteenth century as depicted in Sir George Carew’s Pacata Hibernia, or History of The Wars in Ireland (1633), vol. 2, opp page 137.

792b. Shandon Abbey from A description of the Cittie of Cork/ Plan of Cork, circa 1602 by George Carew (source: Hardiman Atlas, Library of Trinity College Dublin)

792c. North Mall, present day (source: Kieran McCarthy)

 

792b. Shandon Abbey from A description of the Cittie of Cork Plan of Cork, circa 1602

792c. North Mall, present day