Category Archives: Landscapes

Kieran’s Our City, Our Town, 14 November 2024

1279a. Worsted spinning plant of fast-spinning reels and flying threads at Sunbeam Wolsey Ltd, Blackpool, 1942 (source: Cork City Library).
1279a. Worsted spinning plant of fast-spinning reels and flying threads at Sunbeam Wolsey Ltd, Blackpool, 1942 (source: Cork City Library).

Kieran’s Our City, Our Town Article,

Cork Independent, 14 November 2024

Making an Irish Free State City – Further Growth for Sunbeam Wolsey

By the end of 1934 the Sunbeam Wolsey Partnership was doing well economically and striving into its future plans. The newly formed Company had been trading officially since the January 1934, with the benefit of the agreement with Wolsey Limited, Leicester, UK. The core Director, William Dwyer was concentrating on the development and manufacture of a complete range of hosiery and knitwear products. The Irish Press newspaper records on 7 December 1934 that new plant machinery from Germany had been installed for the manufacture of silk stockings and was capable of producing stockings of all types for the Irish market. The Company now employed a staff of nearly 600 as compared with 150 in December 1932.

For the year ended 30 June 1934, the trade exceeded the combined trade of Sunbeam Knitwear, Limited, and the Irish Free State trade of Wolsey Limited by approximately 25% as compared with the previous year. For the period from 1 July 1934 to 31 October 1934. the total trade of the Company showed a still further increase, being approximately 50 per cent greater than that of the corresponding period in 1933. The growth continued right throughout 1935 and 1936.

On 26 August 1936, the Irish Independent outlined the profits accrued in the Sunbeam Wolsey annual report, but also the core challenge of staff pay facing the Company. In particular William Dwyer outlined that there was an absence of a standard rate of pay for operatives in the industry. He drew on the returns of the Department of Industry and Commerce that cast a focus on the general conditions existing in the hosiery trade. There were three thousand workers in the trade, who were employed by sixty-live manufacturers. Six hundred of these were employed by Sunbeam Wolsey. The average pay of the workers in the sixty-four other factories was £40 per annum. The average earning of Sunbeam Wolsey was £60 per annum.

William Dwyer noted of the pay and the associated challenge of keeping it: “We pay 50 per cent, more than the average wage. The extra cost to us is £14,000 a year. Because of the number of factories, which have now started, the competition, which we are up against is practically altogether internal. That we can meet this competition and still pay 50 per cent higher wages to our workers is a clear at proof that our organisation is on the soundest possible basis”.

On 18 August 1937, A jump of over £8,400 in trading profits was shown in the report of Sunbeam Wolsey – the year ended for 30 June 1937 was £28,260 compared with £19,789 in June 1936.

The eleventh Ordinary General meeting of Sunbeam Wolsey, Limited, was held on 28 August 1939. Here, William Dwyer spoke about having bought outright the factory premises at Blackpool and having just completed the purchase of a new warehouse in Dublin.

William also reflected on the effects of the London Agreement or the ceasing of the Economic War with the UK on the hosiery manufacturing trade in the Irish Free State. He outlined that the duty on wool socks and stockings had been reduced, in some cases by two-thirds, and the duty on underwear had been likewise heavily reduced. Imports of wool hose had risen by approximately 80,000 dozens and of wool underwear by approximately 6,000 dozens, representing increases of over 200 per cent and 40 per cent respectively. 

William noted on the increased productivity; “I think that the comparison between our figures and imports this year goes conclusively to prove our claim that we produce goods equal in value and finish to any English goods. The demand for our fully fashioned silk hosiery has made it necessary for as nearly to double our plant. Some of our new machines are now in production and the full plant should be running within two months”. 

A year later at the twelfth Ordinary General Meeting of Sunbeam Wolsey Limited on 30 August 1940, William delivered his annual report in the context of the Second World War emerging. When the war broke out the Directors decided that every order on the Company’s books would be executed at the price at which the goods were sold to customers. It was planned that every endeavour was to be utilised to sell the products of the Company at a reasonable price as possible. William on this decision noted; “Even though costs of raw materials were soaring daily and advantage could easily had been taken for large price increases, we feel that the trade in general have appreciated this fact and that during the past year the goodwill of the trade to the Company has increased more than ever before”.

William continued his report commenting on the reduced overhead charges; “All the finished goods in your factory have already been sold for delivery within the next couple of months. Our stocks have been valued in the most conservative way possible. The prices of our goods to-day are very much lower than the price of similar goods sold in England. This is due to the very considerable decrease in the percentage of our overhead charges”.

William also commented that during the 1939-1940 year a subsidiary company called the Cork Spinning Company had created. Its aim was to supply practically all the requirements of the hosiery mill for worsted yarns at a very much lower price than that existing elsewhere. In addition to this the Cork Spinning Company installed a plant lor the throwing of pure silk. This branch of the business was started without any protective duties.

To be continued…

Caption:

1279a. Worsted spinning plant of fast-spinning reels and flying threads at Sunbeam Wolsey Ltd, Blackpool, 1942 (source: Cork City Library).

Kieran’s Our City, Our Town, 5 September 2024

1269a. Front cover of brochure for the Discover Cork Schools Heritage Project 2024-25 school season.
1269a. Front cover of brochure for the Discover Cork Schools Heritage Project 2024-25 school season.

Kieran’s Our City, Our Town Article,

Cork Independent, 5 September 2024

Launch of Discover Cork: Schools’ Heritage Project, Year 23

It is great to reach year 23 of the Discover Cork: Schools’ Heritage Project. It is just slightly younger than this column but both this column, the schools’ heritage project and the walking tours are all about making Cork and its multitude of local histories more accessible to interested citizens and to empower the next generation to be the next guardians of such a heritage.

Over 17,000 students have participated in the Schools’ Heritage Project through the years with many topics researched and written about – from buildings and monuments to people’s oral histories.

Never before has our locality and its heritage being so important for recreation and for our peace of mind. In the past four years, more focus than ever before has been put on places and spaces we know, appreciate, and attain personal comfort from.

The Schools’ Heritage Project is aimed at both primary and post primary level.  Project books may be submitted on any aspect of Cork’s rich past. The theme for this year’s project is “The Stories All Around Us”. Funded by Cork City Council, the Project is an initiative of the Cork City Heritage Plan.

The Project is open to schools in Cork City at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. There are two sub categories within the post primary section, Junior Certificate and Leaving Certificate. The project is free to enter. A student may enter as an individual or as part of a group or a part of a class entry.

Co-ordinated by myself, one of the core aims of the Project is to encourage students to explore, investigate and debate their local heritage (built, archaeological, cultural and natural) in a constructive, active and fun way. Projects on any aspect of Cork’s rich heritage can be submitted to an adjudication panel. Prizes are awarded for best projects and certificates are given to each participant. A cross-section of projects submitted from the last school season can be gleamed from links on my website, www.corkheritage.ie where there are other resources, former titles and winners as well as entry information.

Students produce a project book on their local area using primary and secondary sources. The workshop comprises a guide to how to put a project together. Project material must be gathered in an A4/ A3 size Project book. The project may be as large as the student wishes but minimum 20 pages (text + pictures + sketches).

Projects must also meet five elements. Projects must be colourful, creative, have personal opinion, imagination and gain publicity before submission. These elements form the basis of a student friendly narrative analysis approach where the student explores their project topic in an interactive and task-oriented way. In particular, students are encouraged (whilst respecting social distancing) to attain material through visiting local libraries, engaging with fieldwork, making models, photographing, cartoon creating, and making short snippet films of their area. Re-enacting can also be a feature of several projects.

The project is open to many directions of delivery. Students are encouraged to engage with their topic in order to make sense of it, understand and work with it. Students continue to experiment with the overall design and plan of their work. For example, and in general, students who have entered before might engage with the attaining of primary information through oral histories. The methodologies that the students create provide interesting ways to approach the study of local heritage.

Students are asked to choose one of two extra methods (apart from a booklet) to represent their work. The first option is making a model whilst the second option is making a short film. It is great to see students using modern up todate technology to present their findings. This works in broadening their view of approaching their project.

For over 22 years, the project has evolved in exploring how students pursue local history and how to make it relevant in society. The project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about heritage in your local area (in all its forms) but also about the process of learning by participating students.

The project is also about thinking about, understanding, appreciating and making relevant in today’s society the role of our heritage, our landmarks, our oral histories, our environment in our modern world for upcoming citizens. So, the project is about splicing together activity on issues of local history and heritage such as thinking, exploring, observing, discovering, researching, uncovering, revealing, interpreting, and resolving.

            This project is kindly funded by Cork City Council (viz the help of Niamh Twomey, Heritage Officer), Administration support and prizes are also provided by the Old Cork Waterworks Experience, Lee Road.

Overall, the Schools’ Heritage Project for the past 22 years has attempted to build a new concerned generation of Cork people, pushing them forward, growing their self-development empowering them to connect to their world and their local heritage. Spread the word please with local schools. Details can be found on my dedicated Cork heritage website, www.corkheritage.ie.

Caption:

1269a. Front cover of brochure for the Discover Cork Schools Heritage Project 2024-25 school season.

Kieran’s Upcoming September Tours (end of season), all free, 2 hours, no booking required:

  • Sunday 8 September, Blackpool: Its History and Heritage; meet at square on St Mary’s Road, opp North Cathedral, 2pm.
  • Saturday 14 September, Cork South Docklands; meet at Kennedy Park, Victoria Road, 2pm.
  • Saturday 21 September, Fitzgerald’s Park: The People’s Park, meet at the park band stand, 2pm.
  • Sunday 22 September, Stories from Blackrock and Mahon, meet in adjacent carpark at base of Blackrock Castle, 2pm.

Kieran’s Our City, Our Town, 29 August 2024

1268b. Ronnie Herilihy Pocket Park, Langford Row, Cork (picture: Kieran McCarthy).
1268a. Ronnie Herilihy Pocket Park, Langford Row, Cork (picture: Kieran McCarthy).

Kieran’s Our City, Our Town Article,

Cork Independent, 29 August 2024

Ronnie Herlihy Pocket Park at Langford Row

In recent weeks, Douglas Street Business Association in conjunction with Cork City Council launched a new pocket park at Langford Row. The park is in memory of the late Ronnie Herlihy, Local Historian, who wrote and gave walking tours across the South Parish. The new pocket park contains some of his writings on information panels.

The park is about unlocking more of the sense of place of the South Parish and sending people into a parish as Ronnie describes in his books “where you’ll find something of historical interest around almost every corner”.

In publishing his first edition of his South Parish book in 2003, Ronnie writes that he was aiming to do two things. Firstly, the book was simply meant to be a place one could go if they were interested in the rich heritage of the South Parish. Ronnie describes his work as, “a sort of one-stop-shop if you like, compiling between the covers of one book a list and some basic information about many of the historic places within the present parish, rather than having to search out the numerous different publications that contain articles or reports on those places”.

Secondly, Ronnie was hoping to awaken in people, no matter where they live, an awareness of their own surroundings, and “to get them thinking of the fantastic history all around them that has led to the making of this great City of Cork”.

Ronnie describes that all 1,000 copies of the initial South Parish book were sold. In the process €7,300 was donated to the Children’s Leukaemia Unit in the Mercy Hospital, being all the proceeds received from the sale of the book.

Ronnie undertook a second edition because of the number of times people asked him if the book was still available to buy. So, he published a second, revised edition. In doing a revised edition, it afforded Ronnie the opportunity to expand on many of the items in the original book. In Ronnie’s new introduction he quotes; “Having spent over 44 years either living or working in the heart of the South Parish, the area is in my blood. I’m still fascinated by the history of this part of Cork City, and as a proud member of the Cork South Parish Historical Society. We know that learning about the history of our own place is a never-ending process. Take a walk with me now in my own place, the open air museum that is the South Parish”.

1268b. The late Ronnie Herlihy.
1268b. The late Ronnie Herlihy.

The ‘awaken in people’ and the connection methodologies served Ronnie well in his next publication journey where he took on Victorian Cork. As he researched the South Parish, he spotted other nuggets of stories from Cork’s Victorian past, which took him off on another adventure.

Known as Victorian Cork, the book looked at events that occurred during the early Victorian period, from 1837 to 1859. The publication sought to as Ronnie noted “throw a little light onto the past, allowing the modern reader the opportunity of peering through the eyes of their Cork ancestors. It will hopefully give them a glimpse of a city that would only have been familiar to their grandparents, great-grandparents or great great-grandparents”.

The majority of the newspaper reports in his book were gleamed from the Cork Examiner, apart from the first few years between 1837 and 1841, when The Constitution or Cork Advertiser, was exclusively used.  Where in our time it is easier than ever to use the digitised Irish Newspaper Archive from home, back in the day, Ronnie spent hour after hour, work lunchbreak after work lunchbreak turning physical newspaper pages and micro-film pages in Local Studies in Cork City Library.

Ronnie’s interest in people and their stories also brought him on his journey with his third book – this time returning to a physical space that of St Joseph’s Cemetery. The idea for writing this book followed on from research he carried out when he undertook a project on St Joseph’s Cemetery for the Annual Exhibition of the South Parish Historical Society.

            That initial research, which looked at around two dozen burials in the cemetery, led to him as he quotes in his introduction spending many hours there in the summer of 2008, walking among the headstones of our ancestors, and “realising for the first time what an important historic gem we have here in the city”.

From that initial visit to research the project, as Ronnie explains in his introduction he was hooked. Ronnie followed that up by creating a powerpoint presentation that looked at the history of the cemetery, a number of those who are buried there, and some of the impressive monuments dotted around it. Afterwards, based on the presentation, Ronnie put together a walking tour of the cemetery. The next most logical step after that was to write a book.

In the immediate years leading up to his shock death, Ronnie’s interest in public history gathered further momentum.  For many years Ronnie was a core part of the South Parish Historical Society annual exhibition – he was a core driver – and there was many a year he would spend hours and hours and hours involved in its organisation and its evolution

Ronnie’s adult education courses with Tom Spalding and others, regular phone ins with Neil Prendeville left many citizens wondering if they knew their city at all; it brought many citizens to Ronnie’s banner, so to speak, wishing to see the city through his eyes. In addition, there was his regularly gifting of photos and other snippets of Cork history to the world of Facebook.

The new pocket park is a fitting memory to Ronnie Herlihy – a great local historian but also a proud Corkonian.

Kieran’s September 2024 Tours, All free, 2 hours, no booking required:

  • Sunday 1 September, The Friar’s Walk in association with Douglas Street Autumnfest; Discover Red Abbey and Barrack Street area, Meet at Red Abbey tower, off Douglas Street, 12noon.
  • Sunday 8 September, Blackpool: Its History and Heritage; meet at square on St Mary’s Road, opp North Cathedral, 2pm.
  • Saturday 14 September, Cork South Docklands; meet at Kennedy Park, Victoria Road, 2pm.
  • Saturday 21 September, Fitzgerald’s Park: The People’s Park, meet at the park band stand, 2pm.
  • Sunday 22 September, Stories from Blackrock and Mahon, meet in adjacent carpark at base of Blackrock Castle, 2pm.

Caption:

1268a. Ronnie Herilihy Pocket Park, Langford Row, Cork (picture: Kieran McCarthy).

1268b. The late Ronnie Herlihy.

Kieran’s Our City, Our Town, 1 August 2024

1264a. Entrance to From Source to Sea, Crawford Art Gallery (picture: Kiran McCarthy).
1264a. Entrance to From Source to Sea, Crawford Art Gallery (picture: Kiran McCarthy).

Kieran’s Our City, Our Town Article,

Cork Independent, 1 August 2024

From Source to Sea at the Crawford Art Gallery

One of the last exhibitions before the revamp of the Crawford Art Gallery celebrates the River Lee. The exhibition is entitled From Source to Sea and is on from 22 June to 22 September in the Gibson Galleries at Crawford Art Gallery.  

The exhibition following the course of the River Lee, from its origins in the Shehy Mountains and Gougane Barra in the west to its meeting with the Celtic Sea at the mouth of Cork Harbour in the east, has opened at Crawford Art Gallery. Spanning historic and contemporary artworks from the collection, From Source to Sea celebrates the culture of Cork’s mighty Lee and its tributaries. 

Artworks from the 1750s through to the present day are featured in the exhibition. Each painting, drawing, print, and sculpture offers a perspective on the river, the stories it has carried and collected, the places and people it has shaped, and the changes it has inevitably borne. 

The exhibition features much-loved paintings, ranging from John Butts’ View of Cork from Audley Place (c.1750) and Whipping the Herring out of Town (c.1800) by Nathaniel Grogan, to George Mounsey Wheatley Atkinson’s Paddle Steamer Entering the Port of Cork (1842) and Skellig Night on South Mall (1845) by James Beale. These are joined by the work of artists Sarah Grace Carr, Kate Dobbin, John Fitzgerald, Robert Gibbings, Patrick Hennessy, Seán Keating, Diarmuid Ó Ceallacháin, and George Petrie. 

Recent acquisitions by Ita Freeney, Bernadette Kiely, and Donald Teskey offer new contexts, while portraits by Séamus Murphy, Nano Reid, and Eileen Healy recall rich tales from the Lee Valley, including The Tailor and Ansty and the inimitable voice of Cónal Creedon.  

In an overall sense, the exhibition encourages the viewer to reflect on the histories and perspectives of the River Lee Valley and to travel back from the city to the source in the Shehy Mountains. Michael Waldron, curator of the exhibition, says: ‘Following our popular exhibitions focusing on Cork city and harbour, it’s been such a pleasure to take a journey along the River Lee itself. I hope visitors will take as much enjoyment in following its course, connecting with the river’s rich history and culture, and maybe even get inspired to take their own stroll at Gougane Barra, Lee Fields, or the Marina”.

It has been over a decade since this column chronicled histories from the Lee Valley and recorded many oral histories from life within it. Some of these stories I have placed up on my website www.corkheritage.ie. At the time, I wrote that the origin of the name Lee is sketchy and legend reputedly attributes the name to an ethnic group known as the Milesians from Spain who reputedly arrived in Ireland several thousand years before the time of St. FinBarre. Legend has it that the Milesians acquired land in Southern Munster, which they named ‘Corca Luighe’ or ‘Cork of the Lee’ from Luighe, the son of Ith who attained the land after the Milesian advent to Ireland.

In addition, the River Lee – An Laoi over the centuries has had many variations in its spelling. In early Christian texts such as the Book of Lismore, it is described as Luae. It has also been written as Lua, Lai, Laoi and the Latin Luvius. An entry in the Annals of the Four Masters in the year 1163 A.D. names the River Sabhrann. However, many scholars agree on the name Lee as the most common name of the River.

The columns from over a decade ago also reflected upon the rich heritage of Gougane Barra. Most notably and grabbing the visitor’s eye at the start of the Crawford Art Gallery exhibition is a hand coloured and beautiful acquatint by Newton Fielding entitled “Gougane Barra Lake with the Hermitage of St Finbarr, County Cork”. It is a copy of George Petrie’s work.

George Petrie (1790-1866) was an important Irish landscape painter of his day. He explored people’s memories along with native Irish cultural traditions as he found them in the historic fabric of old monuments and buildings in the four corners of Ireland. He devoted himself to landscape painting in watercolours.

In 1819 Petrie supplied ninety-six illustrations for Cromwell’s Excur­sions Through Ireland. He subsequently furnished drawings for several publications, such as the Rev G N Wright’s Guide to Killarney, Guide to Wicklow and Historical Guide to Ancient and Modern Dublin, 1821, as well as Brewer’s Beauties of Ireland, 1825. Petrie’s appreciation of landscape was deeply indebted to William Wordsworth. He also had a constant awareness of the continuity between living folk art and antiquity. Petrie’s work explored the Irish landscape as a cultural echo informed by the lingering memories of native cultural traditions and antiquities.

Petrie’s work as a field officer with the Ordnance Survey of Ireland in the early nineteenth century was, according to art historian Peter Murray, an enormous salvage operation to collect and preserve the remains of Ireland’s native culture and identity. George Petrie’s Gougane Barra(one of two versions) attempts to put the viewer in the heart of the Shehy Mountains. Pilgrims/tourists seem dwarfed by awe-inspiring landscapes and give an increased interest and picturesque aspect to the scene.

Explore and rediscover the Lee Valley with From Source to Sea, whichis on from 22 June to 22 September in the Gibson Galleries at Crawford Art Gallery.  

Captions:

1264a. Entrance to From Source to Sea, Crawford Art Gallery (picture: Kiran McCarthy).

1264b. Hand coloured and beautiful acquatint by Newton Fielding entitled “Gougane Barra Lake with the Hermitage of St Finbarr, County Cork”. It is a copy of George Petrie’s work.

1264b. Hand coloured and beautiful acquatint by Newton Fielding entitled “Gougane Barra Lake with the Hermitage of St Finbarr, County Cork”. It is a copy of George Petrie’s work.
1264b. Hand coloured and beautiful acquatint by Newton Fielding entitled “Gougane Barra Lake with the Hermitage of St Finbarr, County Cork”. It is a copy of George Petrie’s work.

Kieran’s Our City, Our Town, 25 July 2024

1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.
1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.

Kieran’s Our City, Our Town Article,

Cork Independent, 25 July 2024

Donoughmore in the Spotlight

Recently Gerard O’Rourke’s new book Land War to Civil War 1900-1924, Doqnoughmore to Cork and Beyond hit the shelves of Cork book shops. It is a story of conflict and perseverance leading to Irish Independence. It explores, examines, and explains how this was achieved. The book recounts numerous incidents and experiences begins in Donoughmore stopping at various locations through to Cork City and internationally through the stories of the executions of Mrs Lindsay and Compton Smith, Mary Healy and Éamon de Valera, the Wallace Sisters, Dripsey Ambush, Civil War, executions, prison, life, sport, culture, economic life, and daily life. 

In his introduction Gerard notes that the aim of the book is to chronicle and document the rise of nationalism and subsequent road to Irish Freedom using Donoughmore, an area 26 km north, north-west of Cork, as a source for investigation. It builds upon stories in Gerard’s second book Ancient Sweet Donoughmore: Life in an Irish Rural Parish (2015). These publications together with an earlier work A History of Donoughmore Hurling and Football Club (1985) completes a significant trilogy of the story of this ancient parish.

Gerard in his introduction further writes about the importance of researching the quest for Irish Independence; “There was a time when talk about what was termed the troubled times was not engaged in, was frowned upon, and brought up too many bitter memories. The advancement of time has changed this and by documenting the narrative of this period we are paying homage to our own. Their sacrifices and work are rightfully highlighted and gives us an insight and appreciation to what was ‘the hidden Ireland?. It more importantly brings context to what we all enjoy today, freedom, independence, self-governance, the scope to make decisions, pursue opportunities all manageable without external intrusion”.

For Cork City Gerard has a really great reflection chapter on the lives and times of Nora and Sheila Wallace, whose story on St Augustine’s Street and their part in the Irish War of Independence in Cork City has come more to the fore in recent years. Gerard draws on family archives including notes and correspondence from the Wallace Sisters. He writes that the Sisters were greatly influenced by tales of Fenians and revolution and a thirst for Independence. They were inspired by the foresight and writings of Pádraig Pearse and James Connolly. The sisters were further enthralled by the focussed and nationalist outlook of Countess Markievicz.

 Indeed, Gerard outlines in his research that Nora paid a moving tribute to the countess on her death; “Her proud spirt had learned much or Kathleen Ní Houlihan, and the many ills that needed remedies. One noble heart, one gifted woman, laid aside all loves, and joys to serve her country. Her ideals demonstrated a desire to help the weak, and a firm belief that all difficulties could be overcome by hard work”.

When Countess Markievicz, was court martialled after the Easter Rising her action in kissing her revolver was dramatic as well as poignant. Nora commented on the fight to win; “We who know her, can appreciate fully, what that action implied; the love of a generous heart, and the belief that we should fight to win, coupled with the perfect discipline of a soldier”.

It was in 1911 that a branch of the Fianna organisation was established in Cork. Among those at the inaugural meeting was Tomás MacCurtain and Seán O Hearty. Later, Cumann na mBan was formed in Cork in 1914 and among the women who operated this organisation were Mary MacSwiney, Nora O’Brien, Bridie Conway, Annie and Peg Duggan and Nora and Sheila Wallace.

Gerard further outlines that Nora Wallace’s work with the Volunteers where she made first aid outfits and haversacks brought her increasingly into contact with Tomás MacCurtain and he trusted her with specific intelligence work. After the Easter Rising, she was given special instructions by Tomás to visit Michael Brennan Officer in Command of the East Clare Volunteers at Cork Prison.

In June 1917, the closure of the Volunteer Hall in Sheares Street created a problem for the IRA in Cork. Without a base or recognised meeting place the mechanisms were problematic to direct a war against the Crown Forces. Florence O’Donoghue, Adjutant of the Cork No. 1 Brigade and responsible for communicating with the Brigades units and further afield, saw the potential in using the shop of the Wallace Sisters as a depot for dispatches and a communications centre;

“A depot for dispatches was essential. We found it in the newsagents shop of the sisters Shelia and Nora Wallace…I had been getting my papers there and had known them for some time. They lived over the shop, they worked from eight in the morning until midnight…if any two women deserved immortality for their work…they did. Wallace’s became to all intents and purposes Brigade Headquarters…an indispensable part of the organisation. Shelia and Nora came to know everybody and everyone’s status; they became experts at side tracking persons with no serious business… nothing I could say about their tact and discretion would express adequately my appreciation of the manner at which they did a most difficult and valuable job”.

Gerard details through his research that it took until May 1921 for the British authorities finally tried to curb the actions of the Wallace Sisters and in a letter to the sisters an instruction was given to them to close the shop. Resilient as ever the sisters attained a temporary shop lease in the English Market and continued their work. Less than two months later following the Truce the shop was reopened.

Nora and Sheila Wallace took the Anti-Treaty side and when the Irish civil war broke out, they had to reconsider their activities given they were well known to their former comrades. In that respect despatches were moved promptly. The shop was constantly raided during this period.

€15 sold of each copy of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond will be donated to cancer care services in Cork.

Caption:

1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.

Lord Mayor Cllr McCarthy Goes Poster Free, 11 May 2024

Ahead of the upcoming Local Elections on 7 June Lord Mayor of Cork Cllr Kieran McCarthy has gone poster free on poles across the south east local electoral area. Kieran noted; “I have been particularly inspired by the work of Douglas Tidy Towns who have advocated the non-postering of posters in Douglas Village. I also have a very keen and active interest and participation in promoting the environment and heritage in the city”. 

“To those asking about if I am still running because they don’t see my poster – As an independent candidate I am very much in the race in this local election in the south east local electoral area of Cork City – I have been canvassing for several weeks at this moment in time. I won’t get to each of the over 15,000 houses in the electoral area, but certainly and against the backdrop of a very busy Mayoralty post, I am daily trying to knock on doors in the various districts of my local electoral area. My manifesto is online at www.kieranmccarthy.ie, which champions such aspects such as public parks, environmental programmes, city centre and village regeneration, and the curation of personal community projects such as my historical walking tours, concluded Kieran”.

Read my manifesto here: 2. Kieran’s Manifesto, Local Elections 2024 | Lord Mayor of Cork Cllr. Kieran McCarthy

Kieran continues his suburban historical walking tour series next Saturday 18 May, 11am with a walking tour of Ballinlough. The meeting point is at Ballintemple Graveyard, Temple Hill, 11am. The tour is free, two hours and no booking is required. Kieran noted of the rich history in Ballinlough; With 360 acres, Ballinlough is the second largest of the seven townlands forming the Mahon Peninsula. The area has a deeper history dating back to Bronze Age Ireland. In fact it is one of very few urban areas in the country to still have a standing stone still standing in it for over 5,000 years. My walk will highlight this heritage along with tales of big houses such as Beaumont and the associated quarry, rural life in nineteenth century Ballinlough and the development of Ballinlough’s twentieth century suburban history”.