Welcome to Our City, Our Town for its 20th year. The official anniversary is in October of this new year. I wish to continue exploring life in Cork during the period 1916-1921. The back issues of this column, which explored the period from 1916 to 1918 are on the index of my website, www.corkheritage.ie and the articles from this column from the last ten years are now online and accessible to read. Before that many are published in book format and the titles of these books can be viewed on the website. In addition, I post extra articles and pictures on my heritage facebook page, Cork Our City, Our Town or check out my twitter page at @cllrkmac.
The first week of January 1919 coincided with the ongoing controversy of the ceasing of the Cork National Shell Factory and finding a future use for it. The work of closing down the Irish munition factories begun shortly after the cessation of the First World War in late November 1918. The 1 January 1919 coincided with the public call by the Ministry of Munitions, London that the plant machinery of the respective Irish and British munitions factories would be advertised for public sale and buildings leased by local owners such as Corporations to new leasees. The Government authorities wished not to have role in picking the new owners but would pass on interested business interests to the relevant owners.
Staff at Dublin, Cork, Waterford and Galway were to be dispensed with. The staff of the Dublin factory, which at one time numbered over 1,500 were all been paid off, except for a small number required to catalogue the considerable machinery and stock. The value of the machinery in Parkgate factory exceeded £100,000. Most of it was not suitable for private work – it being impracticable to attempt to adopt shell making machines to other general uses. The machinery was to be sold as scrap.
Another effect of the closing down of the Parkgate Street Factory was the freeing for industrial use of a large quantity of gas and electric power. When the factory was in full swing the gas consumed was at the rate of over 6,000,000 cubic feet per annum, while electricity was being used at the rate of 250,000 units a quarter. As big extensions were in progress when hostilities ceased, the amount of gas and electric current required would have been considerably more. The freeing of this amount of power was to greatly benefit, industrial firms in Dublin, who because of the coal shortage had their supplies considerably reduced.
There were about 150 employees in the Cork Shell Factory, which opened in June 1916. By December 1916, the scale of the wages paid to the girl workers was 10s 6d per week of 45 hours as probationers. At the conclusion of the probationary period, they were to take their places in one of the three eight-hour shifts, when their wages according to the shift in which they were engaged, namely – those on the shift from 6am to 2pm received 2s 6d per day, 2s 9d per day if on 2pm to 10pm shift; and 3s 3d per day if on the shift from 10pm to 6am. At its maximum capacity there were 42 machines, chiefly lathes used for the manufacture of 4.5-inch shells. Elsewhere, there were over 100 hands employed in the shell factory at Galway and 600 workers found remunerative employment in the Waterford Cartridge Case Factory.
Schemes were developed for the utilisation of the four factories for commercial purposes, but no definite pronouncement was expected immediately in regard to their future. An offer was made for the Cork factory by a Dublin trader and it was favourably considered by the Ministry of Munitions. However, it did not meet with local approval and the offer fell through. At the Tolls and Markets Committee of Cork Corporation on 1 January 1919, reference was made of the Hammond Lane Foundry Company Ltd, Dublin looking for a lease of the premises known as the Cork National Shell Factory, 40-41 North Main Street, which extended to Corn Market Street. The matter fell through owing to a remark made at a Council meeting and broad opinion that the building should be leased to a local firm. The proposal was to employ approximately a hundred men.
By late June 1919 the lease of the factory in its entirety was taken over from the Corporation of Cork in association with the Ministry of Munitions by Mr Richard Woodhead, who acted on behalf of the Ford Company. The purchase comprised the entirety of the valuable electrical plant, machinery, compressor, and accumulators. It was the specific intention of Mr Woodhead to make the factory a depot for repair work for the South of Ireland for Fordson farm tractors and Ford cars. To that end considerable money was expended in the installation of the most up-to-date plant, and the entire building was altered and renovated. The plant aimed to employ 100 people and trade under the name “City Garage”. The firm was to have its own petrol pump inside and outside the premises and have a modern hydraulic tyre press. The business survived 1921 and during the 1920 saw two lessees, first the Universal Motor Company, circa 1924 to 1929 and then the Lee Motor Company, c.1930s onwards.
Happy New Year to all readers of the column.
Captions:
978a. Section of Goad’s insurance plan of North Main Street and Cornmarket Street, 1938 showing Dwyer’s’ Lee Hosiery Company, former site of Cork National Shell Factory (source: Cork City Library).
978b. Former site of Cork National Shell Factory, now the Bodega on Cornmarket Street; the factory site stretched to North Main Street (picture: Kieran McCarthy)
January 2018, A Light in the Winter: Lord Mayor’s Tea Dance at Cork City Hall, with the Cork Pops Orchestra under the baton of Evelyn Grant, with Gerry Kelly, and singer Keth Hanley; next tea dance on 27 January 2019.
February 2018, What Lies Beneath: Archaeological discoveries on the proposed Event Centre site by Dr Maurice Hurley and his team are revealed at packed out public lectures; they unearth objects and housing dating to the 11th and 12th Century AD; there is an ongoing exhibition in Cork Public Museum in Fitzgerald’s Park.
March 2018, Upon the Slopes of a City: Storm Emma creates a winter wonderland.
April 2018, A Safe Harbour: Cork Community Art Link do another fab display of the Cork Coat of Arms on the Grand Parade providing a brill entrance to Cork World Book Fest 2018.
May 2018, The Truth of History: A reconstruction at UCC of a fourth class cottage from the times of Ireland’s Great Famine laids bare the realities of everyday life for many people. It was built to coincide with Cork hosting the National Famine Commemoration at UCC.
June 2018, The Challenges of the Past: Charles, Prince of Wales, visits Cork. https://www.princeofwales.gov.uk/speech/speech-hrh-prince-wales-civic-reception-cork-ireland
July 2018, Shaping a Region: US artist Tamsie Ringler begins pouring the molten ore for her River Lee iron casting sculpture at the National Sculpture Factory, Cork.
August 2018, The Beat of Community Life: Ballinlough Summer Festival organised by Ballinlough Youth Clubs at Ballinlough Community Centre reaches its tenth year; its Faery Park and Trail also grows in visitor numbers.
September 2018, On The Street Where You Live: Douglas Street AutumnFest brings businesses and residents together once again for a super afternoon of entertainment, laughter and chat. The ongoing project wins a 2018 national Pride of Place award later in December 2018; & a new mural by Kevin O’Brien and Alan Hurley of first City Librarian, James Wilkinson, who rebuilt the city’s library collections after the Burning of Cork, 1920.
October 2018, The Playful City: Cork’s Dragon of Shandon is led by a host of playful characters and the citizens of the city.
November 2018, Lest We Forget: Marking the centenary of Armistice day at the Fallen Soldier Memorial on the South Mall for the over 4,000 Corkmen killed in World War 1, led by Lord Mayor of Cork, Cllr Mick Finn.
December 2018, A City Rising: the Glow Festival on the Grand Parade & in Bishop Lucey Park attracts large numbers of citizens and visitors to Ireland’s southern capital.
The column for 2018 highlighted everyday events and local history nuggets from this period of centenary commemorations. The year 1918 brought continuing challenges and opportunities to Cork and Ireland – elements such as rationing, war fatigue, renewed Sinn Féin vigour, the war ending – all offer lenses in telling the story of life in Cork one hundred years ago. The full index is here: http://corkheritage.ie/?page_id=4835
With the end of the year drawing near, 2018, as the European Year of Cultural Heritage, also draws to a close. Around the country and indeed around Europe, a variety of different events and projects took place to mark the year and here in the County of Cork, a publication was undertaken to examine the county’s historic place within Europe, titled ‘Europe and the County of Cork: A Heritage Perspective’. The publication was launched on Monday 10th December by the Mayor of the County of Cork Cllr. Patrick Gerard Murphy.
A launch also took place at the European Committee of the Regions’ building in Brussels. The invite came from Committee members Cllr Kieran McCarthy (City) and Cllr Deirdre Forde (County) who deputised for the County Mayor for the launch. Cllr McCarthy outlined to the invitees, many of whom were from Ireland and several of whom who were from other member states, the role of the heritage officer scheme in Ireland and introduced County Cork heritage officer Conor Nelligan. Cllr McCarthy noted; “it is important to showcase the stories in the book – from the perspective of Cork’s role in the Atlantic region but also the role of many individuals in Cork’s rich past who influenced the course of European history. It is also an appropriate time to promote the Cork region especially in a time of Brexit”.
Drawing on the expertise of a range of different authors – Elena Turk, Connie Kelleher, Denis Power, Cal McCarthy, Tomás MacConmara, John Hegarty and Clare Heardman, who each provided a chapter and a selection of sites for the publication, the scope of the book is a wide one, covering archaeology, ecclesiastical heritage, maritime heritage, Revolution, Culture, Architecture and Natural Heritage. Community groups from around the county also submitted some wonderful examples of local connections with Europe, both through people and place, and one can easily glean from the pages how much of an influence Europe has had on Cork, but too, how Cork has had its influence on Europe over the many years.
At the Brussels launch the Deputy Mayor Cllr Deirdre Forde noted: “What we learn from the publication is the extraordinary influence that the European mainland has had in Cork over the centuries and millennia, but also, that County Cork as a place is unique, and it too, has played a very strong role in the shaping of Europe over the many years”.
Europe and the County of Cork: A Heritage Perspective’ has hit the bookshops and copies are also available to purchase for €10 at on Floor 3 of the County Hall. This publication will be of interest to any reader with an interest in Cork’s history and its place in Europe. For more information on this and other Heritage Initiatives visit the Heritage Website of Cork County Council (www.corkcoco.ie/arts-heritage) or contact the Heritage Unit on 021 4276891.
In December 1918, Sinn Féin swept to a crushing victory over the Irish Parliamentary Party (IPP) or Irish Nationalist Party. which aimed for Irish representation and recognition at any post war peace conference. The IPP policy was to leave negotiation to the British government. However, a new generation of young voters, and the increase of women voters over thirty, meant that vast numbers of new voters of unknown voter affiliation emerged. It changed dramatically the make-up of the Irish electorate. Except for Waterford City, Sinn Féin won every seat outside of Ulster. Sinn Féin MPs refused to sit in the House of Commons and instead formed Dáil Éireann in January 1919. The Irish Parliamentary Party, Irish Unionist Alliance, Labour Unionist Party and an Independent Unionist MP remained in Westminster.
On 28 December 1918, the results from Great Britain were the first to arrive. From noon onwards, results were regularly and rapidly sent to the offices of Cork, Dublin and Belfast evening papers. The Irish political tide was well estimated during the previous fortnight. That of Great Britain supplied many surprises, though there were few who failed to realise the extent of the costly campaign which Coalitionists waged to secure its decisive governmental majority. The surprises generally voiced were the defeat of the Asquithian Liberals and the failure of the Labour Party while as between Ireland and Great Britain the respective strengths at an early hour were sized up as Sinn Féin and Coalition.
Just before 7pm the result of the Cork poll was declared, and soon after the results were delivered from the upper steps of the Cork Courthouse to the people in waiting. Mr J J Walsh, who headed the Cork City MP poll, was seen descending the steps making his way to the street. He was instantly rushed and raised shoulder high, while from a number of women large bouquets of flowers were presented to him. Soon after Mr Liam De Róiste came in for as equally enthusiastic reception. This procession then passed through Great George’s Street (now Washington Street) and St Patrick’s Street, and back again to the Grand Parade.
James J Walsh, of Dublin origin, was a member of Cork Corporation and was for a long time connected with the GAA in the South, being Chairman of the Cork County Board for many years. He fought in the 1916 Rising, was sentenced to death, but afterwards he was commuted to penal servitude, and released under general amnesty. He went through forcible feeding and was on four hunger strikes including that under which Thomas Ashe died. He was also sentenced to two years’ hard labour for speeches delivered in the North.
Liam De Róiste was a Technical Instructor, was President of the Sinn Féin Executive, and was one of the earliest secretaries of the Cork Industrial Development Association. He was the author of several books and pamphlets on temperance and industrial development.
For Mid Cork Terence MacSwiney, was elected. He was in charge of the Cork Sinn Féin Volunteers up to Easter Week, and after the surrender in Dublin was deported. He was again arrested in May 1918, and deported, being in December 1918 in Lincoln Gaol. He was a commercial instructor and was an author of several national dramas and poems and. A fluent Irish speaker and scholar, he had been for many years an active Gaelic League proponent.
For Cork East David Kent was elected. After the Easter Rising he had been sentenced to death, which was commuted to five years’ penal servitude in connection with the resistance offered to police raid on his house at Castlelyons in 1916. David Kent was subsequently arrested in connection with a speech he delivered in North Cork, and the charge of inciting to murder was thrown out by the Grand Jury.
For Cork South Michael Collins was elected. He fought in the GPO at the Rising and was deported to Frongoch. On his return he was appointed Secretary of the Prisoners’ National Defence Fund.
For Cork East Diarmuid Lynch was elected. For his participation in the Easter Rising, he was sentenced to death which was afterwards commuted to ten years’ penal servitude. He was release due to the amnesty of 1917. He was arrested again in early 1918 and sentenced to two months’ imprisonment for his part in the well-known Sinn Féin Food Supply scheme. At the execution of his sentence, being an American citizen, he was deported to the US. He was a native of the Kinsale district and did prominent work for the Gaelic League including a special mission with Thomas Ashe to America.
For North Cork Padraic O’Keeffe was elected. He was for some years General Secretary of Sinn Féin up to his arrest in May 1918. He took part in the fighting in the GPO. At the time of his election he was a prisoner in England.
For Cork North East Thomas Hunter was elected. He had commanded the 4th Battalion of Volunteers at Jacob’s at the Easter Rising. He was sentenced to death, which was afterwards changed to penal servitude. He was released under the general amnesty, but was re-arrested in May last, and was at the time of his election in an English prison.
For Cork West Sean Hayes was elected. He fought in the GPO at the Easter Rising and was deported to Frongoch. After his release he returned to Cork and was appointed editor of the Southern Star when that paper was taken over by Sinn Féin.
Happy Christmas to all readers of the column
Missed a column this year, check out the indices at Kieran’s heritage website, www.corkheritage.ie
Kieran’s new book, Cork in Fifty Buildings (2018, Amberley Publishing) is now available in Cork bookshops.
Kieran is also showcasing some of the older column series on the River Lee on his heritage facebook page at the moment, Cork Our City, Our Town.
Captions:
977a. Liam De Róiste, c.1918 (source: Cork City Library)
977b. Terence McSwiney and Muriel 1919 (source: Cork City Library)
977c. Michael Collins, 1919 (source: Cork City Library)
How oft do my thoughts in their fancy take flight
To the home of my childhood away,
To the days when each patriot’s vision seem’d bright
Ere I dreamed that those joys should decay.
When my heart was as light as the wild winds that blow
Down the Mardyke through each elm tree,
Where I sported and play’d ‘neath each green leafy shade
On the banks of my own lovely Lee.
Being sent in as the warm-up act to tonight’s special concert presents its challenges to go before the talented performers, we will hear this evening.
What may come across as a random act of breaking into song by one deputising for the Lord Mayor, can be attributed to my long-held wish to want to sing on this stage and indeed test the acoustics of this great hall.
This hall specifically opened 82 years to host concerts of light opera and musical theatre like those we are about to hear this evening. And if you don’t believe me, the West End- London Strand electrical boxes still ablazen the side wings.
What this concert celebrates here this evening is another act of randomness and another long-held wish but this time, from 50 years ago, through the idea of a small group of individuals initially who wanted to come together to sing and create a new community and cultural outlet in the city.
1968 Cork coincided with an industrial boom in Cork – Fords and Dunlops had just had their factories expanded and further mechanised. The Harbour area was booming with industrial elements such as Verolme and Whitegate all making their mark.
In the same year, Cork Corporation planned to expand its city boundaries to take in new housing estates, social and private, which had emerged in the previous 20-30 years. From Churchfield to Blackrock, new houses etched the city’s skyline. The first City Car parks were planned as the number of cars on the streets soared.
The Ballrooms of Romance such as the Arcadia shook with the sounds of new sounds, new music and the beat of new music. People swirled into the city’s suite of cinemas; they swirled in the city of the brand-new Opera House. It was a baby just then three years old, but you could still smell the new paint and feel the texture of the new seats.
In the midst of all of that was the birth of a male voice choir, community based, who captured the energy of an industrially charged City.
However, as Cork over the past fifty years has seen boom and bust – one of the strong constant denominators to witnessing such change and getting on with their raison d’être – has been the Cork Male Voice Choir.
Moments of Life:
I have no doubt there were moments in the early days when the founder members held firm on why they established the choir. Paddy Murray one of the original particpants is here this evening and is still singing with the choir. Tonight, we remember him and the founders for their tenacity and vision.
There were moments where the choir suffered the blows of members who left for various reasons or who passed away. Tonight, we remember past members and rejoice in the talents of the present members.
There have been moments in the multitudes of rehearsals where complex musical notes confounded even the sharpest of members. We remember those who stayed quiet and let the choir master and accompanists do their work.
There have been moments when a new Choir master arrived and where members like a student were anxious to see what empathy and teaching skill would come forth. We remember all the past choir masters for their dedication and vision.
There have been moments when family members of Choir members critiqued the small flecks of dirt on a suit or shirt to be worn – probably asking the said family member to “take that shirt off”, probably threw it in the wash and like out of nowhere presented a brand-new shirt. Tonight, we remember the support of family members not just from a clothes perspective, but who smiled and said in their own way, “no problem, it was great to see you on the stage. I am very proud of you”.
There have been moments where members brought their life concerns in their head to rehearsal and through song worked out a resolution. We remember those who sang up and went with the flow of the music.
There have been moments in a break of a rehearsal – when a fellow member asked “is there anything wrong” to another member and a worry was shared -and in that quiet moment or a rehearsal room – the power of solidarity and friendship prevailed to soften the blows of life. We remember those guardians of empathy and the listening ear.
There have been moments where choir members did not want concerts to end and the words of “Beautiful City”, charming and pretty – echoed into their heart and soul long after they left the stage. We remember those melodies which brought the audience along on a journey of discovery of pride and to that “haven of rest”.
There have been moments when members knew that at a moment in time – they were the guardians of some of the city’s favourite songs, and it they don’t sing and champion them – who would? We remember that as the choir champions the city’s musical culture; the city’s DNA – an intangible quality of all things Cork – is also embedded into the members.
Over the past fifty years, there have been many moments.
In truth, the members are all true Corkonians, guardians of what it means to be from Cork – Ireland’s southern capital, where its climate, geography, culture and history meets the Atlantic – where being a true Corkonian is perhaps the ultimate accolade.
So tonight, we celebrate fifty years, we reflect on the fifty years of its history and everyone associated with in the past, present and going forward. We thank the Cork Male Voice Choir for the journey they have taken the city on, and we think about the journey going forward.
Funds from this evening go to the Cope Foundation, who have also been on its own journey in the last fifty years, and who also deserve a whole speech themselves in another time and space.
I wish to thank the Sontarinas, Cope Foundation and also Cork’s first lady of song, Cara O’Sullivan, all of whom will also perform this evening.
Independent Cllr Kieran McCarthy has praised Cork Public Libraries staff on their vision to engage with the tech revolution connected to libraries.
In August of this year Cork City Council applied to the Department of Rural and Community Development for funding to enhance digital learning functionality in all seven libraries in the city. That Department has policy responsibility for the public library service, and had announced a major investment package for digital services and facilities in public libraries.
The Council was successful in its application and was authorized to spend up to €351,000 of which 75% would come from the Department, with the rest being matching funding by the Council. On receipt of approval the staff of the Council’s Libraries and ICT sections immediately began the procurement process. Because of the volume of hardware and software being purchased there were economies of scale, so that the total amount spent is slightly below the maximum allowed, at €349,000. This is the second year in succession that the Council has been awarded significant funding to enhance its Libraries.
Cllr McCarthy noted; it is great to see our public libraries developing a range of public functions. This grant aid has enabled the purchase and installation of a range of equipment in all libraries in the city such as portable digital Whiteboards, re-conditioned laptops for Coder Dojos, pod-casting equipment, portable PA, video and recording equipment and other related technology”.
“This investment will be a significant contribution to social and cultural inclusion, by bridging the digital divide for communities and individuals right across the city. Much of the equipment has already been delivered and installed, and the Library Service will be developing a digital strategy over the coming months, cooperation with relevant community groups, to make best use of this enhanced functionality”.
Further information has been given to members of Cork City Council on the Film in Cork initiative which is being developed by Cork City and County Councils to promote the Cork region as a location for film production. The initiative has been successful in attracting a range of films to Cork, and productions such as The Young Offenders are raising the profile for Cork as a film friendly region. The contract for delivering the initiative is currently being supported by Pooleen Productions (Rossa Mullin) under a 4 year contract. Cork City and Cork County Councils will be tendering out the Film in Cork service over the next few months.
Independent Cllr Kieran McCarthy noted that the two councils are also actively engaged in working with a range of stakeholders to develop interest in the idea of developing a film studio for Cork. “Good progress in being made; As part of the ongoing efforts of both local authorities, the case is now being made to Government for Cork to be provided with the necessary incentives that will enable to the region to compete for audio visual activity on a more level playing field.
“In the recent budget, Government announced a number of measures to promote the film industry in Ireland. Section 481 film tax credit is proposed to be extended for a further 4 years with additional incentives for the regions (subject to state aid approval)”.