Monthly Archives: October 2010

Tales from the Halloween Crypt, Halloween Weekend

Tales from the Halloween Crypt, October 2010 

Red Sandstone Varied Production Present

Tales from the Halloween Crypt

 Tales from the Halloween Crypt is constructed as a series of plays within a play. These stories of stories are accolades to the work of others, or based on historical record and legend. Your host provides the links between this tapestry of Halloween themed tales, as well as contributing her own drama. There are many layers to this crypt. Enter if you dare. Though to be honest, you dare not miss it!

This years starring line up are:

Marie O’Donavan
Vanessa Hyde,
Catherine Crowley
Kieran McCarthy,
Keith Ryan,
Rob Mullins.

Costume Designer – Jessie Mae Winchester.

TICKETS €10 Ad, €7 Chld, €30 Family (2Ad+2Ch)

Run-
Friday 29th 8pm Spaniard, Kinsale.
Saturday 30th 3pm Munster Arms, Bandon AND 8pm Lifetime Lab, Lee Rd. Cork.
Sunday 31st 3pm Lifetime Lab AND 8pm Crane Lane Theatre (Finale, come in costume and dance the night away.)

Tales from the Halloween Crypt, October 2010

Halloween Spooks Parade, Ballinlough

A Halloween Spooks Parade is being organised by the Ballinlough Youth Clubs this Sunday, October 31st.

The Parade starts from the Youth Club at 5.00pm sharp. Registration before that from 4.45pm All children must be registered for insurance purposes and accompanied by an adult.

All the children will be given glow sticks and musical instruments to add the atmosphere in the Community. There is a small charge of €2 per child, (or €5 for a family of three children) to cover the costs.

Fifth Dragon of Shandon Halloween Lantern Parade, Sunday 31st October 2010

Cork Dragon, Cork Community Art Link

 

Cork Community Art Link is delighted to announce details of the Fifth Dragon of Shandon Halloween Lantern Parade on Sunday 31st October with an evening featuring a vibrant mix of community outreach, artist led and voluntary participation projects. In five short years the parade has established itself as an innovative platform for communities and artists to join together to celebrate the age old tradition of Samhain and this year promises wonderful evening of collective celebration in the historic heart of Shandon.

The 2010 evening parade of spooks and ghouls has almost doubled in size and will see over 350 participants take to the streets of Shandon on Halloween night with a line up that includes the Cathedral Cairde Youth Group, Blarney Street Youth Project, Students from North Presentation, Cope Foundation, the Traveller Visibility Group, percussion and brass with Cork Music Works and the CIT Carnival Samba , The Buttera – Butter Exchange Brass Band, Gurranabraher String Theatre Youth Drama Project, Meithal MaraNaomhoga Chorcai, St Johns College, Artlink’s Community Drama Group,  Gurranabraher  Youth Circus and the  Knocknaheeney Youth Music Initiative (CAM).

Parade highlights include the magnificent 12 meter sellotape Dragon of Shandon articulated by 12 puppeteers, a specially commissioned sound track by electro acoustic composer Giordai Ua Laoghaire for the opening performance sequence, projections by Fernando Tunon as well as wonderful and unique skeleton puppets, scary characters, lanterns created as part of Artlink’s outreach participation programme that has been running since May. 

As part of the 2010 parade we are particularly delighted to announce our collaboration with traditional currach rowing club Naomhoga Chorcai and boat makers Meithal Mara and and a river parade up the Lee with a shoal of illuminated fish mounted on currachs that will join the street parade at Popes Quay.

The Dragon of Shandon Samhain Street Parade’ will depart the Shandon Craft Centre Sunday  31st October at 7pm with a 30 minute opening performance sequence, turns down John Redmond St, Mulgrave Road, along Popes Quay, up Shandon St, Church St returning to the Craft centre for an outdoor Monsters Ball.

The River Parade will arrive at Christy Ring Bridge at approx 7:15pm, where it will join the street parade on Popes Quay and continue up to North Gate Bridge and then row back down the north Lee channel.

Dress up, join in the fun and walk with Irelands last Dragon through the historic streets of Shandon. The 2010 parade is supported by Cathedral Credit Union, the local Shandon Street business and trading community and the Firkin Crane.

Cork Community Art Link makes life in Cork better by making art together, we operate a year long programme of participative and collaborative arts projects with community groups across Cork city. 

Cork Dragon, Cork Community Art Link

 

Kieran’s Question and Motions, 25 October 2010

Kieran’s Question and Motions, Cork City Council Meeting, 25 October 2010

Question to the City Manager:

 To ask the manager about the energy efficiency of c.400 street lamps on the Grand Parade plaza (Cllr Kieran McCarthy)

 

Motions:

That the City Council tarmacadam the ‘rough’ laneway behind High Street Launderette on High Street (Cllr K McCarthy)

 

That the Council take down the ‘no turn right’ sign for Ballinlough Road on Douglas Road (city facing, outside St. Finbarre’s Hospital) plus instate a ‘no heavy vehicles sign’ at the base of the hill of Bernadette Way (Cllr K McCarthy)

Batique, Council Chamber, Cork City Hall

 

Kieran’s Our City, Our Town, 28 October 2010

563. George Crosbie, Chairman

Kieran’s Our City, Our Town article,

Cork Independent, 28 October 2010

In the Footsteps of St. Finbarre (Part 234)

Depressions, Ideas and Spins  

 “I have no hesitation declared Mr. O’Connell [leader of the Irish Labour Party], in stating that this country is facing up to a state of emergency almost as  great, if not as  immediately apparent as that which threatened other countries during the past few months. The practical solution of their difficulties could be summed up in consequence- provide useful and remunerative employment for all who are able to work. It was no small problem, but it was not insoluble. Every person of good will must unite in devising practical methods to bring about such as a re-organisation “(Editorial, Cork Examiner, 5 September 1931, p.10)

At times reading the above, one could replace the year 1931 with 2010. In fact, there are many political commentaries played out in 1931 to question where the country’s economy was going and also to lay the foundations of lobbying the people for a general election in 1932. From the perspective of 2010, one can see the political spin in full form from parties such as Fianna Fáil and the Labour Party in an effort to collapse the Cumann na nGaedheal government. However, what is clear was that the country was in a time of not just recession but a time of great economic depression. The Wall Street Crash of 1929 in New York had seriously hindered trade with Ireland’s best customer, the USA and created an economic depression in Britain as well. The lack of trade also meant that emigration with the intention of attaining jobs in those countries highly difficult.

Cork as a city was no stranger to providing leadership through its national exhibitions in dark economic times. The Irish Industrial and Agricultural Fair held in Cork in 1931 and organised by the Cork business people not only put a focus on the importance of building Ireland up within itself but also sent a serious message to the rest of the country to fight morally for itself. Exhibitions had worked before in the city’s history to draw attention to its enterprises. Perhaps because of its port status, the city was open to foreign ideas more so than non maritime cities. It is interesting to note that in the five years leading up to Cork’s 1931 preparations for its 1932 event, several world fairs had played out with objectives to improve its national industries – Berlin (1926), Lyon, France (1927) Cologne, Germany (1928), Long Beach, United States – Pacific Southwest Exposition (1928),  Barcelona and Seville, Spanish International Exposition (1929),  Newcastle upon Tyne, England/  North East Coast Exhibition  (1929) Hangzhou, Republic of China (1929), Antwerp, Belgium (1930),  Liège, Belgium (1930), Stockholm International Exhibition (1930), Trondheim, Norway (1930), International Foundry Exhibition and Congress  at Milan, Italy (1931) and Paris, France (1931).

The Irish newspaper online resource (an access point is available in the Boole Library in UCC) provides a way to search through several newspapers to explore any topic. On the 16 May 1931, the Irish Independent ran a story that a meeting of prominent business men in Cork decided to create an Industrial and Agricultural Fair for Cork in 1932. It was announced that a site had been secured on the Carrigrohane Road and that a guarantee fund had already been assembled totalling £25,000. Mr. George Crosbie was appointed chairman and Sir Stanley Harrington, Sir A. Dobbin, James Dwyer and Senator J.C. Dowdall were vice chairmen. An obituary for the chairman in 1934 in the Irish Press for the 27 November reveals that George was born in 1864 and was educated at St. Vincent’s Seminary, Cork and later at Tullabeg College after which he joined the literary staff of the Cork Examiner. He was the son of Thomas Crosbie, who played a major part in the management of the paper. George was admitted to the Bar (law) in 1890. He stood for Cork in 1909 as Irish party representative but was defeated. He was defeated in the Senate election of 1925 but was elected Senator in 1932. He was the first president of Cork Industrial Development Association, which was founded in 1903. The Association was inspired perhaps in part by the 1902 and 1903 Cork International Exhibition. George Crosbie, in his capacity as President, met Mr. Henry Ford and interested him in establishing a Ford factory in Cork in 1917.

From the initial idea of the fair, the Cork Examiner also seems to begin to roll out a series of columns on the positive work of the Cork Industrial Fair committee, on the 17 August 1931, the Cork Examiner published the minutes of a meeting whereby on the previous day, chair of the committee George Crosbie’s addressed the County of Cork Committee of Agriculture to gain support for the venture and outlined a number of early objectives for the exhibition. The main thrust of Crosbie’s argument was that: “the time had about come when we should make some effort to try and help on the agricultural side of the country…Emigration had ceased and there was only one direction in which the people’s efforts could be directed and in the opinion of the those who were organising the fair, that was the land.”

Captions:

563a. George Crosbie, Chairman, Irish Industrial and Agricultural Fair, 1932 (sources: Cork County Library)

563b. Advertisement, 1932

 

563b.Fair advertisement, 1932

Remembering Terence MacSwiney, 90th Anniversary of his Death

Terence MacSwiney (Kieran’s remarks as published in the Evening Echo, 25 October 2010)

 

Today marks the ninetieth anniversary of the death of Terence McSwiney, former Lord Mayor of Cork. Terence McSwiney is a name which stands for and symbolises Cork’s Republican and revolutionary heritage. Yes he was a councillor, a Lord Mayor but also a  leader who directly sacrificed his life for his city and county. The collective memory of his 74 days of  hunger strike does not really talk about  his self torture. Terence seems to be primarily remembered through the making of City Hall as a site of memory to him and Tomas McCurtain. Within City Hall there are busts and paintings of him and speeches remember him at the Lord Mayor’s inauguration every year.  

 

Terence MacSwineyHowever I would strongly argue that much of Terence’s key works, his writings, perceptions and learning from his legacy are almost forgotten in the public realm. He was one of the founders of the Cork Brigade of the Irish volunteers. His hunger strike brought international attention to the Irish War of Independence plus created an international debate on the ongoing war. His book Principles of Freedom inspired many in India to rise up against British control in the late 1920s and 1930s. He was also a playwright, poet, founder of the Cork Dramatic Society with another of Cork’s famous literary sons Daniel Corkery. Terence wrote five plays with themes around revolution, democracy and freedom.

 

With all of those achievements, there is an enormous need to bring Terence’s legacy and concepts of democracy and freedom into every school in the Cork region so that the  up and coming generation get to debate his writings and legacy; that  his ideas on democracy are maintained in a highly globalised world. Ultimately if we don’t invest in his collective memory, his future legacy will be forgotten.”

 

Terence MacSwiney

Terence was educated by the Christian Brothers at the North Monastery school in Cork city, but left at fifteen in order to help support the family. He became an accountancy clerk but continued his studies and matriculated successfully. He continued in full time employment while he studied at the Royal University (now University College Cork), graduating with a degree in Mental and Moral Science in 1907.

In 1901 he helped to found the Celtic Literary Society, and in 1908 he founded the Cork Dramatic Society with Daniel Corkery and wrote a number of plays for them. He was educated as an accountant and also was a playwright, poet, and writer of pamphlets on Irish history. His first play The Last Warriors of Coole was produced in 1910. His fifth play The Revolutionist (1915) took the political stand made by a single man as its theme.

MacSwiney’s writings in the newspaper Irish Freedom brought him to the attention of the Irish Republican Brotherhood. He was one of the founders of the Cork Brigade of the Irish Volunteers in 1913, and was President of the Cork branch of Sinn Féin. He founded a newspaper, Fianna Fáil, in 1914, but it was suppressed after only 11 issues. In April 1916, he was intended to be second in command of the Easter Rising in Cork and Kerry, but stood down his forces on the order of Eoin MacNeill.

Following the rising, he was interned under the Defence of the Realm Act in Reading and Wakefield Gaols until December 1916. In February 1917 he was deported from Ireland and interned in Shrewsbury and Bromyard internment camps until his release in June 1917. It was during his exile in Bromyard that he married Muriel Murphy of the Cork distillery-owning family. In November 1917, he was arrested in Cork for wearing an Irish Republican Army (IRA) uniform, and, inspired by the example of Thomas Ashe, went on a hunger strike for 3 days prior to his release.

In the 1918 general election, MacSwiney was returned unopposed to the first Dáil Éireann as Sinn Féin representative for Mid Cork, succeeding the Nationalist MP D. D. Sheehan. On Tomás MacCurtain’s death Terence MacSwiney was elected Lord Mayor of Cork. Like MacCurtain, he had been a member of the Irish Volunteers and an enthusiast for the Irish language. He had also been imprisoned following the Easter Rising. A talented writer, he wrote a drama entitled ‘The Revolutionist’, several volumes of poetry and a political tract entitled ‘The Principles of Freedom’.

As well as being Lord Mayor of Cork, he was the Commandant of the First Cork Brigade of the I.R.A. On 16 June 1920, following his election, he signed an official resolution of the City Council, re-iterating that made by Tomás MacCurtain, declaring Dáil Éireann as ‘the lawful, legal and consitutional parliament of the Irish Nation…the lawful Government of this country’. (See image below).

On 12 August 1920 he was arrested for possession of seditious documents and of a cipher key to coded messages used by the R.I.C. He was tried by court martial on 16 August 1920 and sentenced to two years’ imprisonment. After his arrest he immediately went on hunger strike. He was imprisoned in Brixton Prison, England, where his continuing hunger strike attracted world-wide attention. He died on 25 October 1920 and his body was brought home for burial. He lies beside MacCurtain in the Republican plot in Saint Finbarr’s Cemetery in Cork. His funeral on 1 November 1920 attracted huge crowds.

Images of the past:

Cover of The Principles of Freedom, one of the several published editions Funeral of Terence MacSwiney

 Mass card of Terence MacSwiney

Funeral of Terence MacSwiney

Protests in the US arising from Terence MacSwiney's hunger strike

Portrait of Terence MacSwiney, Crawford Municipal Art Gallery, Cork

Kieran’s Our City, Our Town, 21 October 2010

562a. front cover, programme for irish Industrial and Agricultural Fair, Cork 1932

 

Kieran’s Our City, Our Town Article, Cork Independent

21 October 2010

In the Footsteps of St. Finbarre (Part 233)

Footprints of a Free State

 

Of all the places, I have passed through in the Lee Valley, one of my favourite sites is the Lee Fields. I have often walked the length of the footpath along the river running parallel to the Carrigrohane Straight Road and marvelled at the natural slow if hypnotic view of the river. To me, the Lee Fields is an important cross-road where the River Lee’s natural wilderness and the urban wilderness of the City collide. 

The contrasts are extensive. One view is of the River Lee and its part of a large flood plain, shown regularly when the fields are waterlogged during Ireland’s rainy conditions or when the dam at Inniscarra is forced to release reservoir water. The other view is of Cork’s and Ireland’s most impressive buildings such as the Waterworks, Our Lady’s Hospital and the County Hall. There seems to be a playfulness here between the scenery versus harnessing the power of the place to construct monuments such as the latter buildings to the serve the people.

The Carrigrohane Straight Road was built circa the late 1830s and early 1840s. Earlier maps such as Taylor and Skinner’s Maps of the Roads of Ireland (1776) or the Grand Jury map of 1811 do not show any track or path in this area. However, the first edition of the Ordnance Survey Map (1841-42) shows that work was in progress on the new road linking Cork City with Carrigrohane and Leemount Cross. The Straight Road seemed to be built by 1842. The section as far as Leemount Cross (including Leemount Bridge) may not have been completed until during the famine (1845-50).

Work by local historian Walter McGrath reveals that the building of the Straight Road and its extension on to Leemount Cross changed the traffic pattern to the west of the city. That required the building of two bridges – one over the tail race of Carrigrohane Flour Mills, the second over the River Lee. Before the Straight Road and Leemount Bridge were built, the Model Farm Road took traffic to Ballincollig and Macroom while the Lee Road led to Blarney, Coachford and Inniscarra. The original surface of Carrigrohane Straight Road was limestone. In 1927, the County Council and Corporation, who both controlled sections of the Straight Road, laid reinforced concrete. The Straight Road was one of the first concrete road surfaces in Ireland and one of the first in Great Britain. The South of Ireland Asphalt Company (S.I.A.C.) was engaged in the surfacing of the Straight Road and the concrete was hand laid.

The earliest known attempt to harness the Lee Fields for a mixture of business and leisure came through the construction of the holding of the Irish Industrial and Agricultural Fair in 1932 in the southern section of the Lee Fields, south of the Straight Road. A lesser known exhibition in the history of the Exhibitions in Cork, it became the fourth attempt (1852, 1883, 1901/ 2, 1932) within eighty years to showcase Cork and its assets on a national and international stage.

By 1931, Cork Corporation and business leaders, ten years on from the War of Independence, had invested much to reconstruct the city centre as the burning of Cork in December 1920 had destroyed many buildings. The resulting compensation the Corporation of Cork received for the damage to City Hall they chose to invest in trying to alleviate the poverty of one ninth of the city’s population, 2,400 families who lived in slum like conditions.  A total of 468 social housing units were constructed between 1926 and 1932 in Turners Cross. This was followed by the construction of a further 500 housing units in Gurranabraher. This vision was driven by Philip Monahan who served as City Commissioner and then as City Manager in Cork from 1924 to 1959. Philip Monahan did much to bring the city forward away from the horrors of the War of Independence and Civil War and to address the some of the pressing needs for social reform especially through the provision of social housing.

The need for reinvention though seems to echo through the general history of the early Free State. Dermot Keogh, retired Professor of History in UCC in his works on early years of the Free State, points to a country trying to return to normality and trying to nurture a calmer patriotism. Under the darkness of Michael Collins’s death and bitter memories of the civil war, the enormous task of state-building was begun by William T. Cosgrave and Cumann na nGaedheal. They put down the foundation stones for the establishment of a liberal democracy and of the institutions of the state – parliament, executive and judiciary.  They attempted to achieve rapid and radical social reform but international issues prevailed.

Emigration continued, 220,591 leaving Irish shore for the US between 1921 and 1930. Those numbers were reduced totally only when world depression hit in the late 1920s with the Wall Street stock market crash. The theme of emigration and the need to harness the assets of Ireland inspired the creation of the Irish Industrial and Agricultural Fair 1932 on Cork’s Lee Fields, which sought to benefit Ireland’s employment prospects and agricultural progress.

To be continued….

Captions:

562a. Front cover of catalogue of Cork Industrial Fair 1932 (source: Cork County Library)

562b. Lee Fields, 2010, from Cork County Hall (picture: Kieran McCarthy)

 

 

562b. Lee Fields from Cork County Hall, 2010

Ecars, A Way forward?

 On last Monday morning (19 Oct), I had the pleasure of seeing the role out of the third ecar charging post in Cork City. It is on the South Mall. In an age of no money being around, one can be cynical and question how this project is to be rolled out. However, I was quite taken by the science of the whole project and the reasons behind such a roll-out. Great to see new ideas being investigated and built upon in reality. Below is some material sourced from www.esb.ie

 

What is an Ecar?

An ecar has an electric motor and can be summarised into one of two broad categories:

  • A pure electric car has a battery that is charged by connecting to the electricity supply network. It has a range of 160km.
  • A plug-in hybrid has a battery that works in tandem with an internal combustion engine. The range is extended because when the battery runs out the combustion engine takes over.

There are a wide range of ecars available and car manufacturers plan to commence mass production in the coming months. To cater for everyone’s taste, there is something to suit everybody, ranging from a compact city car or a family saloon to a sleek, racy, sports car. View a selection of cars opposite.

Charging Methods:

Home charging – Ecars will be charged overnight from their normal domestic electricity supply, taking approximately 6-8 hours.

Destination charging – Charging posts will be available in a wide variety of convenient public places such as on-street, car parks and shopping centres. A full charge will take approximately 1 to 1.5 hours.

Fast charging – Fast charging posts will be available to charge an ecars in 20-25 minutes. These will be located in petrol stations or roadside cafes.

 

 Ecar charging point, South Mall, October 2010

 

Benefits:Environmentally friendly – The transport sector is responsible for a large percentage of carbon emissions. Ecars offer a real opportunity to reduce the carbon output of the transport sector, emitting zero tailpipe CO2 emissions. The growth in the generation of electricity from renewable sources in the future offers a route towards carbon free motoring.

Other advantages include an improvement in air quality and reduction in noise pollution.

 More efficient and economical driving – The electric motor in an ecars is much more efficient than a combustion engine. This means that the running costs are significantly lower. Running costs of an ecar is typically in the order of 2 to 3 cent per km and compared to 12 cent per km for an equivalent petrol vehicle, this represents a huge saving in fuel consumption.

More efficient energy usage – It is envisaged that the majority of charging will be carried out overnight when the demand for electricity is off peak. Electricity suppliers will promote off peak times to consumers and ensure demand and capacity is balanced.

In the future vehicle batteries will be able to store energy at times of low demand and then feed this back to the grid at peak times. This is known as vehicle to grid (V2G) and will further support the development of renewables as a steady source of energy.

Enterprise opportunities – Any new market offers opportunities for the development of new products, technologies and services. The ecars market is no different with a variety of new charging post companies emerging, battery technology developments as well as new software and infrastructure products.

 

Financial incentives!:

The government fully supports the introduction of ecars. There has been a number of incentives introduced by the Government to stimulate demand, they include:

  • VRT exemption for ecars up to year 2012
  • VRT relief scheme for plug-in hybrids

Car manufacturers will also incentivise the consumer with special schemes and attractive introductory offers.

 

 http://www.esb.ie/main/sustainability/ESB-ecars-animation.jsp

Ecar charging station, South Mall, October 2010
Ecar Charging Station, South Mall, October 2010

Ecar Charging Station, South Mall, October 2010
Ecar presentation page by the ESB, Imperial Hotel, October 2010
 

 

Pecha-Kucha Nights- Ideas Based Forum Organised

Cllr Kieran McCarthy is supporting participation in an ideas based forum and/ or a new series of events in Cork – Pecha-Kucha Nights. These free events are part of a worldwide phenomenon and are fun, informal ideas presentations. Pecha Kucha Nights consist of around a dozen presentations, each presenter having 20 slides, each shown for 20 seconds. Each presenter has just 6 minutes 40 seconds to explain their ideas before the next presenter takes the stage. It is a chance for people to meet, show their work, exchange ideas, and network.The format keeps presentations concise, fast-paced and entertaining. The first Pecha-Kucha night in Cork was held in the Crane Lane bar which proved an ideal venue.

Organiser Nicki ffrench Davis notes:

“It’s exciting to be getting this forum going in Cork. I think it can be too easy for good ideas and projects to lose momentum or pass unnoticed because the right connections to people are missed somehow. Pecha-Kucha Nights are a really social and entertaining way to help those connections happen and for anyone to discover the variety of activity in the city. I’d love to see people from all walks of life involved – from scientists to artists, planners to entrepreneurs, politicians to provocateurs!”

The next Pecha-Kucha event will be held in November – anyone who is interested in taking part is warmly invited to email Nicki at pkcork@gmail.com. Participation and attendance to the night are both free.

 

Stained Glass Window, St Francis Church, Cork

Kieran’s Our City, Our Town, 14 October 2010

561a. St Patrick's Street, c.1910

 

Kieran’s Our City, Our Town Article, Cork Independent,

 15 October 2010

In the Footsteps of St. Finbarre (Part 232)

Warfare, Disorganisation and Reconstruction

 

Whilst researching the death of Patrick Murphy in the Cork Examiner in the week following the Leemount incident of 14 September 1922, the researcher is exposed to other underlining historical narratives in the evolution of Cork in the early years of the Free State. These include the reconstruction of key infrastructure in the region and attempts to deal with rising poverty and unemployment and how proposed remedies affected.

Standing out in the press pages the trade of the city is presented as down. The agricultural community was ‘severely’ hindered owing to the condition of the country. Country markets were few and far between. Farmers were at the point of isolation owing to the dislocation of railways plus the many difficulties of road transport. The Cork Summer Show at the Cork Showgrounds had to be cancelled as exhibits could not be brought to Cork owing to impassibility of the roads and the dislocation of the railway services.  The argument is given by the Cork Examiner that many Irish industries in the south depended largely on their profits on the market which the Cork Agricultural Show supplied when farmers, cattle and others visited the city, inspected the latest and best that was to be seen and made extensive purchases of various kinds.

Trading was reduced to a minimum across the Cork region. With unsold goods, usual supplies were not ordered. The closure of post office services in the south because of proposed wage cuts led to the shutdown of telegraphs, telephones, postal and engineering. In addition the cutting of wires for Civil War purposes made Cork isolated from other centres in Ireland. An editorial in the Cork Examiner on the 12 September 1922 revealed that inland settlements in the south west were even harder hit. Shopkeepers of towns along the coast, as circumstances permitted, organised between fifty and sixty motor boats and steamers to ply between Cork City and the southern and western towns and villages including Limerick, Tralee, Kenmare, Goleen, Sneem, Cahirciveen, Skibbereen, Union Hall, Cape Clear, Sherkin, Schull, Castletownbere, Baltimore, Clonakilty, Bandon and Courtmacsherry. Cargoes, which arrived at the south jetties in Cork City in mid September 1922, comprised pigs, bacon, butter, eggs and fresh fish and the return of cargo consisting of flour, meal bran, groceries, salt and the products of local breweries and distilleries.

Debate was also carried in the council chamber of City Hall regarding the reconstruction of St. Patrick’s Street, a substantial portion of which had been burned out in mid December 1920. The journalist reporting on the Council meetings noted that a committee had been set up in Cork Corporation to engage and collect data and for the government, which was to be used in the compensation negotiations with the English government regarding the damage done to St. Patrick Street and the wear and tear of British trucks across the city’s streets.

A total of £300,000 had been advanced for the reconstruction of the street. The city solicitor noted that two investigators appointed by the Irish government and one by the British government had visited the city in the second week of August 1922. The British government representative was dealing with cases of damage done by their forces, which was the bulk of the damage in Cork City.  He made a promise of a cash payment to the decree holder i.e. Cork Corporation.

Coupled with this mechanism and it appears to muddle the compensation package available, an international body called the Compensation Commission (the Shaw Commission) had been set up, which was appointed for the express purpose of, amongst other things, reviewing awards already made in the cases of criminal injury applications not defended by a city or county Council. Cork Corporation in mid September 1922 was expecting the Shaw Commission to come to Cork. The minutes of the Corporation of Cork show the Council attempting to understand the two sources of compensation packages and the need to maximise any receipts of compensation packages.

Cork Corporation Council members pressed to harness the advance of £300,000 to provide much needed employment. An important decision was also taken to inform property owners within the destroyed area that the Corporation intended to enforce the byelaws with regard to the closure of temporary structures or timber walled shops. In the early part of 1921, they had emerged on the street and through good will from the Corporation had been allowed to stay but no legal right existed for their erection. A sub committee of the Corporation was to wait on the owners of property in the burnt out areas who had submitted plans for reconstruction work. The Corporation urged them to proceed with work. As a result of the Corporation’s plea, at the subsequent council meeting, the councillors were informed that six firms in the burnt out area were prepared to start rebuilding work. In several cases, traders informed the Corporation that tenders had been invited and in some cases works had already started. However it seems a large number of traders were not prepared to start. They were holding out to maximise any due compensation. Indeed it was to take another ten years before the new street emerged.

To be continued…

 

Captions:

561a. St. Patrick’s Street, c.1910 (pictures: Kieran McCarthy collection)

561b. St. Patrick’s Quay, Cork City c.1910

 

561b. St. Patrick's Quay, Cork, c.1910