Monthly Archives: September 2010

Kieran’s Our City, Our Town, 30 September 2010

559a. Inscription on Patrick Murphy Civil War memorial, Leemount, Cork

 

Kieran’s Our City, Our Town article,

Cork Independent, 30 September 2010

In the Footsteps of St. Finbarre (Part 230)

Hauntings, Open Wounds and Whispers

 

 “In Berlin, it was precisely the question of what ghosts should be invoked, what pasts should be remembered and forgotten, and through what forms, that led to heated public debates over what and where these places of memory should be. People made memorials, created historical exhibitions, dug up the past and went on tours to represent, confront, and ignore a violent national past and to define and forge possible national futures. They made places as open wounds in the city to remind them of their haunting and to feel uncomfortable” (Karen Till, 2005, The New Berlin, p. 11)

Karen Till’s work on the thought and effort that went into rebuilding Berlin in the aftermath of World War II and the debate over what should be remembered and forgotten tends to draw huge parallels to the Irish Civil War. The civil war is a crisis of Ireland’s turbulent past. The 4,000 deaths between the two opposing sides (including Patrick Murphy at Leemount) and the aftermath make for horrific reading in the present. W.T. Cosgrave in October 1922 enacted a Public Safety Bill, which allowed for the execution of anyone who was captured bearing arms against the state or aiding armed attacks on state forces. William  Cosgrave’s position was that a guerrilla war could drag on indefinitely, making the achievement of law and order and establishing the Free State impossible, if harsh action was not taken. His reputation suffered after he ordered the execution without trial of republican prisoners during the civil war. In all 77 republicans were executed by the Free State between November 1922 and the end of the war in May 1923. These actions left Irish society divided and embittered. Those actions seem to linger if you just scratch the surface to reveal the deeper roots of Ireland’s principal parties. Hence the civil war tends to be continuously spoken about in whispers, fears, concerns and perhaps in uncomfortable truths.

To Karen Till, Berlin is a place haunted with landscapes that simultaneously embody intentional forgetting and painful remembering. That because of Berlin’s traumatic past, the past never settles or neatly arranges itself in horizontal layers – that the past is always contested by those who want to remember it and those who want to forget. Indeed, memorials like those that exist in Berlin to recall the holocaust for instance may be interpreted in a number of ways. However, each memorial seems to attempt to contain the past and to build memory so to speak. This latter statement also becomes very apparent in DeValera’s government of the 1940s when he commissioned the construction of War of Independence memorials across the country.

There has also been much work completed by historians and geographers on the memories associated with roadside memorials. Standing next to the Patrick Murphy memorial, one quickly gets the impression that this is a memorial one is meant to pass and not stop. It may have been different when it was built originally. On reflection, the memorial seems to have multiple meanings, differing between those who built it, those that maintain it today (the Timothy Kennefick Memorial Group) and those like myself who try to stop and interpret what it is trying to remember. Indeed the truth of why Patrick Murphy was selected to be remembered is intriguing and seems to remain hidden – one reason is probably because of his youth that on one level the monument is a marker of his life or perhaps it is a marker of his sacrifice or maybe it is a marker of heroism or it remembers the exact opposite – it is a marker of flaws in Irish society – that the monument was put there as a reminder of a painful past and meant to be always some kind of open wound in the continuous  making of Irish history- or  the monument is to remind the viewer that a whole nation was divided and fought for by opposing sides.

The memorial is also not a conventional grieving space or site of mourning associated with grief practices. There is a lack of offerings – there are no statues, flowers or photographs. The only strong symbols used on the memorial are that of carved sword and cross. The overall site reclaims public space for the celebration of Patrick Murphy, the individual but one gets the impressions he represents a lot more people through the conventional image of the sword, which connects this monument to other monuments.

However, for the all the raw power of this monument, it seems to avoid any new debates on civil war monuments. The Patrick Murphy Civil War memorial seems to not reflect on aspects such human rights, democracy, equality, the renouncing of violence, guilt and /or responsibility. Or maybe it does but these traits are ones that one regularly does not hear about when such monuments are being discussed. As Ireland approaches the nineteenth anniversary of the start of the Irish Civil war in 2012, perhaps monuments such as these will create new possibilities for thinking about and how one can represent national belonging in the future. The other item that came to my mind standing at this site is the need for modern memorials in the Irish countryside and recent generations to leave a positive mark.                                                                                                                                  

To be continued….

 

Captions:

559a. Inscription on Patrick Murphy Memorial, Leemount (picture: Kieran McCarthy)

 559b. Members of the Cork no.1 Brigade Flying column (from left) Mick O’Sullivan, Patrick O’Sullivan & Sean Murray, summer 1921 (picture Fr. Patrick Twohig)

 

559b. Members of the Cork no.1 Brigade Flying Column, summer 1921

Celebrating Cork’s Past

Celebrating Cork’s Past

Over sixty Cork historical societies and groups will gather for an exhibition at the Millennium Hall, Cork City Hall on Thursday 30 September (12am-6pm) to celebrate Cork’s past. Exhibitors from the Gaeltacht regions of the county to the inner city will present panels outlining their local history. This is the second time that such as venture has been attempted. The half day long exhibition aims to present an afternoon of talks and chat bringing a cross section of Cork’s finest historians and ‘caretakers’ of Cork’s past to speak about the Cork region’s history and memories as only they know how. The theme of the exhibition is celebration and participation.

Cllr Kieran McCarthy is offering free tours to school groups of the exhibition every half an hour. Places are limited. Please call Kieran at 0876553389 for more information.

Recent Celebrating Cork's Past, September 2010

 

Kieran’s Speech Notes, Cork Opera House, Cork City Council meeting, 27 September 2010

Cork Opera House Issue

Lord Mayor,

Over the summer, walking around Emmett Place in the evening was saddening – it was sad to see the darkness in the Cork Opera House.

This is the fourth time the Opera House has come before the Council this year – first time, the Council agreed to be guarantor on E1.5m and then two months later, the Council agreed to fund E.1m to keep the operation going – a week later a decision was taken to close the premises for three months in order to save money – then we discussed that at a Council meeting before the summer and given assurances by the Board and City Manager that everything was ok and everything above board – then a month later, it broke that E.60,000 had gone missing in the accounts and we were to have a garda investigation

And now we’re back again, considering to give another E,250,000 to keep it open. Again I want to revert at other meetings, I need to see a business plan and strategy. I feel here we have a high profile place now under major threat of full time closure without a decent business plan. I’m a fair individual – but tonight I am asked to give permission to something I am told to have trust in.

I am told that the everything is on top of – that everything will be fine – but when I read the programme for the next six months, I’m met with more of the same – one off concerts and anything staying for one more than one night like Fame has again has high prices – highest ticket prices amongst the nine venues.

The people fifty years ago had a more open minded attitude to the Cork Opera House. Midway through the ten year process of struggling to come up with funds to rebuild the place. They opened an office in the old pit stalls entrance in the ruins of the old Opera House and from there the great campaign began. Public meetings were held. Over four hundred members of the different theatrical and musical organisations in the city had volunteered their help to undertake a systematic house-to-house canvass of the city.

Committees were set up in every quarter of the city, and the enthusiasm spread to such an extent in those early years that the movement was taken up in various towns throughout the county such as Midleton, Macroom, Bandon, Mallow, Youghal, Cobh, Fermoy and Clonakilty. Organisational meetings were held and functions arranged, bazaars, exhibitions, dances; a widespread publicity campaign was set up which never flagged; until the goal was eventually reached.

In the first five years, the various groups only raised enough money to demolish the ruins of the building. The government seeing the work done intervened and allocated further monies to get the premises rebuilt. But because of Cork people’s interventions, the theatre became the people’s theatre, the heart beat of the arts in the city for decades

What I can see of the current strategy, I don’t think it goes far enough to keep the profile of the Opera House as a national even regional arts centre – unaware of its competition INEC and Marquee and the new Arc; unaware of audience development – getting a new generation into the building.

The programme seems unaware that the city will have a new arts plan shortly – we should be looking to develop the local arts scene – where at the moment everything is coming from outside on the Opera house programme – what’s the plan for Cork actors, singers, dancers, builders. The opera house should be a cultural/jobs training ground for technicians and actors. Establishing ties on all levels with the Cork community and thus interconnected/relating to its community will generate income – even if operated on a small scale at first.

Establishing ties on all levels with the Cork community and thus interconnected/relating to its community will generate income – even if operated on a small scale at first.This city’s creative power should also be harnessed like they did way back fifty years.

 

1. Cork Opera House

 

Kieran’s Motions and Question, Cork City Council Meeting, 27 September 2010

Kieran’s Motions, Cork City Council Meeting, 27 September 2010:

To get a status report from the relevant directorate of when the Blackrock Pier improval project will begin as sanctioned by Council before the summer(Cllr K McCarthy).

To get dog fouling bins on Ballinlough Road and also to get dog fouling bins fixed on the old Railway line amenity walk in the South East ward? (Cllr K McCarthy)

 

Question:

To ask the City Manager to give a expense breakdown of the E.50,000 allocated to the homecoming reception for the Cork All-Ireland football team (Cllr Kieran McCarthy)

 

City Hall from the Elysian Tower

Kieran’s Our City, Our Town, 23 September 2010

558a. Patrick Murphy Civil War Memorial, Leemount, Cork

Kieran’s Our City, Our Town Article,

Cork Independent23 September 2010

In the Footsteps of St. Finbarre (Part 229)

The Protection of Ireland

“Sir-I would suggest to have the rosary said in every Irish home for the blessing of peace. If we cannot get it any other way, let us hope to obtain it by prayer; not much use in blaming any side, as there is nothing like unity, let us hope God will protect Ireland, [from] An Irish Mother (Cork Examiner, Tuesday morning, 12 September 1922, p.6)”.

Sitting unassuming on a busy road at Leemount lies the Patrick Murphy Civil War memorial. It stands adjacent a junction of roads, one that takes the traveller into the heart of Inniscarra and the other to Blarney. Completed by Seamus Murphy, Cork’s famous sculptor, the meaning of this memorial seems to be silently disappearing. The greyness of the monument seems to point to another dark age of Ireland’s history the Irish Civil War (June 1922-May 1923). Ireland’s present political landscape is still haunted by the war.

Arising out the Anglo Irish treaty of December 1921, the outbreak of the Civil War forced pro- and anti-treaty supporters to choose sides. Supporters of the treaty came to be known as “pro-treaty” or “Free State Army”, legally the “National Army”, and were often called “Staters” by their opponents. The latter called themselves “Republicans” and were also known as “anti-treaty” forces, or “Irregulars”, a term preferred by the Free State side. Perhaps the most harrowing history to read is the argument that the Civil War caused 4,000 deaths between the two opposing sides.  It is generally claimed in Irish history that the Civil War may have claimed more lives than the War of Independence against Britain that preceded it, and left Irish society divided and embittered for decades afterwards.

August and September 1922 saw widespread attacks on Free State forces in the territories they had occupied in the July–August offensive, inflicting heavy casualties on them. Commander-in-Chief Michael Collins was killed in an ambush by anti-treaty Republicans at Béal na mBláth, near his home in County Cork, on 22 August 1922. Collins’ death increased the bitterness of the Free State leadership towards the Republicans and probably contributed to the subsequent descent of the conflict into a cycle of atrocities and reprisals. Arthur Griffith, the Free State president had also died of a brain hemorrhage ten days before, leaving the Free State government in the hands of W. T. Cosgrave and the Free State army under the command of General Richard Mulcahy.

Arising out of the tensions of the day, on Tuesday Morning, 12 September 1922, (p.6), the Cork Examiner noted of the following incident at Leemount.

“The shooting occurred at Leemount, just at the cross roads and practically at the door of the café, which stands just where the permanent way of the Cork and Muskerry railway turns off the road, on the way up to Healy’s Bridge. About ten o’clock on Saturday morning a group of armed Irregulars were waiting here with what object is not clear. The fact that on the previous day, the Muskerry tram was held up and the mails raided suggests that another raid was their object, but this is purely a matter of conjecture.

A National soldier in uniform, accompanied by a friend in civilian clothes [Patrick Murphy], who was also apparently a member of the National Army, came along on bicycles from the direction of Carrigrohane. They do appear to have been on duty, but merely enjoying a short spin into the country at the time, whom they had passed the bridge crossing the Lee, which has been almost destroyed, and were nearing the cross roads at Leemount, when they were challenged by the Irregulars who called on them to halt. The reply of the two cyclists to this order was to draw revolvers and open fire on the “hold-up” party.

The Irregulars then opened fire and wounded the uniformed soldier, but not before two of their own party had been hit. What happened next is not quite clear, but the Irregulars disarmed the two cyclists, to whom however, they did not attempt to do further harm. Medical assistance was procured and the wounds of the three injured men were temporally dressed. One of the Irregulars, was seriously wounded in the region of the hip. The soldier had a flesh wound which was not serious, while the third man had been shot through the forearm. What became of the soldier and his friend is entirely unknown. They were both apparently taken off by the Irregulars, and their whereabouts are still and absolute mystery.”

More next week…

Captions:

558a. Patrick Murphy Civil War Memorial, Leemount, September 2010 (pictures: Kieran McCarthy)

558b. River Lee upstream before Leemount Bridge, Autumn 2010

 

558b. River Lee upstream before Leemount Bridge, Cork

Employment initiative: JobFit Cork

JobFit Cork is a new initiative to support people to upskill or retrain, get a job or move on to further education or training. The programme currently operates out of the Blackpool Retail Park in Blackpool (Unit 2C, Second Floor, Atrium Development).

JobFit is a 13 week (maximum) personalised programme for unemployed people offering free skills training, free job search support and free work placements with local employers.

JobFit is availible to people who have been receiving benefits for a minimum of three months, who are qualified to Junior Certificate level or below, and would like help to develop their skills and improve their chances of getting a job.

Contact Details: Freefone 1800 30 33 56; Tel: 021 4211971 or email: cork@jobfit.ie; website: www.jobfit.ie

 

Sunset over Douglas Road, September 2010

Deputy Lord Mayor, “The Fleischmanns and their Circle”, Event at Cork City Library, 18 September 2010

Aoife O'Sullivan singing at the event, "The Fleischmanns and their Circle", Cork City Library, 18 September 2010

`Aloys Fleischmann and his Circle’

As part of Cork City Library’s programme for the Fleischmann Centenary celebrations a lecture by Séamus de Barra with a recital by Aoife O’Sullivan (soprano) and Patrick Zuk (piano) will take place at the Central Library, Grand Parade, Cork

Saturday, 18 September  2010  at 7.00 p.m.

 

Cllr Kieran McCarthy

 

 

On behalf of the Lord Mayor, many thanks for the invitation here this evening,

        Tonight we continue our celebrations of the life of Aloys Fleischman, a name that has weaved its way through many decades into the consciousness of Cork cultural history. His name is up there amongst the great citizens that emerged from our beautiful city to make a difference.

 

It seems an all too easy to sum up his career – it seems to be an easy option to say he was an Irish composer and musicologist. That he wrote several books and articles on Irish music. It is also seems too easy to highlight that he was a one time Professor of Music in Cork.

 

He composed in many formats, and his work includes pieces written for chamber, solo instrumental, ballet, chorus and full orchestra. He founded the Cork Symphony Orchestra in 1934 and was involved in the establishment of the Cork International Choral and Folk Dance Festival (now called Cork International Choral Festival) in 1954. He worked alongside Joan Denise Moriarty in setting up the Cork Ballet Company in 1947. She being a name like Aloys has also etched its way into the cultural life of this city.

 

It may also be too easy not to try to grasp the cultural undercurrent that Professor created, the spotlight he shone on types of music perhaps on the verge of disappearing or the influence of his carefully crafted speech notes on those who listened, inspired and debated what they heard in their lives. We perhaps will never know how many souls he did inspire or perhaps saved.

 

I’m a firm believer that the subject of history should be about learning from the past. Otherwise I think the relevance of history is very limited. There is so much to learn from Aloys Fleischmann. So what are some of the lessons?

 

Firstly, our celebration this year is about legacy. It is about what we have inherited from Professor Fleiscmann whose contribution to his world inspired,  has now evolved and now contributes to our modern society.  We’ll hear the legacy through Séamus de Barra, Aoife O’Sullivan (soprano) and Patrick Zuk’s work this evening. (piano). Professor Fleischman’s life story in particular in the 1930s touch upon ideas such as ambition, how he moved forward intellectual engagement, politics, community development, art and education.  Concepts of history, culture, globalisation, memory, enterprise and identity are all seem to be represented in his life story.

 

 

What is very important to note is that the life of Aloys Fleischmann is about a real person and real events.  It is very easy to romanticise about the lives of people in the past.  Yet when you explore through his achievements, there is so much there and yes there is so much to learn from them. But he like most people also struggled. He like all of us had a journey through life, a journey through decades so different to our own. We live in the post celtic tiger economy where there are new economic empires being forged. We live in an advanced technology age. So perhaps the first lesson I wish to share with you this evening is about life and the journey we all go through.

 

Secondly, underlining Professor Fleischman’s work are questions about the power of creativity, colour and imagination.

 It is about taking risks and pushing out the comfortable boundaries of life.

 

There is such a broad spectrum of people represented here but we are all part of his story this evening because the legacy represented here tonight is very much alive. His life still influences the essence of Cork today. And Cork is very much alive.

 

So let me ask the question to you?

What can you do that will bring his legacy forward? What can you do to continue the enormous contribution of Professor Fleischmann?

 

Have you got some of Prof. Fleischmann’s talents? Do you know someone?

Are you a composer, a musicologist? are you a writer? an artist ?, a creator, an educator ?

 

 

Now is our time… What can you do to move Cork forward or indeed yourself forward ? Every person deserves a challenge. And every person can make a difference. And perhaps that is the second lesson. every person can make a difference If you still don’t believe me, listen carefully to Seamus’s talk

 

The lessons on life and pushing oneself forward are but two lessons to be learned from Professor Fleischmann whether you are a business guru in Cork, a social scientist or a mild mannered Corkonian. And yes those lessons are not easy to learn…it takes time…and many of us don’t realise them until late in life.

 

The educational value of exploring Professor Fleischmann’s work is vast. Professor Fleischmann’s work encourages us all to ponder on the power of the individual and their contribution to society, whether at a local or international level. For the social scientist, Fleischmann poses questions for further study and debate, framing, enhancing and evolving old and new historical narratives. For the visitor, like me new to the work of Aloys Fleishmann, perhaps his work is another key part of the jigsaw puzzle of the history of a lonely planet listed city, a City and region of continuous making and inspiration. And maybe for Cork people, Professor Fleischmann is about us, the power of an individual and our place in the modern world.

 

 

Audience, "The Fleischmanns and their Circle", Cork City Library, 18 September 2010

 

 

Kieran & members of Fleischmann family, Mairin Quill, City Librarian Liam Ronayne, lecturer Seamus De Barra, singer Aoife O'Sullivan, pianist Patrick Zuk, at the event "The Fleischmanns and their Circle", Cork City Library, 18 September 2010

Deputy Lord Mayor – Social Inclusion Conference, 18 September 2010

  

Kieran & Panelists at Social Inclusion conference, organised by New Communities Partnership, 18 September 2010

Conference on Social Exclusion,

Organised by New Communities Partnership

 

Saturday 18th August

Imperial Hotel. Cork

 

 

Speech notes for Cllr Kieran McCarthy,

deputising for the Lord Mayor

 

 

Minister Martin, speakers, ladies and gentlemen,

 

On behalf of the Lord Mayor, many thanks for the invitation here this morning.

 

As a geographer by trade, I study Cork as my living, what makes its tick, what gives it a sense of place. I’m always intrigued by the idea that Cork is a place of coming and going. As a port in Western Europe, the essence of Cork has inspired many entrepreneurs and artisan families tosettle in the region through the ages.

 

Some peoples’ stories began in Cork; others brought their talents and ambition abroad and never returned to their native city whilst others from abroad spent their entire life in the rebel city. So the concept of social inclusion for individuals and families not born of Cork should not be a new factor.

 

However, the struggle to fit in has always been a factor, much written about and debated. But it’s not just the migrant who has found himself or herself working hard to fit in, it is also the Cork citizens who are also searching to find a niche to carve for himself or herself. However, perhaps this case cannot just be applied to Cork but also to every settlement in the world where new groups arrive to add to the settlementscape mix.

As someone who gives talks and walks on Cork’s past to the wider Cork Community and someone who teaches in Cork schools the value of history to students, I am very conscious of the importance of identity to people in forging a sense of belonging and a feeling of fitting in, being wanted, being respected, being trusted, being cared for.

 

Co-production and Core Values:

In the United States in recent years, advocates of Social Inclusion have harnessed ideas of Co-production as Core Values. These own values have also formed part of my own work over the last few years.

Firstly, I firmly believe that every human being has something to give and can be a builder or a contributor

Secondly that core individuality values also include whatever it takes to raise healthy children, support families, make neighbourhoods safe and vibrant, care for frail and vulnerable people, redress justice, and make democracy work.

 

Thirdly  social networks are important to all of us. All of us require a social infrastucture. These social networks require ongoing investment of social capital generated by trust, reciprocity and civic engagement.

 

Fourthly, I embrace firmly the concept of life long learning, Educational programmes enhance all our lives and also enhance social inclusion of marginal groups. Learning at any age is seen as an effective tool for all of us to offer us new perspectives on life.

And Fifthly, I embrace the idea of reciprocity;The impulse to give something back to society.  That wherever possible, we must replace one way with two-way transactions, both between individuals and between people and institutions. That there must be a sort of exchange.

 

Challenges:

 

Across the world governments and large organisations – including educational institutions – are adopting social, economic, education and community approaches that contribute to more cohesive and productive communities. This broadly termed ‘social inclusion agenda’ is a response to a widening gap between those who live in poverty and those who have plenty.

 

This gap is not just economic. It is a gap in access to information, to social networks and services, to food security, to technology, to health and wellbeing, to educational opportunities, and ultimately to meaningful and secure employment.

 

Coupled with that during the boom times in Ireland, net inward immigration is estimated to have accounted for 80% of the demographic increase with the number of immigrants living in Ireland rising from 220,000 to 400,000. Non-nationals in 2007 comprised some 8% of the workforce – one of the highest in the EU.

 

Attempts have been made by our government and City Council to make sure that certain social inclusion did take place. It was successful at some levels through social partnership agreements which sought integration and embracement of cultural diversity. However, perhaps for the Irish citizen. the advent of new citizens came very quickly, the migrant wove their way into a conservative Ireland putting a spotlight on social inclusion for migrants more than ever before.

 

With the aims of this conference in mind, I would like to offer a few notes. Recent studies in the Ireland and UK argue a number of key messages with regard to social inclusion:

1.                  No challenge to exclusion can succeed without a co-productive and partnership approach, working with excluded people is essential at every level of development and delivery.

 

2.                  Social inclusion is about more than getting people back to work; it is also about wider participation. All people have a right to access those social, economic, educational, recreational and cultural opportunities, and physical health services, that most citizens take for granted.

 

3.                  Social inclusion is about more than access. Social inclusion is more than improving access to mainstream services – it is about participation in the community, as employees, students, volunteers, teachers, carers, parents, advisors, residents; as active citizens.

 

4.                  We need to work across traditional boundaries. Reducing barriers to inclusion requires integrated effort across government and non-government agencies at all levels, horizontally and vertically, influencing policy and practice through direct links to individual experience.

5.                  A sense of personal identity supports recovery and inclusion. People are more than just a category or a diagnosis and have valuable contributions to make, not just needs to be met. Services should support people to access the opportunities available within the many communities to which they belong and to make valued contributions as active citizens.

 

6.                  To promote inclusion we need pathways from segregated service provision into mainstream services. Groups or activities solely for segregated sections of the community may reinforce segregation unless they are part of a supported pathway into mainstream services accessed by everyone.

 

So in essence I feel we need to focus on developing effective multidimensional social inclusion strategies focused on addressing the multidimensional nature of disadvantage that is experienced by socially excluded individuals and groups in our community.

 

I would like to end with a number of questions, just put up your hand if you agree with the following statements:

 

1. Cork is for the most part is free from racism and prejudice.

 

2. All places in Cork are shared, safe, inclusive and welcoming for everyone.

 

3. Positive and harmonious relationships exist between communities in Cork.

 

4.  Cork is a community where people of all backgrounds work, live, learn

and play together.

 

5. Minority ethnic people participate in public, political and economic life.

 

6. Minority ethnic people benefit from equality in health and welfare.

 

7.     Cork is a place where cultural diversity is embraced, respected, valued.

 

They are just a couple of questions to set the ball rolling. Thanks again for the invitation. I am honoured to be able to officially launch this event.

 

 Delegates, New Communities Partnership conference, 18 September 2010

South Parish Historical Trail, Launch 16 September 2010

I’ve been an advocate that Cork City should have historical walking trail panels showing people the city’s rich history. I’m delighted to see the roll-out this week of the South Parish historical trails route. Pictures of the launch last night (Thursday) are below. Well done to Cork City Council’s Roads and Transportation Directorate and to Ronnie Herlihy (local historian, author and one of the directors of the South Parish Historical Society) in providing information and for guiding the launch group around last evening. A northside trail was launched last year. More information from Cork City Hall or from the Tourist Office.

South Parish historical trail launch, 16 September 2010

South Parish historical trail launch, 16 September 2010

South Parish historical trail launch, Parliament Bridge, 16 September 2010

South Parish historical trail launch, Georges Quay, 16 September 2010

South Parish historical trail launch, Georges Quay panel, 16 September 2010

South Parish historical trail launch, Georges Quay panel, 16 September

South Parish historical trail launch, Georges Quay, 16 September 2010

South Parish historical trail launch, Georges Quay, 16 September 2010

 South Parish historical trail launch, Dunbar Street, 16 September 2010

 

South Parish historical trail launch, From Sullivan's Quay, 16 September 2010

South Parish historical trail launch, Georges Quay, 16 September 2010

South Parish historical trail launch, South Gate Bridge, 16 September 2010

South Parish historical trail launch, Frenches Quay culvert, 16 September 2010

South Parish historical trail launch, Elizabeth Fort, 16 September 2010

South Parish historical trail launch, Elizabeth Fort, 16 September 2010

South Parish historical trail launch, World War II bunker at Elizabeth Fort, 16 September 2010

South Parish historical trail launch, Red Abbey Square, 16 September 2010

South Parish historical trail launch, Red Abbey Square, 16 September 2010

South Parish historical trail launch, Red Abbey Square and local historian Ronnie Herlihy, 16 September 2010

South Parish historical trail launch, South Chapel & Dunbar Street, 16 September 2010

South Parish historical trail launch, From Georges Quay looking to Holy Trinity, 16 September 2010

Kieran’s Our City, Our Town, 16 September 2010

557a. Volunteers training in the Cork Cornmarket, c.1916

Kieran’s article, Our City, Our Town,

Cork Independent, 16 September 2010

In the Footsteps of St. Finbarre (Part 228)

For the Sake of Balance

 

The Irish Bureau of Military History was established in January 1947. Its original objective was “to assemble and co-ordinate material to form the basis for the compilation of the history of the movement for Independence from the formation of the Irish Volunteers on 25th November 1913, to the 11th July 1921”(www.military.ie). Below is one of the eye witness accounts preserved for Cornelius O’Keeffe who was the owner of the property at Ballycannon. where the six young volunteers were shot on Wednesday morning 22 March 1921. My thanks to Tony McCarthy, Blarney, for pointing it out to me.

Cornelius O’Keeffe recounted in a sworn affidavit after the shootings the following:

 

“I remember the night of Tuesday the 22nd March, 1921. About 11.30pm on that night there was a knock at my door after we all had gone to bed.  I asked ‘who is there’ and a voice replied ‘There are a couple of us going to sleep down in the stables; give us a call at 7 in the morning’. I said ‘alright’ and went to sleep. About 4am next morning (Wednesday, 23rd March , 1921), there was a terrible thundering knock at my door. I leaped out of bed and looked out the window. I tied to light a lamp on the table but failed to do so.

 

One of the police then roared up at me to open the door if I didn’t want to get a bullet. Just as I rushed downstairs to open the door it was burst open by the police and they said to me ‘why the bloody hell didn’t you open the door?’ I explained what the delay was due to the lamp not lighting. They then asked me if I had any man in the house. I said there was no man there only myself…They ordered me back to bed and searched the beds and the other rooms in the house. They then went outside and I heard them search the out-houses.

 

I went into bed then and in about ten minutes time the police carne in and took me out into the yard. They then charged me with harbouring rebels which I denied. They then took me about 100 yards away from the out-house and gave me in charge to a Sergeant and Constable of the Royal Irish Constabulary. One of the Black and Tans came up to where I was standing with the other policemen and told them that they could find no arms in the house. The police then asked me to tell them where the arms were and I said I did not know. As I was speaking to me I heard one of the boys roaring as if he was being tortured. I then saw one of the boys being pushed across the field. It was still somewhat dark and he was too far away to distinguish who it was. The Black and Tan then returned and said ‘he is showing where the arms are’. They then carried the same boy over to the ditch and brought him back to the stables again.

 

A few minutes after, I heard a shot. Then at intervals there were two or three shots and then a volley of shots. I asked the policeman what the shooting was about and he relied that they were only blank cartridges. … A report then came up from the other body of police that some of the lads had escaped and to watch out for them. The police with me then prepared to shoot at anyone who would attempt to escape. There were then some terrible volleys fired where the boys were. . I then knelt down and said my prayers as I thought my turn would be next.

 

I was taken to where the boys were. There were two lines of Black and Tans in front of the stables so that I could not see who was there. As I was being taken down the field where the shooting was I saw two of the boys stretched out on the grass. I was then taken over the road and down to Kennedy’s public-house at the Cross. There were five police with me – three old R.I.C and two Black and Tans. After some conversation, in which they accused me of keeping arms on my premises, which I denied, I was brought back to Flaherty’s gate and I then saw five bodies being removed from my farm. They were all covered up in blankets. These bodies were placed in a lorry. They then brought out the sixth of the boys who was then alive and as they were throwing him into the lorry he said ‘oh, my leg’. There was a bandage around his forehead. They put me into the third lorry. They drove me in by Healy’s Bridge and the Lee Road as far as Gale’s Quarry. When they got there the first lorry in which the bodies were went on and I did not see it again. I was taken up to the Military Barracks, where I was kept in the Retention Barracks until the 17th April 1921 and then  released without any charge being brought against me.“

 

To be continued…

Captions:

557a. Volunteers training in the Cork Cornmarket, c.1916, later to be built over by Cork City Hall (pictures: Cork City Museum Collection)

557b. Volunteer form for Patrick Higgins to join the Irish Volunteers

 

557b. Volunteer form for Patrick Higgins to join the Irish Volunteers

 Volunteers on Cornmarket Yard, c.1916