Category Archives: S.E. Ward Local History
Blackrock Village Festival, 16 September, 2pm-6pm
Kieran’s Our City, Our Town, 7 September 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 7 September 2017
Discover Cork: Schools’ Heritage Project 2017-18
This year coincides with the fifteenth year of the Discover Cork: Schools’ Heritage Project. Brochures have been sent to all Cork schools. Launched again for the new school term, the Project is open to schools in Cork – at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. There are two sub categories within the post primary section, Junior Certificate and Leaving Certificate. A student may enter as an individual or as part of a group or a part of a class entry.
Co-ordinated by myself, one of the key aims of the project is to encourage students to explore, investigate and debate their local heritage (built, archaeological, cultural and natural) in a constructive, active and fun way. Projects on any aspect of Cork’s rich heritage can be submitted to an adjudication panel. Prizes are awarded for best projects and certificates are given to each participant. A cross-section of projects submitted from the last school season can be gleamed from this link on my website, www.corkheritage.ie where there are other resources, former titles and winners and entry information as well.
Students produce a project on their local area using primary and secondary sources. Each participating student within their class receives a visit and workshop in October 2017. The workshop comprises a guide to how to put a project together. Project material must be gathered in an A4/ A3 size Project book. The project may be as large as the student wishes but minimum 20 pages (text + pictures + sketches). Projects must also meet five elements. Projects must be colourful, creative, have personal opinion, imagination and gain publicity before submission. These elements form the basis of a student friendly narrative analysis approach where the student explores their project topic in an interactive and task oriented way. In particular, students are encouraged to attain material through visiting local libraries, engaging with fieldwork, interviews with local people, making models, photographing, cartoon creating, making DVDs of their area. Re-enacting can also be a feature of several projects.
For over fifteen years, the project has evolved in how students actually pursue local history. The project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about heritage in your local area (in all its forms) but also about the process of learning by participating students. The project is about thinking about, understanding, appreciating and making relevant in today’s society the role of our heritage our landmarks, our oral histories, our scenery in our modern world for upcoming citizens. So, the project is about splicing together activity on issues of local history and heritage such as thinking, exploring, observing, discovering, researching, uncovering, revealing, interpreting and resolving. This year as well there is a focus on the theme – the Past in our Present.
The importance of doing a project in local history is reflected in the educational aims of the history curricula of primary and post-primary schools. Local heritage is a mould, which helps the student to become familiar with their local environment and to learn the value of it in their lives. Learning to appreciate the elements of a locality, can also give students a sense of place in their locality or a sense of identity. Hence the Project can also become a youth forum for students to do research and offer their opinions on important decisions being made on their heritage in their locality and how they affect the lives of people locally. I know a number of students who have been involved in the project in schools over the years who have took their interest further and have gone on to become professional tour guides, and into other related college work.
The project is open to many directions of delivery. Students are encouraged to engage with their topic -in order to make sense of it, understand and work with it. Students continue to experiment with the overall design and plan of their work. For example, and in general, students who have entered before might engage with the attaining of primary information through oral histories. The methodologies that the students create provide interesting ways to approach the study of local heritage. Students are asked to choose one of two extra methods (apart from a booklet) to represent their work. The first option is making a model whilst the second option is making a DVD. It is great to see students using modern up todate technology to present their findings. This works in broadening their view of approaching their project.
This project in the City is free to enter and is kindly funded by Cork City Council (viz the help of Niamh Twomey, Officer) and. Prizes are also provided by the Cork Civic Trust (viz the help of John X Miller), Lifetime Lab, Lee Road, Learnit Lego Education, and Sean Kelly of Lucky Meadows Equestrian Centre, Watergrasshill (www.seankellyhorse.com). There is also a County Cork edition. Overall, the Schools’ Heritage Project for the last fifteen years has attempted to build a new concerned generation of Cork people, pushing them forward, growing their self-development empowering them to connect to their world and their local heritage. Spread the word please.
Captions:
911a. Front cover of 2017-18 brochure for Discover Cork Schools’ Heritage Project (source: Kieran McCarthy)
911b. Page from school history project on Blackrock Castle 2017 (source: Kieran McCarthy)
Pictures, Kieran’s Historical Walking Tours, National Heritage Week, August 2017
Kieran’s Our City, Our Town, 10 August 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 10 August 2017
Kieran’s Heritage Week Tours, 19-26 August 2017
National Heritage Week is upon us again at the end of next week (19 – 26 August). It is going to be a busy week. For my part I have organised seven tours. These are all free and I welcome any public support for the activities outlined below. There are also brochures detailing other events that can be picked up from Cork City Hall and City libraries. If you are up the country on holidays, check out www.heritageweek.ie for the listings of national events.
Saturday 19 August 2017 – Historical Walking Tour of Cork City Hall with Kieran, 11am, ticketed (free, duration: 75 minutes; details at www.corkheritageopenday.ie)
Learn about the early history of Cork City Hall and Cork City Council, learn about the development of the building and visit the Lord Mayor’s Room The current structure, replaced the old City Hall, which was destroyed in the ‘burning of Cork’ in 1920. It was designed by Architects Jones and Kelly and built by the Cork Company Sisks. The foundation stone was laid by Eamonn de Valera, President of the Executive Council of the State on 9 July 1932.
Sunday, 20 August 2017, Cork Through the Ages, An introduction to the historical development of Cork City with Kieran; meet at the National Monument, Grand Parade, 6.45pm (free, duration: two hours)
Cork City possesses a unique character derived from a combination of its plan, topography, built fabric and its location on the lowest crossing point of the river Lee as it meets the tidal estuary and the second largest natural harbour in the world. Indeed, it is also a city that is unique among other cities, it is the only one which has experienced all phases of Irish urban development, from circa 600 AD to the present day. This tour explores the city’s earliest historical phases.
Monday 21 August 2017, Blackpool: A Living Heritage, historical walking tour with Kieran; meet at the gates of North Mon School, Gerald Griffin Avenue, 6.45pm (free, duration: two hours)
The walking tour weaves its way from the North Mon into Blackpool, Shandon and Gurranbraher highlighting nineteenth century life in this corner of Cork from education to housing to politics, to religion, to industry and to social life itself. Blackpool was the scene of industry in Cork in the eighteenth and nineteenth centuries for industries such as tanning through big names such as Dunn’s Tannery and distilling through families such as the Hewitts. The leather industry at one vibrant in Blackpool with no fewer than 46 tanyards at work there in 1837 giving employment to over 700 hands and tanning on average 110,000 hides annually.
Tuesday 22 August 2017, The Victorian Quarter; historical walking tour with Kieran of the area around St Patrick’s Hill – Wellington Road and McCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.45pm (free, duration: two hours)
This is a tour that brings the participant from the top of St Patrick’s Hill to the eastern end of McCurtain Street through Wellington Road. The tour will speak about the development of the Victorian Quarter and its hidden and beautiful architectural heritage. All are welcome and any old pictures and documents that people have of these areas, please bring along.
Thursday 24 August 2017, The City Workhouse, historical walking tour with Kieran; meet at the gates of St Finbarr’s Hospital, Douglas Road, 6.45pm (free, duration: two hours)
The Cork workhouse, which opened in December 1841, was an isolated place – built beyond the toll house and toll gates, which gave entry to the city and which stood just below the end of the wall of St. Finbarr’s Hospital in the vicinity of the junction of the Douglas and Ballinlough Roads. The Douglas Road workhouse was also one of the first of over 130 workhouses to be designed by the Poor Law Commissioners’ architect George Wilkinson.
Friday 25 August 2017, The Lough and its Curiosities; historical walking tour with Kieran; meet at green area at northern green of The Lough, entrance of Lough Road to The Lough; 6.45pm (free, duration: two hours)
This new walking tour circles the Lough and explores the area’s origins and histories. In such a corner of the city, stories abound ranging from duels, ice-skating, market gardening, Victorian nurseries and legend making as well as housing and church sites.
Saturday 26 August 2017, Fitzgerald’s Park: The People’s Park; historical walking tour with Kieran, meet at band stand, 1pm, note the afternoon time (free, duration: two hours)
Looking at the physical landscape of the Park, there are clues to a forgotten and not so familiar past. The entrance pillars on the Mardyke, the Lord Mayor’s Pavilion, the museum, the fountain in the middle of the central pond dedicated to Fr Mathew and timber posts eroding in the river were once parts of one of Cork’s greatest historical events, the Cork International Exhibitions of 1902 and 1903. Just like the magical spell of Fitzgerald’s Park, the Mardyke exhibitions were spaces of power. Revered, imagined and real spaces were created. They were marketing strategies where the past, present and future merged. The entire event was the mastermind of Cork Lord Mayor Edward Fitzgerald, after which the park got it name.
Captions:
907a. Group on Kieran’s historical walking tour of Sunday’s Well (picture: Kieran McCarthy)
907b.Group on Kieran’s historical walking tour of the Lough (picture: Kieran McCarthy)
Kieran’s Our City, Our Town, 27 July 2017
Kieran’s Our City, Our Town Article, 27 July 2017
The Wheels of 1917: Revolutionary Women of Cork’s Northside
The Spirit of Mother Jones Festival and Summer School will be held in the Shandon area of Cork City from Tuesday, 1 August to Saturday, 5 August 2017. The programme is now online at www.motherjonescork.com. The Cork Mother Jones Commemorative committee was established in 2012 to mark the 175th anniversary of the birth of Mary Harris / Mother Jones in Cork, Ireland. After a highly successful festival marking that anniversary it was decided to make the festival an annual event marking the life and legacy of Mother Jones.
Although famous in other parts of the world, especially in the United States of America where she was once labelled “the most dangerous woman in America”, Cork born Mary Jones (née Harris) – or Mother Jones as she is perhaps more widely known – was virtually unknown and certainly not recognised as yet in her native city. The aim of the festivals and activities of this committee has been to get better recognition for Mother Jones in Cork and beyond.
On Wednesday evening, 2 August at the Mother Jones Festival, Anne Twomey of the Shandon Area History Group will speak on the topic of Revolutionary Women of Cork’s Northside, 1916-1923. The Shandon Cumann Na mBan group after 1916 provides a touchstone for many of the women. Below is an abstract from the notes the festival committee and Anne Twomey.
At the centre of the Cumann Na mBan group was Lil Conlon and her sisters. Lil was an unrelenting worker who carried out varied tasks during the troubled period. She later wrote a book Cumann Na mBan and the Women of Ireland 1913-1925 in which she pitched the question “What did the women of Ireland do anyway?”
Kate “Birdie” Conway, whose early career was as a professional operatic singer, later became a founder member in Cork of Cumann Na mBan and afterwards Shandon Branch president. She played a huge role from 1914 to 1922. Kate was born in Carrigaline and studied at the Cork School of Music under its principal A Teur, and took elocution lessons from J W Flynn. She developed a great soprano voice and gained the attention of the Cork Operatic Society with whom she performed. She embarked on a professional operatic career under the stage name Mlle Del Rita. One of her first professional leading roles was in Sir Charles V Stanford’s Shamus O’Brien (1896) in which she co-starred with Joseph O’Mara. She appeared at venues in Europe and North America before retiring prematurely from the professional circuit around 1900. Her last public appearance was in 1914 at the old Cork City Hall at a charity concert. She was involved in Conradh na Gaeilge in Cork from its foundation and was a pioneer of the Cumann na mBan movement, being president of the Shandon Branch at the time of the Anglo-Irish Treaty in 1921. She chose the pro-Treaty side in the civil war and dedicated much time to the well-being of the Free State army in the 1920s. She also devoted much of her time to the Magdalen Asylum, Sunday’s Well. Bridie died at Golden Grove, Douglas Road, Cork on 21 February 1936 and is buried in Carrigaline. Today she is remembered by a very colourful stain glass window in the entrance portal at the Ballinlough Church in Cork city. This was presented by her brother Maurice Conway in her memory. The window depicts the Little Flower to whom the deceased lady had a lifelong and enduring devotion.
Across in Blackpool, Peg Duggan and her sisters Sarah and Annie, living at 49 Thomas Davis Street, operated an escape network for those on the run for years. Her flower shop on Parliament Street was a centre of Volunteer/IRA activity until closed by order of the British authorities. She was among the first on the scene of the murder of Lord Mayor Tomas MacCurtain in Blackpool on 20 March 1920. She rendered first aid and comfort for his widow, children and extended family.
Emma Hourigan who lived nearby at 45 Maddens Buildings was very active, running intelligence, putting up posters, campaigning and organising.
In the very heart of Cork City in St Augustine Street stood the innocent paper shop run by the Wallace sisters who were members of the Irish Citizen Army. This unassuming premises was effectively the intelligence post office for the volunteers and the IRA for 5/6 years. Nora and Sheila Wallace’s heroic and invisible contribution to the revolution is only now surfacing from the shadows.
Other Cumann na mBan members included Margaret Lucey who typed drafts of Terence MacSwiney’s book Principles of Freedom. MacSwiney’s sisters Mary and Annie spent their entire lives working for the achievement of a Republic.
Young Kitty Daly was very active; she took part in the burning of Macroom Railway Station and was involved in the ambush of a British officer near the present St John’s School.
Geraldine Sullivan (Neeson), was Muriel Murphy’s bridesmaid at her marriage to Terence MacSwiney on 9 June 1917. She transported explosives on her person around the city.
Nora O’Sullivan was actively involved and bravely hid and carried weapons for volunteers, who were subject to constant searches.
To learn more, check out the details of Anne Twomey’s talk on Wednesday 2 August, 7.30pm, Maldron Hotel, Shandon.
Captions:
905a. Mary Harris, aka Mother Jones (source: Cork City Library)
905b. Centre glass panel is Kate “Birdie” Conway Memorial Window, Our Lady of Lourdes Church, Ballinlough, present day (picture: Kieran McCarthy)
Kieran’s July and August Public Historical Walking Tours 2017
July Tours
Wednesday 19 July 2017, Shandon historical walking tour, with Cllr Kieran McCarthy; discover the history of one of Cork’s oldest streets woven with tales of castles, butter and historical churches; meet at North Gate Bridge, 6.45pm (free, duration: two hours)
Thursday 20 July 2017, Sunday’s Well historical historical walking tour with Cllr Kieran McCarthy; discover the original well and the eighteenth century origins of the suburb, meet at St Vincent’s Bridge, North Mall end, 6.45pm (free, duration: two hours)
Thursday, 27 July 2017, The Friar’s Walk, with Cllr Kieran McCarthy; discover Red Abbey, Elizabeth Fort, Callanan’s Tower and Greenmount area; meet at Red Abbey tower, 6.45pm (free, duration: two hours)
Friday 28 July 2017, The Lough and its history, historical walking tour with Cllr Kieran McCarthy; discover the legends and stories of the Cork Lough, meet at the green on northern end of the Lough, Lough Church end, 6.45pm (free, duration: two hours)
August Tours:
Kieran’s Heritage Week, 19-26 August 2017 as part of National Heritage Week, all free, 2 hours
Sunday, 20 August 2017, Cork Through the Ages, An introduction to the historical development of Cork City with Cllr Kieran McCarthy; meet at the National Monument, Grand Parade, 6.45pm (free, duration: two hours)
Monday 21 August 2016, Blackpool and its history, historical walking tour with Cllr Kieran McCarthy; Discover the history of education, industry and social housing, meet at the gates of North Mon School, Gerald Griffin Avenue, 6.45pm (free, duration: two hours)
Tuesday 22 August 2017, The Victorian Quarter; historical walking tour with Cllr Kieran McCarthy of the area around St Patrick’s Hill – Wellington Road and McCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.45pm (free, duration: two hours)
Thursday 24 August 2017, The City Workhouse, historical walking tour with Cllr Kieran McCarthy; learn about the workhouse created for 2,000 impoverished people in 1841; meet at the gates of St Finbarr’s Hospital, Douglas Road, 6.45pm (free, duration: two hours)
Friday 25 August 2017, Legends and Histories of The Lough (new); historical walking tour with Cllr Kieran McCarthy, explore the local history from the Legend of the Lough to suburban development; meet at green area at northern end of The Lough, entrance of Lough Road to The Lough; 6.45pm (free, duration: two hours)
Saturday 26 August 2017, Fitzgerald’s Park; historical walking tour with Cllr Kieran McCarthy; learn about the story of the Mardyke to the great early twentieth century Cork International Exhibition, meet at band stand 1pm, note the afternoon time (free, duration: two hours)
Kieran’s Our City, Our Town, 22 June 2017
Kieran’s Our City, Our Town Article
Cork Independent, 22 June 2017
Secret Cork
Our City, Our Town article number 900 coincides with the launch of my new book Secret Cork. It is over twenty years since I gave my first walking tour across the flat of Cork City and eighteen years since I began writing my weekly column series Our City, Our Town in the Cork Independent. Both have given me much joy and I have really enjoyed researching and promoting Cork’s story. It is a great story to research and to tell. One cannot but be pulled into the multitudes of narratives, which have framed Ireland’s southern capital.
For all the tours and for all the columns and themes though, I still seek to figure out what makes the character of Cork tick. I still read between the lines of historic documents and archives. I get excited by a nugget of information, which completes a historical puzzle I might have started years ago. I have sat in the library pouring over a book or old newspaper on many an occasion trying to figure out where a piece of information sits in my researches. I still look up at the architectural fabric of the city to seek new discoveries, hidden treasures and new secrets. I encourage people on my tours to look up and around and always they see something that I have not seen. I am still no wiser in teasing out all of Cork’s biggest secrets. But I would like to pitch that it’s biggest secret is itself, a charming urban landscape, whose greatest secrets have not been told and fully explored.
We all become blind to our home place and its stories. We walk streets, which become routine spaces – spaces, which we take for granted – but all have been crafted, assembled and storified by past residents. It is only when we stand still and look around can we hear the voices of the past and its secrets being told.
I have articulated over the years that there is a power of place – that the concept of place matters. Cork is a place of tradition, continuity, change and legacy. It is a place of direction and experiment by people, of ambition and determination, experiences and learning, of ingenuity and innovation and a place of nostalgia and memory. Cork’s urban landscape is filled with messages about the past – from positive to negative. That beyond the physical surfaces of a city such as Cork, there is a soulful and evocative character etched across the flat of the city, the estuary of the river Lee and surrounding valleysides. Place matters in Cork. Within this topographical frame is a heritage – physical and spiritual to a degree – that needs to be minded, cherished and nourished.
Cork’s place and story has been carved over many centuries and all those legacies can be found in its narrow streets and laneways and in its built environment. was built by a combination of native and outside influences, its ever-changing townscape and society shaped by different cultures since its origin as a monastic settlement. Cork possesses a unique character, derived from a combination of its plan, topography, built fabric and location.
Cork is unique among other Irish cities in that it alone has experienced all phases of Irish urban development, from c.AD600 to the present day. The settlement at Cork began as a monastic centre in the seventh century, founded by St FinBarre. Legacies echo from being an old ancient port city where Scandinavian Vikings plied the waters 1,000 years ago – their timber boats beaching on a series of marshy islands – and the wood from the same boats forming the first foundations of houses and defences. We will never know and will always speculate upon their raison d’être to construct such a settlement upon a wetland.
Themes of survival, living on the edge, ambition, innovation, branding and internationalisation are etched across the narratives of much of Cork’s built heritage and are amongst my favourite topics to research. Indeed, I fully believe that these are key narratives that Cork needs to break the silence on more and this is a book constructed on those themes.
Secret Cork, my 20th book, is part of my own campaign over the years to promote Cork. It is a companion volume to Cork City Centre Tour (2016) and contains sites that I have not had a chance to research and write about in any great detail over the years. Secret Cork takes the viewer on a walking trail of over fifty sites. It starts in the flood plains of the Lee Fields looking at green fields, which once hosted an Industrial and Agricultural fair, a series of Grand Prix’s, and open-air baths. It then rambles to hidden holy wells, the city’s sculpture park through the lens of Cork’s revolutionary period, onwards to hidden graveyards, dusty library corridors, gazing under old canal culverts, across historic bridges to railway tunnels. Secret Cork is all about showcasing these sites and revealing the city’s lesser-known past and atmospheric urban character.
Secret Cork is available from Cork bookshops and from www.amberley-books.com; previous publications are listed on www.corkheritage.ie. Previous columns are also available here.
Note:
Saturday 24 June, 12noon, Old Workhouse Tour with Kieran; meet at entrance to St Finbarr’s Hospital, Douglas Road, in association with the Friends of St Finbarr’s (free, 2 hours)
Captions:
900a. Front cover of Secret Cork (2017) by Kieran McCarthy
900b. St Patrick’s Bridge, c.1900 (source: Cork City Museum)
McCarthy: Old Workhouse Tour, Saturday 23 June
On Saturday, 23 June the Friends of St Finbarr’s Hospital will be holding their annual Garden Fete Party from 1.30pm to 4.30 pm. As part of a whole series of events planned, Cllr Kieran McCarthy invites the general public to take part in a historical walking tour of St. Finbarre’s Hospital at 12noon (meet at gate). The walk is free and all are welcome. The tour focusses on the former Douglas Road workhouse, which was also one of the first of over 130 workhouses to be designed by the Poor Law Commissioners’ architect George Wilkinson.
Cllr McCarthy notes: “The tour attempts to paint a picture of the workhouse, its function and insightful stories into life at that time – all of which have conditioned the feel and sense of place of this corner of Douglas Road and the wider city. When the Irish Poor Relief Act was passed on 31 July 1838, the assistant Poor Law commissioner, William J Voules came to Cork in September 1838 to implement the new laws. Meetings were held in towns throughout the country. By 1845, 123 workhouses had been built, formed into a series of districts or Poor Law Unions, each Poor Law Union containing at least one workhouse. The cost of poor relief was met by the payment of rates by owners of land and property in that district”.
Cllr McCarthy continues: “In 1841 eight acres, 1 rood and 23 perches were leased to the Poor Law Guardians from Daniel B Foley, Evergreen House, Cork. Mr Foley retained an acre, on which was Evergreen House with its surrounding gardens, which fronted South Douglas Road. The subsequent workhouse that was built on the leased lands was opened in December 1841. It was an isolated place, built beyond the City’s toll house and toll gates”.
Kieran’s Our City, Our Town, 15 June 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 15 June 2017
The Wheels of 1917: The Complexities of the Cork Union House
The history of the Cork Union workhouse on Douglas Road is well documented (now the site of St Finbarr’s Hospital). The archives of the Cork Board of Guardians in Cork City and County archives are extensive, and include a large numbers of minute books, that record the proceedings of the Board’s meetings, 1841 – 1924. Many subjects are recorded in the minute books, such as the ongoing struggle to both fund, staff and manage the workhouse and related services, attitudes to poverty, developments in public health provision, and the care of the infirm, the destitute, children, and the mentally ill. Such subjects are also fleshed out and debated in Cork newspapers of the day, such as the Cork Examiner, which published the minutes of meetings as far back as 1841.
Continuing the thread of exploring life in Cork one hundred years ago, like many other institutions in the city, the year 1917 for the Cork Union House coincided with continued cuts to service provision due the ongoing war. The old workhouse site provided an array of public services from accommodation, food, schools and hospitals. By 1917 the term workhouse had been renamed Cork District Hospital. At a special meeting of the Board of Guardians on 15 January 1917 salaries and cutbacks were outlined. There were men in their employment who were working for less than labourer wages. Urgent repairs were only to be pursued. The price of food was at such a level that a further increase made securing such goods prohibitive for relief. In January 1917, the provision of tobacco or snuff was to be minimised. It was proposed that milk be substituted for eggs. The consumption of coal in the institution was deemed too high with the cost in the summer the same as in winter. The butter bill was an enormous one. Other public boards had substituted margarine. As to the scarcity of sugar, they proposed to utilise condensed milk to sweeten teas. Attention was brought to the question of the three distinct lines of telephones in the institution– and that one ought to be suffice.
At the meeting of the Visiting Committee on 2 May 1917 officials spoke about being refused a war bonus because they were receiving rations. The meeting saw further cuts in rations. Unmarrried officials were to be cut but the difference made up in cash to them. Two shillings per week more were paid to dispensary porters. At 16 May meeting, the engineer’s report, which was read, highlighted that the cost of building materials had increased fifty per cent and timber was coming in 100 per cent dearer. It was impossible to fully carry out the ordinary repair work needed with a small staff contingent of seven painters and two masons.
In mid-May, the figures in the media revealed a large operation programme and the debate at meetings gives insights into the scope of the Union House and its complex. There were 1,450 people in the House (102 less than the figure for 1916). In the hospital, there was 980 patients in the hospital (45 less than the figure for 1916). The deaths during the week ended 5 May amounted to ten. The numbers of persons in receipt of outdoor relief totalled 1925. The daily supply of milk required totalled 182 gallons. It was bought from two sources – Mrs Hannah Forrest of Clogheen and Mr F Bradley of Carrigrohane. The tender of James Murphy of Nicholas’ Well for ten pigs at £112 was accepted. The wages of the bakers in the house were increased to the standard operating in the city, as were those of the carpenters and the fireman of the house. At the mid May committee meeting, the Ladies Boarding Committee was proposed to be dissolved – it had been established 30 years ago for the specific purpose of looking after young women with regards to giving them access to the site and improving their health.
At the Board of Guardians meeting on 29 June 1917, complaints were read from the Federation of Trade Unions of Cork and District Health Insurance Society as to two of its members and the treatment they received as patients. It was acknowledged that there was a prolonged delay at the porter’s lodge with formalities and restrictions. A custom existed that all patients had to undress at the lodge All no matter what they were suffering from were to seen by the medical officers. Deputy attendants was deemed not conducive to the sympathetic treatment of patients in the hospital. The shortcut solution for many years was to propose the appointment of paid attendants but the expenditure was high so probationer nurses were appointed.
At a Board of Guardians meeting on 21 September 1917, further insights are revealed. The Clerk of the Cork Union was manager of the schools – the number of girls in the female school was 51 whilst the teachers numbered 5. In the boy’s school there were 41 pupils and 3 teachers. In the Fever Hospital, there were three nuns, two probationers by day and one night nurse, and one paid wardsmaid and one inmate. There was a six-month fever course in the Cork District Hospital. Dr D Horgan of 11 Sydney Place, Cork was appointed eye specialist.