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Deputy Lord Mayor, Opening of Restored Club House at Shandon Boat Club, 11 June 2011

Opening of Restored Club House at Shandon Boat Club, Cork

Kieran’s Speech

 

 

 Minister Coveney, President, Chairman, distinguished guests, ladies and gentlemen,

 

On behalf of the Lord Mayor, many thanks for the invitation here this afternoon. I’d like to start with a confession. I have only rowed once and that was in a fishing boat. But I am a fan of two things that the club and I have in common, i.e. a love of the river that flows by here and a love of the place where the club is set.

 

They say that a place has the power to stop, impress, make one question, wonder, dream, remember, be disturbed, explore and not forget.

 

 

Waterways Through Time:

 

The Club is all about place. It is a place rooted in Cork. Your club has had a long history with a lineage stretching back to 1858 to the Cork harbour Rowing Club and Queen’s College Rowing Club,  In 1871, the land for the boathouse was given on the Marina which is in part the city’s former docks, which was expanded during the the great famine as a public works programme. The Club house was revamped in 1896 by James McMullen, a Cork architect.

 

His practice was a varied one, including ecclesiastical, hospital, industrial, commercial and domestic work, chiefly in the city and county of Cork. He worked on 30 commissions between 1883 and 1900. In the year 1896, he was also working on the Western Road’s Eye, Ear and Throat Hospital and the red brick warehouses now next to R & H Hall. His best-known building is the Honan Chapel at University College, Cork, erected in 1914-16. He was architect to the South Infirmary, Cork, for some thirty years and was appointed local engineer and valuer for the Cork Junction Railway in 1904.

 

The opening of this new club house adds to the narrative and memory of McMullen’s work. It is a place haunted by traces of its past. But creating an affectionate place such as what you and former generations have achieved requires one to harness many aspects of place-making. The club is also a place of tradition, a place of continuity, change and legacy, of ambition and determination, experiences and learning, of aspiration and inspiration and a place of nostalgia and memory. Culminating those threads and more together creates a rich sense of place that emanates from this corner of the city.

 

I often walk on the Marina and sit on the benches. For me, I have researched, written and led historical tours in this area. In particular I like photographing the changing textures of the area. For me the area is a place of contemplation, recollection and a place of rest. The Marina as a place seems to be defined and embraced by its people. I have often watched your rowers, breaking through the river’s current as its tries to move further downstream.  I have often watched as your own rowers have pushed themselves for their sport but I have also witnessed your rowers bursting out in laughter and having fun.

 

But just like the constant ebb and flow of the tide, this new Club house is about your club evolving as the needs of your members are changing to incorporate what they see as relevant to the contemporary and future of rowing in Cork and in Ireland.

 

A glance through the records of the club indicate something of its activities and achievements.  Each successful season is immortalised in the club’s records, on the club’s perpetual tournament trophies and on the numerous photos that adorn your walls.

 

One cannot also avoid thinking of all the trials and tribulations of the past and present hardworking chairmen, secretaries, managers as well as individuals who played a critical role in guiding and implementing decisions to make the Club survive the test of time. Significant voluntary input has been and continues to be contributed by committees, sub committees and trustees. Many, but not, all are remembered in official documentation such as minute books or photographs. There are characters who have given the Club a certain continuity and have kept values going and standards high. The club should be proud of the pioneering role it has developed – and will continue to play – in the sporting, educational, business and social life of Cork

 

 

Power of Place:

 

Clubs such as yourselves are like giant spotlights in the sky; they can and will continue to uphold human values for all to see and replicate, they can send out the message that we do need to care – care about something… to do something purposeful…to move yourself forward… to hone our personal talents, which we all have. Those are all traits that this club has in abundance and which Ireland of the future now needs.

 

Best of luck on the waterways you travel; you never know where they might lead you; they have led you to this point in time and I have no doubt this new clubhouse will witness many great days, not just of winning but of the power of a place such as this in our society.

 

May this new place have the power to stop the visitor or athlete,

 impress upon him or her a goal,

make them question their own ambitions,

wonder and dream about the future,

remember the past and recall the unfolding and refolding of memories unfold,

be disturbed by being pushed forward,

be able to explore those new lessons to be learned

and not  to forget the experience of all that.

 

 

Ends.

 

View of River Lee from Shandon Boat Clubhouse, 11 June 2011

 

Shandon Boat Club, 11 June 2011

 

1894 Group Shot, Shandon Boat Club, Cork

Launch of restored Shandon Boat Club, 11 June 2011

Launch of restored Shandon Boat Club house, 11 June 2011

Launch of restored Shandon Boat Club, 11 June 2011

Launch of restored Shandon Boat Clubhouse, 11 June 2011

Cllr Kireran McCarthy at the launch of the revamped Shandon Boat Club house, Cork, June 2011

Deputy Lord Mayor, Launch of Southern Screen Guild Profession, 9 June 2011

 Cllr Kieran McCarthy at the launch of the Southern Screen Guild Profession project, June 2011

Kieran’s Speech, Launch of Southern Screen Guild Profession

Bodega Bar, 9 June 2011

Ladies and gentlemen,

Launching the Southern Screen Guild Profession tonight marks another milestone for the discipline of film in our region and creates a much needed forum. The story of producing film makers in Cork has been inspired by many threads.

 I’m always amazed at the number of students that study film at colleges such as St. John’s and Colaiste Stiofain Naofa, the impact of festivals such as the Cork Film Festival and further festivals afield and festivals such as the Cork French Film Festival. The updated Cork City Arts Plan, developed by Cork City Council also has a section on film. The overall plan aims to explore and debate the value of the arts to a city, both in terms of the economic value they deliver via tourism, but also the benefits delivered in respect of artistic, cultural, educational or social gains in a city.

However there is one thing saying those terms, it’s another thing to deliver on them. I think it is the personal commitment to the arts by artists and actors in this region that ultimately make Cork: A City of festivals and a City of the Arts.

Last week I saw a film Water for Elephants…I was taken by the imagery and the reconstruction of times on a travelling circus in 1930s America. It was this more so than the plot that enlightened me and challenged me –it was how life was lived, the backdrops and frames to everyday life was presented, that process of envisaging and embodying life between maybe the ideal and actual.

But I’m a geographer by trade plus have a huge interest in landscapes and the human life within them, so not only the shapes and contours but also how ways of life weave their way into the physicality of landscapes creating a sense of place and memory.  Indeed, there are many pieces of life depicted in such as film.


What should film do?

An online discussion two years ago on the film critique website Mubi Europe, a blogger Stewart Adams asked the questions…What should film do? should it leave the viewer to find the answers or should the film point in one direction?

What should film do?

 

Some of his colleague bloggers relied Film is a response to the world.  Another replied it is a template for imagining the world, another film is about the capturing of images through a viable mode of recording. Others wrote about photography’s specific attributes – its materiality, ease of access that it is an affective and driven view of the world that is thought to bypass the intellect and communicate directly with the emotions. Another wrote about cleansing the doors of perception and the creation of memorable scenes through a director’s perspective.

Another wrote that film should allow the viewers to see the infinite possibilities of life as in a kaleidoscope. It should raise interesting questions but allow the viewers to enter the “dialogue” and reach their own conclusions. A film can achieve this by reflecting the shifting boundaries out there or challenging certain boundaries, collapsing and reconstructing them.

Another blogger penned that a film can immerse you very deeply into situations in a way that can enlighten your understanding of humanity, because it mimics how you experience something in reality. That the illusion is so powerful that one feels like it can have a greater depth of feeling and connection with humankind because of that.

 

The list went on for pages on the Mubi blog….

 

Film and motivation:

 

So the process of film making seemingly cannot be pinned down – It involves so many threads. And perhaps that is why the value and processes of film making are so very apt today especially if we connect it into Ireland’s story. Once again Ireland has come to a cross-roads where it must now once again be creative and think outside of the box, so the nation can move forward.

 

The medium of film power has the power to grasp, encourage wonder, inspire confidence, motivate a self-purpose, provoke questions and the imagination and even draw in the viewer and even disturb and so much more – lessons of life can be presented and debated.

 

Ladies and gentlemen perhaps there is so much to learn through the medium of film – Actors and directors all bring their own talents, confidence self pride, self belief and a desire to perform their medium. Those are all very important traits.

 

Ladies and gentlemen, in this world, we need more of such confidence, pride and belief – we need to mass produce these qualities. This is where film gives hope and have no doubt has saved souls. I wish to congratulate all involved in this screen guild of professionals and wish you all the best for the future.

 

To conclude, I would just like to read one more quote from the Adams Blog of what film should do. It was written by a blogger called  scooter:

“Film should grab us by the shoulders, shake us violently, and proclaim: “You are alive!”. Film should be an alarm clock, whose jarring pulses should penetrate our dreamless slumber with the urgency of a full bladder. Film should be a goddamned rocketship that jets us away from the humdrum and hurls us into the sublime surf of the cosmos. Film shouldn’t say a single word or eat at a single McDonald’s; it should simply wrap itself around your tiny little head like a plaster mold and suffocate you. …. Film should stretch itself thinner than the value of the dollar and then collapse into a black hole. Film should teach you how to dream and dream to make you feel.”

Thank you.

Cllr Kieran McCarthy speaking at the launch of the Southern Screen Guild Profession project, June 2011

 

Kieran’s Our City, Our Town, 9 June 2011

594a. Shrine of the Holy Rosary, Lee Road, Cork, June 2011

Kieran’s Article, Our City, Our Town,

 

Cork Independent, 9 June 2011 

In the Footsteps of St. Finbarre (Part 259)

Shrine of the Holy Rosary

 

“Holy Mary in Heaven assumed and crowned look lovingly on those who have helped to construct this rosary shrine in thy honour and those who are helping to maintain it. Take under thy especial care all who say the rosary devotedly on this highway and pray for us sinners now and at the hour of our death. Amen (inscription on the plaque at Shrine of the Most Holy Rosary, Lee Road, Cork).”

Opposite the Carrigrohane Straight Road on the opposite bank of the Lee is the scenic Lee Road on which lies the Shrine of the Most Holy Rosary. I have not managed to find out who completed the impressive sculpture of the figures but it does look like a Seamus Murphy piece but I am open to correction on that. The last couple of weeks, the column has revealed aspects about Cork in the 1930s. The shrine catapults the visitor forward to 1952 plus is also an important landmark and site of pilgrimage in the Lee Valley.

The shrine was officially opened on the Feast of the Assumption on 15 August 1952 and blessed by Coadjutor Bishop of Cork and Ross Rev. Dr. Cornelius Lucey in the presence of a crowd deemed by the press to be as large as the gathering, which took part in the annual Eucharistic Procession.  The Cork Examiner on 16 August, 1952 noted that that the “the attendance at last evening’s ceremony, however, called for a great act of faith on the part of those attending it. About half an hour before the time appointed for the procession to move off from outside the Mental Hospital gates, rain begin to fall. This downpour, however, did not prevent people of all ages attending in their thousands. ”

Between the starting point of the procession and the shrine fourteen large plates bore the representation of the fourteen mysteries of the rosary. As the procession moved along the road the rosary was given out over a loud speaker attached to a motor car, by Rev. Patrick O’Farrell, C.C. Clogheen. The paper revealed that these temporary mysteries would later be replaced by permanent sculptured representations of the Mysteries of the Rosary. Indeed, a gift of one of the permanent ones had by the unveiling already been made anonymously to the Clogheen Guild of Muintir na Tíre who helped by what the press described as “Cork City friends” – had been responsible for the erection of the Shrine. It was through the efforts of Enniskeane born Rev. Patrick  O’Farrell C.C. that the shrine was erected and the ceremony was made possible.

The Cork Examiner reported that “the work of erection has been going on for the past year and a half and, despite the fact that a very great deal of the labour was given voluntarily, the cost will run into some thousands of pounds. It was learned by our reporter that about two-thirds of the cost have already been raised and it is hoped that the confraternities, societies and others will help to clear off the debt and also to donate the remaining mysteries.”

The procession was well under way when the rain came down in torrents. The downpour did not deter the crowd from walking the mile and a quarter and reciting the responses to the Rosary. By the time the huge gathering had reached the shrine, many were drenched. At the shrine the fifteenth mystery of the rosary, the crowning of Our Lady as Queen of Heaven, was recited by all.

The Cork Examiner further reports that “On the Carrigrohane “Straight” Road there were lines of parked cars from which the occupants watched the ceremony across the River Lee. Amongst the crowd near the shrine were priests and laity from all the parishes in the city; representatives of the various religious orders in the city; members of public bodies, including the Lord Mayor (Ald. P. McGrath T.D. etc) “.

In his sermon, South Parish born Rev. Jeremiah O’Leary C.C. in Turner’s Cross, thanked the people of Clogheen District for the “wonderful Shrine they have raised in honour of Our Lady, Queen of the Most Holy Rosary”. The website for the Diocese of Cork and Ross notes that previously and on his return from ministry in England in 1938, Rev. O’Leary had became actively involved in the promotion of Adult Education in Cork as well as throughout Munster. He was also responsible for the diploma course in Sociology at the University College, Cork. He was for many years a council member of the Cork Historical & Archaeological Society. He was also a prominent member in the Legion of Mary.

Bishop Lucey unveiled the shrine and blessed the statue, as the press noted “a statue that is real work of art, and which can be flood light”. The rain, which had been falling almost continuously, stopped as Benediction began. Present in a specially reserved place in front of the shrine were a large number of nuns from Mount Desert and from other convents and hospitals in the city.

If anyone has memories of the shrine’s construction or the team behind the Shrine, I would like to find out more; Kieran Mc, 0876553389.

 

Captions:

594a. Shrine of the Holy Rosary, Lee Road, Cork, 2011

594b. Close-up of figures at Shrine of the Holy Rosary, Lee Road, Cork, 2011 (pictures: Kieran McCarthy)

594b. Close up of figures at Shrine of the Holy Rosary, Lee Road, Cork, June 2011

Street Performance World Championship (SPWC), Fitzgerald’s Park, 11-12 June 2011

Street Performance World Championship (SPWC) will bring 16 of the most talented street artists in the world to Ireland this June to compete for the title of Street Performance World Champion. This free family festival runs in Fitzgerald Park, Cork City and The People’s Park (Town Park), Portlaoise on June 11th and 12th and in Dublin’s Merrion Square on June 16th-19th.

 

WORLD-RECORD HOLDING SWORD SWALLOWER, INDIAN SNAKE CHARMER AND THE WORLD’S STRONGEST DWARF AMONG THIS YEAR’S HIGHLIGHTS

 

With the European debut of Australia’s Goliath: the World’s Smallest Strongman, the return of 2 time Street Performance World Champion and 11 time world record holder The Space Cowboy, and a visit from Indian snake charmer Jardu this year’s festival promises to be the best yet. The reigning World Champion and only Irish act ever to have claimed the title, magician, ventriloquist and all round messer, Dublin-born Jack Wise returns as the special guest to this year’s festival.

 

VOTE FOR YOUR FAVOURITE TO BECOME THIS YEAR’S WORLD CHAMPION

Over both weekends, members of the public will vote for their favourite performers in all three locations and the act with the most public votes in total will be crowned the 2011 Street Performance World Champion. Entry to the festival is entirely free of charge, with the talented performers, who have dedicated their lives to this amazing art form, asking for a contribution from their audience at the end of each show.

 

GUARANTEE YOUR PLACE IN THE GUINNESS BOOK OF WORLD RECORDS

 

Tens of thousands of festival goers will get the chance to be a world record holder by taking part in the Where’s Wally World Record. Cork and Portlaoise will battle it out against Dublin to become the largest gathering of Wallys ever and claim the coveted world record title. To guarantee your place in the world record attempts, pre-order your full Wally costume at www.whereswallyworldrecord.com. Profits from the Where’s Wally costume sales will be donated to the charity Africa Aware.

 

As part of Cork Midsummer Festival 2011 and supported by Cork City Council

Saturday June 11 – Sunday June 12, 2011, 12 – 8pm daily in Fitzgerald’s Park, Cork.

http://www.spwc.ie/

Pictures from the event last year: http://kieranmccarthy.ie/?p=3401

Lord Mayor’s Volunteer Fair, Cork City Hall, 10-12 June 2011

The main event taking place during the Volunteer week is the volunteer fair in City Hall where over 150 non-profit organisations will be exhibiting to highlight the volunteering opportunities available in Cork. The exhibition commences on Friday night at 5pm when it will be opened by Lord Mayor Councillor Michael O’Connell and will run on Saturday (11th) and Sunday (12th June).

Kieran’s Forthcoming Community Projects – Walking Tour & Make a Model Boat Project

On Saturday, 11th June  St Finbarr’s Hospital will be holding its annual Garden Party from 1.30 to 4.30 pm. As part of a whole series of events planned, Cllr Kieran McCarthy invites the general public to take part in a free historical walking tour of St. Finbarre’s Hospital at 1.30p.m.  (meet at gate). The workhouse, which opened in December 1841, was an isolated place – built beyond the toll house and toll gates, which gave entry to the city and which stood just below the end of the wall of St. Finbarr’s Hospital in the vicinity of the junction of the Douglas and Ballinlough Roads. The Douglas Road workhouse was also one of the first of over 130 workhouses to be designed by the Poor Law Commissioners’ architect George Wilkinson. 

Cllr. Kieran McCarthy also invites all Cork young people (primary and secondary) to participate in McCarthy’s ‘Make a Model Boat Project’. All interested must make a model boat at home from recycled materials and bring it along for judging to the Atlantic Pond on Sunday afternoon, 12 June 2011, 2pm. This project is in conjunction with the Ocean to City Martime Festival. See www.kieranmccarthy.ie under community programme for details and an application form.

 

Section of former workhouse building, St. Finbarr's Hospital, Cork

Ocean to City Maritime Festival 2011 Begins

This Saturday afternoon (4th June), the Ocean to City race will take place and the Ocean to City Maritime Festival 2011 will begin. Ocean to City, an annual event, is a rowing race open to all types of traditional & fixed seat rowing boats over a course of 15 miles through Cork Harbour. Ocean to City – An Rás Mór aims to bring together rowers, volunteers and the wider community in a celebration of Cork’s maritime heritage and the beautiful Cork Harbour. The organising team is part of Meitheal Mara based at Crosses Green House, Cork. Meitheal Mara is a registered charity working in the areas of boatbuilding, rowing & woodwork training with various groups including youth & the long-term unemployed. More information can be found at www.oceantocity.com.

 

As part of the Ocean to City Festival Cllr. Kieran McCarthy is running a Make a Model Boat Project for Cork’s young people. All interested must make a model boat at home from recycled materials and bring it along for judging to the Atlantic Pond on Sunday afternoon, 12 June 2011, 2pm. See www.kieranmccarthy.ie under community programme for details and an application form.

Kieran’s Our City, Our Town, 2 June 2011

593a. St Patrick's Street, Cork, Saturday, 23 April 1938

Kieran’s Our City, Our Town,

 

Cork Independent, 2 June 2011 

In the Footsteps of St. Finbarre (Part 258)

Constitutions and Agreements, April 1938

 

On Monday 25 April 1938, the press media reported that approximately seventy thousand spectators saw lap records beaten several times during the International Light Car and Cork Grand Prix at the Carrigrohane Circuit two days previously on the Saturday.

As Cork people read about “the wonderful driving displays” and “speed thrills”, further events with an enormous legacy for the nature of Irish identity were also unfolding on the same day. That weekend the representatives of Fianna Fáil and Fine Gael, on behalf of their respective parties, agreed to invite Roscommon born Senator Dr. Douglas Hyde to accept the nomination for the presidency.  The provision for a president of Ireland was made in the July 1937 Irish Constitution. The Constitution of Ireland replaced the Constitution of the Irish Free State which had been in effect since the southern state became independent from the United Kingdom in 1933. It established a government under a parliamentary system. It provided for a directly elected, ceremonial President of Ireland (Article 12), a head of government called the “Taoiseach” (Article 28) and a national parliament called the “Oireachtas” (Article 15).

On Monday 25 April, the Cork Examiner also carried the important story that the text of the Anglo-Irish agreement was to be signed in London that afternoon. Talks had begun with the visit of an Irish delegation three months previously. Political concerns, defence, trade relations, trade duties and financial position were all topics for discussion. Taoiseach  Eamonn DeValera and  three Irish ministers, Sean MacEntee, Sean Lemass and Dr. James Ryan, together with John W. Dulanty, the Irish High Commissioner, who played a prominent part in the discussions, were to attend an informal luncheon with Neville Chamberlain, the British Prime Minister on Tuesday 26 April. The Prime Minister and Mrs. Chamberlain had only moved into their new residence at no.10 Downing Street a few days previously. With DeValera the secretaries of the four Departments were also present, J.P. Walshe of External Affairs, Sean Lydon of Industry and Commerce, J.J. McElligott of Finance and Dan Twomey of Agriculture.

The Cork Examiner reported on the Monday that the Irish delegation crossed from Dublin on Saturday night and attended mass on the Sunday (24th) in Liverpool Cathedral before continuing to London. At Euston they were cheered by a crowd who waved two tricolours. Mr. Malcolm MacDonald (Secretary of Dominions and Mr. Dulanty Irish Commissioner in London, cordially greeted An Taoiseach Eamonn DeValera as he stepped from the train. The usual police precautions were taken plus close to DeValera was his so called “shadow”, Inspector Patrick J. Phelan, native of Dingle, who had become known at Scotland Yard as Mr. DeValera’s permanent bodyguard when the Taoiseach was in England.

On Tuesday 26 April 1938, the Cork Examiner discussed the provisions of the new Anglo-Irish Agreement. The economic war between the Irish Free State and Britain was ended with the signing. The agreement provided for the transfer to the Irish Government of the Admiralty, property and rights at Berehaven and the harbour defences at Berehaven, Cobh and Lough Swilly not later than 31 December 1938.

The special duties imposed by each side in the economic war were to be removed and a detailed trade agreement was planned to govern trade between the two countries for the ensuing three years. Irish goods were to enjoy entry into the British market free of duty, except for certain classes of goods, which were subject to revenue duties, i.e. beer, spirits, tobacco, sugar and silks. Eleven classes of Irish agricultural products were to receive preference on the British market. If imports increased to such an extent as to endanger the stability of the United Kingdom “market quantitative regulation”, a duty could be applied. The Irish government was to make immediate reductions in duties on 25 classes of British manufactured goods, but quantitative regulation of such goods could be made if imports increased to such an extent as to endanger Irish industries. Entry free of duty was provided for a large range of United Kingdom goods. Foreign goods that were admitted under licence were to be subject to a duty of not less than ten per cent. Irish protective duties and import restrictions were to be reviewed by the Prices Commission so as to give British producers opportunity of reasonable competition while affording Irish industries adequate protection.

The papers on the 25 April 1938 also wrote in detail about General Francisco Franco and the Spanish Civil War. For the week beginning Monday 25 April 1938, the press outlined his control of two –thirds of Spain’s Rice Fields and some of the country’s best orange grove.  Francisco Franco and the military had participated in a coup d’état against the Popular Front Spanish government. The coup failed and devolved into the Spanish Civil War during which Franco emerged as the leader of the Nationalists against the Popular Front government. After winning the civil war with military aid from Italy and Nazi Germany—while the communist Soviet Union and various Internationalists aided certain forces of the left—he dissolved the Spanish Parliament. The Spanish Civil War began in July 1936 and officially ended with Franco’s victory in April 1939, leaving 190,000 to 500,000 dead.

To be continued…

Captions:

593a. St. Patrick’s Street, Cork, Saturday 23 April 1938 (picture: Irish Press)

593b. Western Road , Cork, traffic jams to see the Cork Grand Prix, Saturday 23 April 1938 (picture: Irish Press)

593b. Western road traffic to see the Cork Grand Prix, April 1938

Kieran’s Motions and Question, Cork City Council Meeting, 30 May 2011

Motions:

That the graveyard adjoining Christ Church be cleaned up and opened to the general public to view as well (Cllr Kieran McCarthy)

 

That traffic signs indicating ‘people on foot crossing roads ahead’ be erected on the Back Douglas Road slip road from the South Ring Road to the roundabout at Willow Park heading east and some rumple strips on the slip road leading on to the roundabout” (Cllr Kieran McCarthy)

 

Question to City Manager:
To ask the manager where the E.250,000 to be invested for the Queen’s visit is coming from? What source ? plus where is the finance going to be invested in? (Cllr Kieran McCarthy)

 

 

Cork City Hall

Kieran’s Our City, Our Town, 26 May 2011

592a. View of students from Reenascreena National School, West Cork with their model of an old farm

Kieran’s our City, Our Town Article,

Cork Independent, 26 May 2011

Discover Cork: Schools’ Heritage Project 2011

 

This year marks the ninth year of the Discover Cork: Schools’ Heritage Project co-ordinated by myself. The Project for 2011 culminated recently in two award ceremonies for the project. It  is open to schools in Cork City and County- at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. A total of 40 schools in Cork took part this year. Circa 1400 students participated in the process and approx 220 projects were submitted on all aspects of Cork’s history.

One of the key aims of the project is to allow students to explore, investigate and debate their local history in a constructive, active and fun way. The emphasis is on the process of doing a project. Projects on any aspect of Cork’s rich heritage (built, natural and cultural) can be submitted to an adjudication panel. Prizes are awarded for best projects and certificates are given to each participant. The standard was very high this year. The top prizes, 60 in all, were given to students’ projects, which took a clever approach to the topic. Students are challenged to devise methodologies that provide interesting ways to approach the study of their local heritage.

Submitted projects must be colourful, creative, have personal opinion, imagination and gain publicity before submission. These elements form the basis of a student friendly narrative analysis approach where the students explore their project topic in an interactive and task oriented way. In particular students are encouraged to attain primary material generating primary material through engaging with a number of methods such as fieldwork, interviews with local people, making models, photographing, cartoon creating, making DVDs of their area.

Students are to experiment with the overall design and plan of their projects. It attempts to bring the student to become more personal and creative in their approaches. Much of the work could be published as local heritage / history guides to people and places in the County.  For example two winning class projects this year focussed on the history of St. Joseph’s Cemetery using family connections and the 1901 and 1911 census. 

This year marks went towards making a short film or a model on projects to accompany history booklets. Submitted DVDs this year had interviews of family members to local historians to the student taking a reporter type stance on their work. Some students also chose to act out scenes from the past. Re-enacting is also a feature of several projects. One class filmed a re-enactment of potential ways of life at Drombeg Stone Circle in Bronze Age Ireland.The creativity section also encourages model making. The best model trophy in general goes to the creative and realistic model. This year the best model in the city went to one on the Shaky Bridge, made from lollypop sticks, whilst the runner up engaged in working with a hurley maker in making an actual hurley for their project on a history of Cork hurley making.

Students are encouraged to compare and connect the past to their present and their immediate future. Work needs to involve re-imagining what life may have been like. One of the key foundations in the Project is about developing empathy for the past and to try to link the present to the past – to think about attitudes and experience in the past. Interpretation is also empowering for the student- all the time developing a better sense of the different ways in which people engage with and express a sense of place and time.

Every year, the students involved in the project produce lots of project books and do enormous work getting the information from the local community. This section is about showing and communicating the student’s work to the wider community. It is about reaching out and gaining public praise for the student but also appraisal and further ideas. This year the most prominent source of gaining publicity was inviting parents into the classroom for an open day for viewing projects or putting displays on in local community centres and libraries. Some class projects were presented in nursing homes to engage the older generation and to attain further memories from participants. Students were also successful in putting work on local parish newsletters, newspapers and local radio stations and also presenting work in local libraries.  Mini-websites were also set up.

Overall, the Discover Cork: Schools’ Heritage Project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about your local area but also about the process of learning by participating students. The project in the city is kindly funded by Cork Civic Trust (viz the help of John X. Miller), Cork City Council (viz the help of Mary Doyle), the Heritage Council and the Evening Echo. Prizes were also provided in the 2011 season by Lifetime Lab, Lee Road (thanks to Meryvn Horgan), Sean Kelly of Lucky Meadows Equestrian Centre Watergrasshill and Cork City Gaol Heritage Centre. A full list of winners, topics and pictures of some of the project pages can be viewed at www.corkheritage.ie and on facebook on Cork: Our City, Our Town.

Back to the River Lee next week…

Captions:

592a. View of students from Reenascreena National School, West Cork with their model that accompanied their ‘history of farming’ project (pictures: Kieran McCarthy)

592b. View of winning model by fourth class students of Gaelscoil Uí Riada, Wilton

 

592b. View of winning model of Daly's Bridge, known affectionately as the Shaky Bridge, by fourth class students of Gaelscoil Ui Riada, Cork