Category Archives: Improve Your Life

Kieran’s Speech, Nano Nagle Centre, 23 November 2019

Cllr Kieran McCarthy, deputising for the Lord Mayor at the Nano Nagle Centre, 23 November 2019

 

Narratives of History

Deputy Lord Mayor, Cllr Kieran McCarthy,

Nano Nagle Centre, 23 November 2019

 

Dear Ladies and Gentlemen,

Many thanks for the invitation here this afternoon.

It’s two years since the Nano Nagle Centre opened and for two years the management team here with its board have worked very hard to make the site and all its components work and make it sustainable. Phase one – the re-imagining of the site here was ambitious but phase 2 has also brought that ambition to life but also new readings of this place –  how places are made and remade, surprises out of the programming process, seeing what works and doesn’t work, and the looking toward other possible components for this place – and in essence forging new methodologies on the challenges facing such an important heritage site from the local to the international.

Certainly management and the board have underlined the importance of having an open mind and an open debate on the splicing together of different genres of thinking about concepts of heritage – in areas around the place of cultural heritage in national and international narratives, how we make local history within a cultural heritage framework relevant, the place of local history in supporting a city’s future, and in areas such as how we remember and how we approach local history and public story telling in the 21st century.

All these concepts may sound similar in their character but in essence are all different avenues of thought, which if aligned make place-making stronger. Some of these concepts such as the writing output of local history in a city such as Cork have been highly championed – Cork has a high calibre of people who study and write about it – passionate local historians, public agents of history, and local historical societies,

but on the other extreme, as a city we can be poor as developing new story telling methodologies and new ways to make our cultural heritage relevant in an ever changing world. And sometimes the narratives are stuck in the same topics with a truckload of sub topics sent to a purgatory of stories waiting for a champion to draw them down and to make them relevant again and some never breaking through to primary narratives in our local history.

The story of Nano Nagle in the city’s collective memory or memory bank of stories has always remained active for over two centuries leading the site here to become a pilgrimage centre to an exhibition centre- the Presentation School movement making sure her story was never forgotten from generation to generation -the social inclusion which still place on the site. Hence Nano’s story has always been up there with the primary historical characters remembered in the city – like Fr Theobald Mathew, Terence McSwiney and Tomás MacCurtain.

What I have seen in the past two years is that the Nano Nagle Centre has strived to create new ways of thinking about Cork’s heritage and its role in a wider context – I think that process is ongoing – the past two years has seen this centre amass justifiable awards – even the bookshop even before we have officially opened it this afternoon was given a national bookshop award last week.

I think we have seen nothing yet with the adjacent school of architecture. We will read more and more about the narrative of its positive effects on the study of architecture and its different sub-disciplines and its transformative thinking on thinking around public architecture. Certainly a walk through its halls on any open night such as Culture Night one can see many local buildings drawn out and some really exciting proposals for them as well as bigger questions such as heritage management in cities such as Venice.

This afternoon marks another launch of another phase in this site’s development -perhaps phase 6 or 7 when one adds in the educational programme, lecture programme and event programme, and the genealogy centre programme, social inclusion work and the exterior work which management engage with around what type of City Cork could be in the future. All of these have created their own methodologies and cross disciplinary thinking and all splice together like some kind of cross-wiring to create an enormous light of sorts – a lighthouse in this corner of Cork’s world.

Today new wires are added in terms of the heritage of a map room where the city’s historic maps are on display, the launch of the bookshop, and the Cork Print Makers room. I welcome these new collaborations with Cork Council’s library service and the fantastic and always thought-provoking Cork Print Makers, and I know many local writers are quite happy to have a new space to sell their books.

I am particularly enamoured by the fact that the narratives behind how the city’s historic map collection came into being. For me it is important to speak about the City’s second public librarian Eugene Carbery who took on with energy the job from James Wilkinson, the city’s first public librarian. Eugene Carbery laid the seeds of the founding of a local history library in the emerging new city library over 1934 and 1935 and gathered a map collection from different sources, sources he published in the Journal of the Cork Historical and Archaeological Society. Eugene also continued the quest to rebuild the library’s book collection after the Burning of the Carnegie Library in 1920.

I can be biased and say I have spent over 25 years of my life being a regular visitor to the local studies room and from my travels I have yet to see a better local history room collection. So I am delighted to hear of this collaboration here today, which for me is about celebrating the 75th anniversary of the local history library as well.

It is also important that the stories behind the cartographer’s maps are outed and that we begin to unpack their narratives and meanings. I know a scan of John Rocque’s 1759 map features in the exhibition space and will now be getting an extra focus as well as others on what maps can tell us about a city’s contemporary development but also why it is important to read between the lines of a historic artefact and history itself.

By John Rocque’s Map of Cork in 1759, the medieval town walls of Cork were just a memory- the medieval plan was now a small part in something larger – larger in terms of population from 20,000 to 73,000 plus in terms of a new townscape. A new urban text emerged with new bridges, streets, quays, residences and warehouses built to intertwine with the natural riverine landscape. New communities created new social and cultural landscapes to encounter.

The 1759 Map is impressive in its detail. John Rocque (c.1705–62) was a cartographer and engraver of European repute. He could count among his achievements – maps of London, Paris, Berlin and Rome. In Britain, his many projects included plans of great gardens, several county and provincial city maps and a great and a great, highly innovative, survey of London which resulted in a 16-sheet map of London and its immediate hinterland (1746), and an immense 24-sheet map of the city itself (also 1746), laid out at a very large scale close to 200 feet to an inch.

Of course as all of who use maps know they tell lies and never give you a true sense of a place. John Rocque’s map shows off key sites of interest all connected to the Georgian era of kings– and the Georgianisation of British towns and cities – on the Cork map and on the later 1773 map sites such as Hannover Street, public squares, the custom house, the butter market, the Theatre Royal, the King George II horse, tree lined canals, sailing ships, riding track circles, bowling greens – all of these though are all given preference over the lighter delineations of the laneways and poorer housing, where the majority of the city’s population lived and where Nano frequently visited. Indeed, truth being told Nano’s mind map is probably the opposite to John Rocque’s one.

It is known that Nano walked this great city a lot – there are multiple constructed narratives of her physically holding a lamp and weaving in and out of the dark streets of Cork  – as the city’s public lighting was only large wicks in oil. From a metaphorical perspective, I like to think that people on the streets of Cork through her lamp knew she was present and cared – she searched out and engaged with the disenfranchised. She sought to give them a voice.

In those late 1770s and early 1780s Nano would have encountered an Atlantic city of great export – where the harbour and the sea was a huge economic asset – a multitude of wooden sailing ships creaking and bouncing off each other as they were tied up– a diversity of sailors from different backgrounds trying to communicate with each other– a port where the languages of Irish or English were in the minority – a multitude of goods awaiting their shipment, paper work as long as people’s arms – Cork docks was where a Corkonian one day could jump on a ship and a few weeks later emerge from the deck in the Caribbean or in the food markets of Lisbon.

In the year 1780 Nano’s world of Cork City had a population of 80,000 people, which had risen from 20,000 eighty years earlier – it is a world where one could estimate that just over 20 per cent were employed and many lived and struggled in poor conditions.

I have no doubt that Nano would have listened to debates about the city centre and its expansion from walled town starting around 1700 to populating 75 % of its marshy islands by 1780 – complete with busy quays, mud filled streets,  over-flowing canals – and new local electoral areas – and new neighbourhoods all being politically defined as the city expanded..

In 1780 Nano in her wanderings in the city would have heard the debate about filling in the canals of the city – the great dumping of rubbish in them over many years – in particular the great canal which once filled in would create St Patrick’s Street.

Worries reigned with the owners of quaysides who did not want their mooring posts taken away and their mooring rights done away with. They were challenged with a new vision for the city – a move from ship movement to more pedestrian movement.

Nano would have heard before her death the debate in the Council Chamber in the commercial centre called the Exchange on Castle Street about creating a new bridge on the north channel. She would heard the physical uproar from ferry crossing owners about how the new proposed bridge of St Patrick’s Bridge would put them out of business.

In 1780 Nano would have possibly seen the 1780 drawing for the south docks where a main street and 20 side streets were planned.

And finally, I always think Nano would have heard about the debate, cost and dilemma and quest by the Councillors of the emerging city for a new Mayor’s chain. Nano didn’t live to see it being placed on the shoulders of Mayor of Cork Samuel Rowland on 9 June 1787 or to see two gold chains being given to the city sheriffs. All were voted on by the court of D’Oyer hundred – or the city’s assembly of freemen.  The sum of £500 was given as a bond by the then Mayor who needed to be paid back, and the money sent onto the London goldsmith. It is unrecorded if he was ever paid back, just in case an ancestor from late eighteenth-century Cork ever appears within Cork.

Ultimately when you look at that time of the eighteenth century Nano Nagle viewed a modern Atlantic City evolving within its time complete with a micro world of challenges and worries – which all still linger in our time –and in truth all still in echo in this Atlantic city and drive this city’s ambition and its future proofing.

So today as this phase of the Nano Nagle centre is launched there is much to celebrate and much to reflect upon. The Nano Nagle Centre has travelled far within 24 months to get to this point today – to be a lighthouse- The splicing of different ideas and openness, and a hard work ethic has opened up new avenues and new questions on the role of this cultural heritage space within Ireland’s southern capital and further afield.

I wish everyone the very best going forward – the team and the board.

Thank you for listening to me.

Ends.

Kieran’s Speech, Launch of New book, Championing Cork: Cork Chamber of Commerce, 1819-2019

1023a. Front Cover of Championing Cork, Cork Chamber of Commerc

That Sense of Cork

Championing Cork: Cork Chamber of Cork, 1819-2019

 Speech, Cllr Kieran McCarthy

Friday 8 November 2019

 

An Tanáiste, Dear distinguished guests, Dear ladies and gentlemen,

Thank you for the opportunity to speak here this evening at such an important occasion. This book took 18 months – a year and a half – to compile, piece together and publish, and all of its roads led to this evening – the actual 200th anniversary date of the Chamber being established.

Eighteen months though is only a very small proportion of time of the 200 years of the Chamber’s history. But for me and all behind this book, this publication celebrates the nature, essence, energy, character and the power of knowledge and marks a group who came together and continue to champion Ireland’s southern capital and region. So for me this book is not just a history book but a toolkit where a cross section of a multitude of moves by the Chamber over the 200 years are documented and mapped.

Two hundred ago today, on a wintry evening a small group of gentlemen- not over a dozen in number – met at Shinkwin’s Rooms on St Patrick’s Street – a small two storey building not overly developed. Minutes were kept, a chair appointed and the rules of the new organisation were set out as their winter meetings progressed.

We are very lucky that those original minute books and 98 per cent of the minute books survive and are now minded in Cork City and County Archives as well as a vast majority of the minutes were written up in local newspapers such as the Cork Examiner. The Cork Examiner in our time is now completely digitised and completely readable online going back to 1841.

On the 8 November 1819, some of the merchants of the city were aware of the need for a Chamber. Dublin and Waterford already had their chamber for many years. The first members of the Cork Chamber don’t jump out of Cork history as highly recognisable figures. But they do come across though as people who cared about the city and region, as hard sloggers, and that they were acutely aware of the challenges of their time and of the acquisition of knowledge to resolve such challenges.

Policy papers didn’t get published straight away – their first forays into galvanising support was through hosting networking dinners, setting up a reading room where all the weekly newspapers of the day could be read, honouring notable Cork emigrants abroad such as Daniel Florence O’Leary, an aide de Camp in Simon Bolivar’s government in South America, honouring the Catholic Emancipator Daniel O’Connell and his diplomatic work in Westminster, and interviewing prospective candidates for membership of Westminster and asking them what their policies were.

So what has changed from those first policies- the dinners are ongoing, the Chamber still honours Corkmen abroad interestingly the Columbian Ambassador recently unveiled an info panel to Daniel Florence O’Leary at Elizabeth Fort recently. The chamber still asks questions of this city’s politicians of what are your policies- and our senior politicians now pass on questions to present day Westminster candidates.

Indeed probably the only aspect that has changed since those early policies is the ability to read 20 newspapers for free in one place– but one can argue that aspect that has been replaced by the glossy and always thought provoking Chamber Link, which always faces the viewer in every corner of the Chamber’s Summerhill North residences.

 

Awareness and The Power of Place:

I like to think that those members who signed up on the 8 November and in subsequent weeks were aware of their city, walked its streets, had ideas on where Cork needed to go. That their awareness had many facets.

  • They were aware of Cork’s economic position in Atlantic Europe, not just in Ireland, aware of competitiveness within that space – from Spain through France through the UK and through Ireland.

  • They were aware of its physical position in the middle of a marshland with a river – and from this the hard work required in reclaiming land on a swampland. I like to think they saw and reflected upon the multitudes of timber trunks being hand driven into the ground to create foundational material for the city’s array of different architectural styles.

  • They were aware of its place with an Empire, the relationship with Britain with barracks high upon a hill and across the County, and forts within the harbour area.

  • They were aware of the importance of its deep and sheltered Cork harbour for shipping.

  • They were aware of the shouts of dockers and noise from dropping anchors- the sea water causing masts to creak, and the hulls of timber ships knocking against its wall, as if to say, we are here, and the multitudes of informal international conversations happening just at the edge of a small city centre.

  • And they were aware of much unemployment and economic decline following the end of the Napoleonic Wars.

The Power of Vision:

Within this framework of awareness, the new Chamber of Commerce etched out its own vision, which aimed to provide one of the voices in economic development highlight business and provide a networking platform. The process was slow at the start but gathered momentum in accordance with the enthusiasm and energy of its members in getting things done.

The Chamber though was one of several other voices two hundred years ago who also had a vision for Cork plus were responsible in creating the foundations of our modern city and region. They set threads of thought, which the Chamber followed in time.

The early nineteenth century Corkonian had a rich vision for their city and region, much of which still resonates quite strongly in our present day and the Cork of the future.

The Cork Harbour Commissioners, founded in the 1810s created a new custom house complete with bonded warehouses, built enlarged docks spaces at Lapp’s Quay and pushed the extension of the docks eastwards, all of which set up our modern day North and South Docks.

Two hundred years ago the Cork Steam ship Company also came into being which harnessed the age of steam engines and influenced the adoption of this new technology in emerging breweries and distilleries in the city, as well as the creation of a more effective pumped water supply – and in a few short years steam was harnessed to create a commuter system of railways lines feeding into the city and out into the wider region.

The Wide Street Commission aimed to clean up slum ridden areas and dereliction in the city centre and create new and enhanced drainage systems– their greatest achievement was to plan for a new street, which opened in 1824 called Great George’s Street, which was later renamed Washington Street. Indeed, if one walks the older historic streets of the old medieval core such as South Main Street and North Main Street, one can see a form of rough red brick, which once you see it once you can see how much rebuilding was pursued c. 1820 to c.1830 and how much dereliction was cleared.

The inspection methods of the Cork Butter Market reigned supreme but also their vision to create new routeways for their customers from Kerry and Limerick – to become known as the Butter Roads.

The Grand Jury of Cork comprising local landlords and magistrates complimented this work by lobbying Westminster to give funding towards bridge construction across County Cork’s river valleys – such as the Lee, Bandon and Blackwater.

The knock-on effect of the improvement of roads and bridges led to new mail coach systems established in County Cork.

Reading the minute book of Cork Corporation meetings, one can see their continued investment into re-gravelling streetscapes, taking down and replacing of inadequate bridges, dealing with the decaying fabric of the eighteenth century city and investment into a proper water supply scheme.

The Cork Society of Arts emerged in the 1810s and asked for philanthropic support for artists and sculptors. They also welcomed the Antonia Canova Sculpture Casts to the city– the society, which was informal and small in its initial set-up – within a few short decades led to the creation of the Cork School of Art and a municipal art gallery.

Emerging artists adorned the city with the images of the Coat of Arms and also a branding strategy emerged to reflect its history – one can see passing remarks in travelogues two hundred years ago to Cork being one of the “Venices of the North” – of Northern Europe – a reference to a glory age of democracy in Europe plus a direct reference to canals in eighteenth century Cork, which were filled in the 1780s due to mass over silting. It’s not a strong branding platform but flickers every now and again in narratives about the city in the present day.

There also political visions to end the penal laws and enact Catholic Emancipation.

There were also visions to provide new residential spaces for the growing Roman Catholic middle class –Mini mansion in places such as Blackrock and Ballintemple came into being.

The Cork Chamber of Commerce was born in the midst of all these visions – some of the institutions I have described merged with other bodies as time went on- some were done away with economic decline – some survived and evolved into stronger institutions – but the themes I have described the small Chamber took on with gusto as the decades progressed –

– docklands development, the need to harness new technologies, the need for enhanced commuter belt transport,

 the need to mind and enhance the City’s appearance, the role of Cork Harbour in the city’s economic development, our relationship next to the UK,

networking and creating opportunities, diplomatic opportunity building, branding the city, breaking silos, working together – all define the core themes of the Chamber’s work over two hundred years.

– indeed in turning the pages of all the minute books over two hundred years – history repeats over and over again, some themes advanced and some themes have regressed but the Chamber and all its members through out the ages kept fighting for a better Cork – some times that road led forward, sometimes led back and sometimes it even split the membership – but in the overall scheme of 200 years – consistency of lobbying shines through.

The Power of People:

The minute books record names of people who stepped up to offer advice, to offer leadership and to lobby. Certainly reading between the lines of the minute books and chatting to members  today listening and cultivating action has been very important to the Chamber survival for two hundred years – plus to also to ignite people’s passion for their city and region plus harnessing the concept of their openness, their skillsets, and knowledge.

So this evening we also remember the people connected with the Chamber for over two hundred years. Sometimes history can be just reduced to dates and figures – so in this book you will notice it contains the quotes of past speeches by Presidents and even letters from the general public.

On the aspect of people, I have no doubt there were moments in the early days when the founder members held firm on why they established the Chamber. Tonight, we remember their tenacity and vision.

I have no doubt there have been moments where the Chamber suffered the blows of members who left for various reasons or who passed away. Tonight, we remember past members and not just that we rejoice in the skills and talents of the present members – from the 15 original members to the over 1,000 members now.

I have no doubt there have been moments in the multitudes of meetings where complex issues confounded and angered even the sharpest of members and later in time the Executive, but both members and the executive stood tall in the face of unfolding events. We remember all the past committee members and the executive for their dedication and vision.

I have no doubt that there have been moments in a break of a meeting – when a fellow member asked “is there anything wrong” to another member and a worry was shared -and in that quiet moment – the power of solidarity and friendship prevailed to soften the blows of life. We remember those guardians of empathy and the listening ear.

There have been moments when members knew that at a moment in time – they were the guardians of the city and region and the city’s DNA – an intangible quality of all things Cork – is also embedded into the members.

There have been moments whereby the Chief Executive and his staff felt they has changed something. In particular I would like to highlight the work of Michael Geary and Conor Healy for their respective visions.

Over the past two hundred years, there have been many moments, which this book aims to document. To be a guardian of Cork is no easy task as it filled with much ambition.

In my meetings this week, a member of the EU’s URBACT programme noted to me – you know Cork is all over our social media at the moment – there is so much happening in your city” – I replied – “yep, good, we’re not finished yet, you should see what else we are up to!”.

So tonight, we celebrate 200 years, we reflect on the two hundred years of its history and everyone associated with in the past, present and going forward.  We sincerely thank the Chamber for the journey they have taken the city and region on, and we think about the journey going forward.

My sincere thanks to Chamber 200 Committee and Paula Cogan and to Conor, Katherine, Imelda of the Chamber, Robin O’Sullivan, as well as the Chamber Executive or their consistent positivity, ongoing energy and charting a vision my thanks as well to Kieran in the Irish Examiner for help and assistance with the old photographs, to Brian Magee, the City Archivist, and Cliodhna in Coolgrey for her design and patience.

Thank you for listening to me.

Ends.

 

 

Cllr McCarthy to stage An Evening of Musical Theatre, Sunday 20 October 2019

   Douglas Road Cllr Kieran McCarthy directs Cork City Musical Society’s “Greatest Tunes and Melodies, An Evening of Musical Theatre” at the Firkin Crane, Shandon on Sunday 20 October at 8pm. The Musical Director is Jimmy Brockie and the producer is Yvonne Coughlan of Red Sandstone Varied Productions. Tickets are e18 and are online at www.firkincrane.ie.

  Cork City Musical Society have staged 3 musicals and multiple community concerts since the society’s founding.

Founded by Cllr McCarthy in 2015, it was years of performing in shows and being involved in community work that led Kieran to create the musical society.

   Cllr McCarthy advocates that Cork City is vibrant in drama education, various musical genres, musical theatre and all forms of opera, all of which are brought to the Cork masses through stage schools and theatres.

“It goes without saying that a rich vein of musicality runs underneath our city, Cork’s DNA embraces the promotion and development of music as an artistic discipline to be developed and one that brings a community together to engage with and appreciate it. The city in musical theatre terms is particularly blessed by several stage schools, small and large, who promote amongst our young people creativity, skill development, education, performance, community building and audience development, and the charity of sharing their craft, amongst other important traits”.

“Amateur musical societies are multiple in nature up and down the country. All bring their local communities together under a volunteer and charity umbrella – collaborating and bringing people together to create an outlet for people and to put drama, music and all ultimately form a key cultural vein within towns and villages”.

   Continuing Cllr McCarthy highlighted that Cork City Musical Society in particular “focuses on the aspect of community building and the promotion of musical theatre amongst adults and the idea of inclusivity and self-development for all who wish to engage with it”. Check out Cork City Musical Society on facebook for more details.