Category Archives: Cork City Events
Pictures, McCarthy’s Make a Model Boat Project, 16 May 2019
Kieran’s Our City, Our Town, 16 May 2019
Kieran’s Our City, Our Town Article,
Cork Independent, 16 May 2019
The Little Book of Cork Harbour
My new book The Little book of Cork Harbour has recently been published by The History Press (2019). Cork Harbour is a beautiful region of southern Ireland. It possesses a rich complexity of natural and cultural heritage. This is a little book about the myriad of stories within the second largest natural harbour in the world. It follows on from a series of my publications on the River Lee Valley, Cork City and complements the Little Book of Cork (History Press, Ireland, 2015). It is not meant to be a full history of the harbour region but does attempt to bring some of the multitudes of historical threads under one publication. However, each thread is connected to other narratives and each thread is recorded to perhaps bring about future research on a site, person or the heritage of the wider harbour.
The book is based on many hours of fieldwork and also draws on the emerging digitised archive of newspapers from the Irish Newspaper Archive and from the digitalised Archaeological Survey of Ireland’s National Monument’s Service. Both the latter digitised sources more than ever have made reams and reams of unrecorded local history data accessible to the general public.
In Cork Harbour colourful villages provide different textures and cultural landscapes in a sort of cul-de-sac environment, with roads ending at harbours and car parks near coastal cliff faces and quaysides. The villages are scattered around the edges of the harbour, each with their own unique history, all connecting in some way to the greatness of this harbour. Walking along several junctures of fields, one can get the feeling you are at the ‘edge of memory’. There are the ruins of old structures that the tide erodes away. One gets the sense that a memory is about to get swept away by the sea, or that by walking in the footsteps trodden by writers, artists and photographers 100 years ago, one could get carried away by their curiosity.
On any good weather day, there are parts of the region where one can almost drive across its sun kissed mudflats. From the Cork-Midleton dual carriage way you get to appreciate farmer’s attempts of reclamation through the ages and the broad mudflats which serve as a home for international bird habitats. There are sections of the harbour to be viewed from the road, which seem almost forgotten. I am a big fan of the Smith Barry tower house folly, which belonged to Fota House estate and which exists on the edge of the Fota golf course.
For centuries, people have lived, worked, travelled and buried their dead around Cork’s coastal landscapes. The sea has been used a source of food, raw materials, as a means of travel and communications and as a place to build communities. Despite this, the harbour has very distinct localities and communities. Some are connected to each through recreational amenities such as rowing or boating and some exist in their own footprint with a strong sense of pride. Some areas such as Cobh and the military fortifications have been written about frequently by scholars and local historians whilst some prominent sites have no words of history or just a few sentences accorded to their development.
In the new book the section, Archaeology, Antiquities and Ancient Towers explores the myriad of archaeological finds and structures, which survive from the Stone Age to post medieval times. Five thousand years ago, people made their home on the edge of cliffs and beaches surrounding the harbour. In medieval times, they strategically built castles on the ridges overlooking the harbour.
The section, Forts and Fortifications, explores the development of an impressive set of late eighteenth-century forts and nineteenth century coastal defences. All were constructed to protect the interests of merchants and the British Navy in this large and sheltered harbour.
The section, Journeys Through Coastal Villages, takes the reader on an excursion across the harbour through some of the region’s colourful towns. All occupy important positions and embody histories such as native industries, old dockyards, boat construction, market spaces, whiskey making and food granary hubs. Each add their own unique identity in making the DNA of the harbour region.
The sections, Houses, Gentry and Estates and People, Place and Curiosities, respectively are at the heart of the book and highlight some of the myriad of people and personalities who have added to the cultural landscape of the harbour.
The section, Connecting a Harbour, describes the ways the harbour was connected up through the ages, whether that be through roads, bridges, steamships, ferries, or winch driven barges.
The eighth section, Tales of Shipping, attempts to showcase just a cross-section of centuries of shipping, which frequented the harbour; some were mundane acts of mooring and loading up goods and emigrants but some were eventful with stories ranging from convict ships and mutiny to shipwrecks and races against time and the tide.
The section entitled Industrial Harbour details from old brickworks, ship buildings to the Whitegate Oil refinery. Every corner of the harbour has been affected by nineteenth century and twentieth century industries.
The last section Recreation and Tourism notes that despite the industrialisation, there are many corners of the harbour where GAA and rowing can be viewed as well as older cultural nuggets such as old ballrooms and fair grounds. This for me is the appropriate section to end upon. Cork Harbour is a playground of ideas about how we approach our cultural heritage, how were remember and forget it, but most of all how much heritage there is to recover and celebrate.
The Little Book of Cork Harbour (2019) by Kieran McCarthy is published by The History Press and is available in Waterstones, Vibes and Scribes and Easons.
Upcoming Walking Tour:
Saturday 19 May 2019, Douglas and its History, meet in the carpark of Douglas Community Centre, 11am (free, duration: two hours, circuit of village, finishes nearby).
Captions:
997a. Front cover of The Little Book of Cork Harbour (The History Press, 2019) by Kieran McCarthy.
997b. Blackrock Castle, 1843 from Illustrated London News (source Cork City Library).
997c. Throwing the Dart ceremony with Mayor and officials, at the mouth of Cork Harbour, 1855 from Illustrated London News (source Cork City Library).
Final, McCarthy’s Community Talent Competition 2019
McCarthy’s Make a Model Boat Project 2019
Douglas Road Cllr Kieran McCarthy invites all Cork young people to participate in the tenth year of McCarthy’s ‘Make a Model Boat Project’. All interested must make a model boat at home from recycled materials and bring it along for judging to the Lough on Thursday 16 May 2019, 6.30pm. The event is being run in association with Meitheal Mara and the Cork Harbour Festival. There are three categories, two for primary and one for secondary students. The theme is ‘Stories of Cork’, which is open to interpretation. There are prizes for best models and the event is free to enter. Cllr McCarthy, who is heading up the event, noted “The project is ten years old this year and over the years, all of the participants have been very creative and innovative. This youth project complements the Discover Cork Schools’ Heritage Project and McCarthy’s Community Talent Competition”. In addition, Cllr McCarthy emphasises that places like the Lough are an important part of Cork’s natural and amenity heritage. For further information and to take part, please sign up at www.corkharbourfestival.com.
The Cork Harbour Festival (1-9 June) will bring together the City, County and Harbour agencies and authorities. It connects our city and coastal communities. Combining the Ocean to City Race and Cork Harbour Open Day, there are over 50 different events in the festival for people to enjoy – both on land and on water. The festival begins Saturday 1 June, with the 28km flagship race Ocean to City – An Rás Mór. Join thousands of other visitors and watch the hundreds of participants race from Crosshaven to Blackrock to Cork City in a spectacular flotilla. Cllr McCarthy noted: “During the festival week embark on a journey to explore the beautiful Cork Harbour – from Douglas Estuary to Roches Point – and enjoy free harbour tours, sailing tasters, open days at heritage sites, and lots more; we need to link the city and areas like Blackrock and the Marina, Douglas estuary and the harbour more through branding and tourism. The geography and history of the second largest natural harbour in the world creates an enormous treasure trove, which we need to harness, celebrate and mind”.
McCarthy’s Community Talent Competition 2019
McCarthy’s Make a Model Boat Project 2019
Cllr Kieran McCarthy’s Community Talent Competition 2019
Kieran’s Our City, Our Town, 18 April 2019
Kieran’s Our City, Our Town Article,
Cork Independent, 18 April 2019
Tales from 1919: An Irish Industries Fair
One hundred years ago this week, the Irish Industries Fair was opened in Cork City Hall on Thursday 24 April 1919 by the Lord Mayor of Cork, William O’Connor. The fair was called Tír na nÓg and was an exhibition of Irish-made goods and the display of the manufacturing abilities of the country. It aimed to introduce to the public and to celebrate several commodities from the Irish art and craft movement. All were embedded in every-day life such as dress fabrics, household goals, ornaments, metal work and articles in general demand that were made at home and which gave good employment throughout the country. The editorial in the Cork Examiner lamented that whilst Irish products and manufactures had much success in markets in many other countries, it was still necessary to convince the wider general public to support the brand of “Déanta in Éireann”. The fair also had a light side in terms of several well-arranged features of Irish culture such as fete bands, choirs, concerts, organ recitals, dancing, and swing boats.
The Lord Mayor, William O’Connor, in his speech spoke about the object of the fair and potential lessons from it in promoting all Irish manufactures; “There is a splendid object lesson in the bazaar. Everything is Irish; every single article in the bazaar is an article of Irish manufacture. That condition spoke well for the future of Cork and for Ireland because it shows what Irishmen can do in their own country. Another object of the fair is to cultivate as it were a desire in the public mind to seek article of Irish manufacture, and secondly, to provide funds for the Cork IDA”.
The fair was organised by the Ladies Committee of the Cork Industrial Development Association. The concert hall of the City Hall was the venue for various stalls strewn with bunting and decoration devised by Mr P W Daly, a scenic artist. Each side of the hall was walled off with canvass, and this was cut, shaped and printed as to give to each stall a well-defined appearance of a shop or several shops in a thoroughfare. On the stage tea gardens were laid out. The vestibule was given over for amusements. At the organ end the lace and poplin stall was erected in the form of a kiosk. In front of this were two ladies with machine knitters making the famed Duhallow hosiery. The Duhallow factory had only been in operation for one year but was known for its high reputation.
Across the various stalls, drawn prizes were given to spectators, which also put a focus on high quality Irish crafts. In the woollens section, a special prize was drawn for a costume length of Irish tweed. In the tobacco section, a prize of Peterson patent pipes was up for grabs. In the arts and toys section, a special prize of Irish-made dolls in costume were given away. At the furniture section, a special prize of a mahogany Sheraton kidney shaped writing table with a leather top. In the chandlery stall, a special prize of Irish cutlery was given to a member of the public. In the Irish publications section, a prize of one copy of O’Neill Lane’s larger English-Irish dictionary was given out.
In other stalls, Cork made candy and confectionary were for sale. Messrs Musgrave showed sweets manufactured in Cork and an interesting display of the goods of this well-known firm of wholesale and retail grocers and provision merchants. There were also exhibits by the municipal schools of Art, Commerce and Technology respectively. The Glengarriff Lace Class of West Cork showed some exceptionally fine samples. Mr Hogan, cabinet maker.
Cork put on display several mantlepieces made by him. Messrs William Egan and Sons Ltd, jewellers showed magnificent specimens of the splendid work done in their silver factory. The premises occupied by Egan and Sons on St Patrick’s Street comprise two magnificent adjoining shops (both burned down in the Burning of Cork in 1920) – the one at no 32, being devoted to high-class art jewellery, gold and silversmith’s work, and watchmaking; the other being occupied in connection with ecclesiastical furnishing, vestment manufacture, and embroideries, appointments, and sacred utensils of every description. The shops were lit by electricity from dynamo and storage battery power, supplied by a 6-horse power gas engine on their premises, which was also used for the silver-plating factory.
The Lee Boot Company Ltd, another Cork factory, created a special exhibit. Set up by Dwyer and Company, the Lee Boot facility was one of four boot factories in Cork by the 1890s. The industry was highly mechanised and very successful for many years. Footwear production was based on the tanning and related industries in the city.
Previous to and after the opening of the fair Professor Gmur of the Cork School of Music gave a selection of Irish melodies on the organ, which were appreciated by the public. The items galvanised even further the promotion of the Irish cultural elements of the fair. The pieces included The Maid of Castleraigh, May Day (a hornpipe), Cradle Song, Ancient Clan March, The Last Rose of Summer, Who Fears to Speak of 98? There were also choral items in Irish by the Gaelic choir of the North Monastery. In the evening the fair was well patronised. Special features were the band selections by the Butter Exchange Brass and Reed Band and the Volunteer Pipers Bard. A speech was also made by Sinn Féin MP Liam de Róiste who spoke about the importance of promoting Irish culture especially the Irish language.
Kieran is also showcasing some of the older column series on the River Lee on his heritage facebook page at the moment, Cork Our City, Our Town.
Upcoming Tour:
Sunday 21 April 2019, Ballinlough Historical Walking Tour with Kieran, learn about nineteenth century market gardens, schools, industries, and Cork’s suburban standing stone, meet outside Beaumont BNS, Beaumont 2.30pm (free, duration: two hours, finishes on Ballinlough Road).
Captions:
993a. Former Victorian warehouse and office building, of Lee Boot Manufacturing Company, c. 1880 & former Square Deal shop, Lancaster Quay, 2005 (picture: Kieran McCarthy)
993b. Sketch of Egan’s Shop, 32 St Patrick’s Street, c.1892 (source: Cork City Library).