Category Archives: Cork History

Kieran’s Our City, Our Town, 25 July 2024

Cork City Events, Cork History, Kieran's Council Work, Landscapes, Uncategorized, Ward Development
1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.
1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.

Kieran’s Our City, Our Town Article,

Cork Independent, 25 July 2024

Donoughmore in the Spotlight

Recently Gerard O’Rourke’s new book Land War to Civil War 1900-1924, Doqnoughmore to Cork and Beyond hit the shelves of Cork book shops. It is a story of conflict and perseverance leading to Irish Independence. It explores, examines, and explains how this was achieved. The book recounts numerous incidents and experiences begins in Donoughmore stopping at various locations through to Cork City and internationally through the stories of the executions of Mrs Lindsay and Compton Smith, Mary Healy and Éamon de Valera, the Wallace Sisters, Dripsey Ambush, Civil War, executions, prison, life, sport, culture, economic life, and daily life. 

In his introduction Gerard notes that the aim of the book is to chronicle and document the rise of nationalism and subsequent road to Irish Freedom using Donoughmore, an area 26 km north, north-west of Cork, as a source for investigation. It builds upon stories in Gerard’s second book Ancient Sweet Donoughmore: Life in an Irish Rural Parish (2015). These publications together with an earlier work A History of Donoughmore Hurling and Football Club (1985) completes a significant trilogy of the story of this ancient parish.

Gerard in his introduction further writes about the importance of researching the quest for Irish Independence; “There was a time when talk about what was termed the troubled times was not engaged in, was frowned upon, and brought up too many bitter memories. The advancement of time has changed this and by documenting the narrative of this period we are paying homage to our own. Their sacrifices and work are rightfully highlighted and gives us an insight and appreciation to what was ‘the hidden Ireland?. It more importantly brings context to what we all enjoy today, freedom, independence, self-governance, the scope to make decisions, pursue opportunities all manageable without external intrusion”.

For Cork City Gerard has a really great reflection chapter on the lives and times of Nora and Sheila Wallace, whose story on St Augustine’s Street and their part in the Irish War of Independence in Cork City has come more to the fore in recent years. Gerard draws on family archives including notes and correspondence from the Wallace Sisters. He writes that the Sisters were greatly influenced by tales of Fenians and revolution and a thirst for Independence. They were inspired by the foresight and writings of Pádraig Pearse and James Connolly. The sisters were further enthralled by the focussed and nationalist outlook of Countess Markievicz.

 Indeed, Gerard outlines in his research that Nora paid a moving tribute to the countess on her death; “Her proud spirt had learned much or Kathleen Ní Houlihan, and the many ills that needed remedies. One noble heart, one gifted woman, laid aside all loves, and joys to serve her country. Her ideals demonstrated a desire to help the weak, and a firm belief that all difficulties could be overcome by hard work”.

When Countess Markievicz, was court martialled after the Easter Rising her action in kissing her revolver was dramatic as well as poignant. Nora commented on the fight to win; “We who know her, can appreciate fully, what that action implied; the love of a generous heart, and the belief that we should fight to win, coupled with the perfect discipline of a soldier”.

It was in 1911 that a branch of the Fianna organisation was established in Cork. Among those at the inaugural meeting was Tomás MacCurtain and Seán O Hearty. Later, Cumann na mBan was formed in Cork in 1914 and among the women who operated this organisation were Mary MacSwiney, Nora O’Brien, Bridie Conway, Annie and Peg Duggan and Nora and Sheila Wallace.

Gerard further outlines that Nora Wallace’s work with the Volunteers where she made first aid outfits and haversacks brought her increasingly into contact with Tomás MacCurtain and he trusted her with specific intelligence work. After the Easter Rising, she was given special instructions by Tomás to visit Michael Brennan Officer in Command of the East Clare Volunteers at Cork Prison.

In June 1917, the closure of the Volunteer Hall in Sheares Street created a problem for the IRA in Cork. Without a base or recognised meeting place the mechanisms were problematic to direct a war against the Crown Forces. Florence O’Donoghue, Adjutant of the Cork No. 1 Brigade and responsible for communicating with the Brigades units and further afield, saw the potential in using the shop of the Wallace Sisters as a depot for dispatches and a communications centre;

“A depot for dispatches was essential. We found it in the newsagents shop of the sisters Shelia and Nora Wallace…I had been getting my papers there and had known them for some time. They lived over the shop, they worked from eight in the morning until midnight…if any two women deserved immortality for their work…they did. Wallace’s became to all intents and purposes Brigade Headquarters…an indispensable part of the organisation. Shelia and Nora came to know everybody and everyone’s status; they became experts at side tracking persons with no serious business… nothing I could say about their tact and discretion would express adequately my appreciation of the manner at which they did a most difficult and valuable job”.

Gerard details through his research that it took until May 1921 for the British authorities finally tried to curb the actions of the Wallace Sisters and in a letter to the sisters an instruction was given to them to close the shop. Resilient as ever the sisters attained a temporary shop lease in the English Market and continued their work. Less than two months later following the Truce the shop was reopened.

Nora and Sheila Wallace took the Anti-Treaty side and when the Irish civil war broke out, they had to reconsider their activities given they were well known to their former comrades. In that respect despatches were moved promptly. The shop was constantly raided during this period.

€15 sold of each copy of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond will be donated to cancer care services in Cork.

Caption:

1263a. Front cover of Gerard O’Rourke’s Land War to Civil War 1900-1924, Donoughmore to Cork and Beyond.

Kieran’s Our City, Our Town, 11 July 2024

Cork History, Kieran's Council Work, Uncategorized
1261a. View of Cork from Audley Place, c.1890 (source: Cork City Library).

Kieran’s Our City, Our Town Article,

Cork Independent, 11 July 2024

Cork: A Potted History Selection

Cork: A Potted History is the title of my new local history book published by Amberley Press. The book is a walking trail, which can be physically pursued or you can simply follow it from your armchair. It takes a line from the city’s famous natural lake known just as The Lough across the former medieval core, ending in the historic north suburbs of Blackpool. This week is another section from the book. The book is available to buy from any good bookshop or online from the publisher.

Atop Fever Hospital Steps:

  The Fever Hospital had a distinguished career caring for Corkonians since 1802 until the mid twentieth century, located atop the steps adjacent Our Lady’s Well in Blackpool. It was founded by Corkman Dr Milner Barry, who introduced vaccination into Cork in 1800 and was the first to make it known to any Irish city. In 1824, a monument with a long laudatory inscription was erected in his memory in the grounds of the Fever Hospital by Corkonians.

An annual general meeting of the president and assistants of the Cork Fever Hospital and House of Recovery was held on 15 May 1917 in the Crawford Municipal School of Art. The annual report of the Hospital Committee was read by member Sir John Scott. He revealed that on 1 January 1917 there were thirty-seven patients in the hospital and 256 were admitted during 1916. This made a total number of 293 patients treated, compared with 500 during the year 1915. Of the patients treated, 253 were discharged and cured while eleven remained in hospital on 31 December 1916. There were twenty-four deaths during the year, and it was noted, with great regret, that many of them were only brought to the hospital in a ‘hopeless condition’.

Deducting these from the number of deaths, the mortality showed a low rate of 6 per cent, which was deemed by the committee as a ‘satisfactory outcome’ with dealing with dangerous life-taking fevers.

A regular call was made by the Fever Hospital urging upon Cork citizens the immense importance of prompt isolation and hospital treatment for cases of infectious diseases. Many of the cases treated came from the thickly populated districts the city. Of the cases admitted, 108 came from the north side of the city, fifty-four from the south side, fifty-three from the centre and twenty-five from the rural districts.

The hospital site was sold off in 1962 and the housing estate of Shandon Court now stands in its stead.

Views of Cork at Audley Place:

  When the Corporation of Cork invested in planning St Patrick’s Bridge in 1787, it opened up a new quarter for development. The 1790s coincided the creation of St Patrick’s Hill – an avenue from Bridge Street that aligned with an old windmill now incorporated into Audley House. The decade also coincided with an early MacCurtain Street – back then known as Strand Street and later King Street, then Summerhill North from 1820 onwards. Over the centuries, artists, travellers and antiquarians have tried to capture the essence of St Patrick’s Hill and the vista from Audley Place.

In more recent times, the view was captured by producers of The Young Offenders as its two main characters, Jock and Connor, chat about their lives on a bench. Ascent has always been difficult for any mode of transport, from horse and cart to cars. In 1988, the organisers of the cycle Tour de France held a section of their tour in Ireland and sent their competitors on a gruelling assent of St Patrick’s Hill. There is a spectacular view of the city at the top, especially of the northside suburbs of Blackpool, Gurrananbraher and northwards to Knocknaheeny and Farranree. The river can also be seen winding its way through the city, on its way to meet the waters of the Atlantic Ocean.

The origins of the name Audley Place or Bell’s Field have been lost to time. Bell’s Field may be a reference to a Major Bell who may have been connected to what is now nearby Collins Barracks. This view from the top is much loved and often photographed. It has been captured through numerous mediums: a sketch by historian Charles Smith in 1750, a painting by John Butts in the 1760s (now on display in the Crawford Art Gallery) and photographic postcards in the early nineteenth century among others.

The early depictions show the early growth of Blackpool as an industrial hub in the city with its myriad of chimneys reflecting the many tanneries and distilleries in the area. Many of these were established in the late eighteenth century. St Anne’s Shandon, with its ornate steeple, dominates all sketches and photographs. The tower is very symbolic of eighteenth-century expansion in Cork. The adjacent butter market, located off Shandon Street, remembers the golden age of prosperity and profit in the city.

A postcard from c. 1890 shows the minarets of St Mary’s and St Anne’s North Cathedral and echoes the social and physical change of nineteenth-century Victorian Cork. Just to the top of the early nineteenth-century photograph are farmed green fields, which were developed with housing estates in the early 1930s, a testament to the growing population of a city and a way to ease the slum conditions of the inner city.

Today, standing at the spot of the viewer, one can see the suburban growth in Knocknaheeny and further east in Farranree. Cork City Council are trying to encourage the recreational use of the area of the top of the hill by supplying seating and landscaping the general area.

Kieran’s Upcoming Walking Tours, no booking required, all two hours, all free.

Friday 5 July, Cork Through the Ages, An Introduction to the Historical Development of Cork City; meet at the National Monument, Grand Parade, 6.30pm. 

Sunday 7 July, The Northern Ridge – St Patrick’s Hill to MacCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.30pm.

Sunday 14 July, Cork South Docklands; meet at Kennedy Park, Victoria Road, 6.30pm. 

Tuesday 16 July, The Marina; meet at western end adjacent Shandon Boat Club, The Marina, 6.30pm. 

Wednesday 17 July, Blackpool: Its History and Heritage; meet at square on St Mary’s Road, opp North Cathedral, 6.30pm.

Caption:

1261a. View of Cork from Audley Place, c.1890 (source: Cork City Library).

Kieran’s Our City, Our Town, 27 June 2024

Cork History, Kieran's Council Work, Lord Mayor's Work, Uncategorized
1259a. Bust of Gerald Griffin located in North Monastery Secondary School (picture: Kieran McCarthy).

Kieran’s Our City, Our Town Article,

Cork Independent, 27 June 2024

Cork: A Potted History Selection

Cork: A Potted History is the title of my new local history book published by Amberly Press. The book is a walking trail, which can be physically pursued or you can simply follow it from your armchair. It takes a line from the city’s famous natural lake known just as The Lough across the former medieval core, ending in the historic north suburbs of Blackpool. This week is another section from the book.

Patriotism and Gerald Griffin Street:

  Gerald Griffin Street was formerly called Mallow Lane. In 1832, Mallow Lane was renamed Clarence Street after the Duke of Clarence, who was an outspoken advocate of Catholic emancipation. Born in Limerick, Gerald Griffin (1803–40) was a poet, playwright and Irish novelist. In 1823, he emigrated to London and got a job as a reporter for one of the daily papers. He later turned to writing fiction. One of his most famous works is The Irish Collegians, which was written about the murder of the Colleen Bawn in 1820.

In 1838 Gerald joined the Christian Brothers at the North Monastery and burned all of his unpublished manuscripts. He died from typhus fever at the age of thirty-six. In November 1898, the motion of Cllr John O’Neil of Cork Corporation was accepted to change the name of Clarence Street to Gerald Griffin Street. Gerald Griffin has a street named after him in Limerick City and another in Cork City, Ireland. Loughill/Ballyhahill GAA club in west Limerick play under the name of Gerald Griffins.

Presentation Sisters Convent Site:

  The Presentation Sisters Convent Complex is striking on Gerald Griffin Street. Nano Nagle opened her first school in 1754 with around thirty students. It was on Cove Lane, on what is now the site of Nano Nagle Place on Douglas Street. She was a great educator and believed education was the key to a better life for people. Within nine months she was educating 200 girls, and by 1757 she had opened seven schools – five for girls and two for boys.

Nano Nagle (1718–84) set up three small hovel schools in the north parish. The first was in Philpott-Curran Lane at the back of the cathedral presbytery and was the school for girls. The others were at the end of Shandon Street and strictly for boys. One was located on the left-hand side, at the very end of Shandon Street, an attic at the top of a four-storey house, while the other was on the little lane running at the side of where O’Connor’s Funeral Home now stands at the North Gate Bridge.

It was in the year 1799 that the Presentation Sisters came to live in the north parish. Bishop Moylan sent four ladies to South Presentation for training, and after taking their vows they returned to a Philpott Curran Lane. A local lady, Barbara Goold, had a second storey added onto her house and the sisters lived there while teaching hundreds of children until 15 January 1813.

The sisters needed a convent and a school and Bishop Moylan asked local priest Fr John England to take on the project. It took a long time to find enough money to buy a site; they eventually purchased a site at Hill Grove Lane from the Tanning Yard.

The infant school was replaced in 1871 through a plan to enlarge the schoolrooms and facilities. It was formerly opened on 16 January 1872. It was designed by Sir John Benson and built by Edmund and Peter O’Flynn. It is now disused. A modern Presentation School stands nearby.

As well as a school, a presentation convent and chapel were built. The chapel, which is said to date between 1820 and 1830, is thought to be the work of Presentation Brother and architect Revd Michael Augustine Riordan, who was also involved in the Ursuline Convent in Blackrock. To the north is the four-storey convent building, built c. 1830. The present primary school was built in 1965–67 and the old building was then used as a secondary school until the group moved to Farranree in 1976.

Madden’s Buildings:

 The Artisans and Labourers Dwellings Improvements Acts of 1875 and the Housing of the Working Classes Act of 1890 detailed the importance of eradicating tenement or slum housing. At that time no significant financial aid was available to carry out large-scale clearance.

However, Cork Corporation did make an effort. In 1886, new houses were built in Blackpool on the site of an old cattle market. A total of seventy-six houses were planned and built comprising a kitchen, front living room and two overhead bedrooms. The contractor was Edward Fitzgerald and by the end of 1886 they were ready for occupation.

 Named the Madden’s Buildings after the mayor of the time, Paul Madden, these new houses were to set the scene for a further three housing schemes before the turn of the 1900s. These comprised of Ryan’s Buildings, built in 1888 (sixteen houses), the Horgan’s Buildings in 1891 (126 houses) and the Roche’s Buildings in 1892 (128 houses). All of these buildings are still lived in by a new generation of Corkonians.

Captions:

1259a. Bust of Gerald Griffin located in North Monastery Secondary School (picture: Kieran McCarthy).

1259b. Maddens Buildings, present day (picture: Kieran McCarthy).

1259b. Maddens Buildings, present day (picture: Kieran McCarthy).

Cllr Kieran McCarthy’s July 2024 Historical Walking Tours:

Cork City Events, Cork History, Improve Your Life, Kieran's Council Work, Uncategorized, Ward Events

All tours free, no booking required:

Friday 5 July, Cork Through the Ages, An Introduction to the Historical Development of Cork City; Historical walking tour; meet at the National Monument, Grand Parade, 6.30pm (free, two hours, no booking required).

Sunday 7 July 2024, The Northern Ridge – St Patrick’s Hill to MacCurtain Street; historical walking tour of the area around St Patrick’s Hill – Old Youghal Road to McCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.30pm (free, two hours, no booking required).

Sunday 14 July 2024, Cork South Docklands; Discover the history of the city’s docks, historical walking tour, from quayside stories to the City Park Race Course and Albert Road; meet at Kennedy Park, Victoria Road, 6.30pm (free, two hours, no booking required).

Tuesday 16 July 2024, The Marina; historical walking tour; Discover the history of the city’s promenade, from forgotten artefacts to ruinous follies; meet at western end adjacent Shandon Boat Club, The Marina, 6.30pm (free, two hours, no booking required).

Wednesday 17 July 2024, Blackpool: Its History and Heritage, historical walking tour ; meet at square on St Mary’s Road, opp North Cathedral, 6.30pm, (free, two hours, no booking required).

Kieran’s Speech, Bessboro Commemoration, 23 June 2024

Cork City Events, Cork History, Kieran's Council Work, Uncategorized

Dear Carmel, dear members of the committee, dear speakers, dear friends.

Many thanks for the invite to speak this afternoon.

I have a short reflection, which is all about the nature of story-telling.

By trade I am a story collector on Cork’s past and Ireland’s past

They say that stories have the power to stop someone, impress on someone, make one question, make one wonder, make one dream, make one remember, make one be curious, make one be disturbed, make one explore and make one to not forget – a whole series of emotions.

And in Cork history there are many stories over the years that have stopped me people, that make people wonder, that make them curious, that make them remember.

In the city library, I regularly take down local history books and learn about this locale or neighbourhood, and as you turn the pages on books on Blackrock for example…

you can read about for example the story of the old railway line (the third railway line to be built in Ireland in the mid nineteenth century),

You can read about The Marina (a former wall to keep ships out from the swamp and then a walkway created during the Great Famine)

You can read about Blackrock Pier (the home to over 2,000 people in a small fishing village in the nineteenth century),

You can read about Ringmahon House (and the story of the Murphy family and their brewing industry),

You can read about Ballinure Village (and the story of the O’Mahonys of the Mahon peninsula)

You can read about the features of the old Lakelands Estate (and the story of the philanthropy of the Crawford family and the surviving feature along the Joe McHugh Park),

And you can turn the page and read about this nineteenth century folly or fake castle and its original purpose and the house here of the Pike family of Bessboro house and their steamship industry and then you turn the page over…and for our story today, the ink disappears.

The city’s memory bubble on Blackrock does much remembering of bricks and mortars stories very well but when you dig down deeper into the social elements and talking about the realities of people’s lives – that’s where there are vast swathes of voices missing.

It has got better in more recent years when it comes to collecting oral history testimonies. The city’s memory bubble collection is very selective, and heavily influenced by Ireland’s memory bubble, which is very selective.

As a place Cork doesn’t do traumatic history re-telling, turbulent history re-telling, dark history re-telling, oppressive history re-telling, control history re-telling so to speak.

I was going to add doesn’t “do very well” to such a statement – but we don’t do it at all really– it’s not in mainstream school curricula, it’s not in mainstream oral history, it’s not in mainstream Irish history books, it’s not in mainstream history conferences, it’s not in mainstream history performances/ pageantry/ festivals/ heritage gatherings.

The recent reports from central government on topics such as industrial schools and Mother and Baby homes are an important step but only a step towards reconciliation of traumatic history and memory.

And so, the importance of the gathering here for the past ten years should never be underestimated. It is crucial for so many reasons.

This gathering is a beacon or a lighthouse to not only tell the stories of what happened here, to the tell the human experiences of what happened but also lead the calls to break the selectiveness of Cork and Irish history and completing the multitude of memory banks that are only partly explored – and to learn from all of that.

 It is said that if don’t know our past, we don’t know where we’re going or history can repeat itself if we don’t learn from the past.

However, if we don’t explore all of the past, if we don’t unlock all of the history – then the paths of our future will only be partly laid out and we will not learn even more effectively going forward.

Bessboro needs to be a place where the selectiveness of history is broken, the woven vines of stories and histories unwoven and laid out properly,

where questions are answered and more questions asked and more answers given and that not just Cork people learn from this tragic site but also the rest of Ireland as well.

This event today and other impressive voluntary work has been the stay of all those who have stayed with the Bessboro story for not just the past decade but before that as well for decades.

In essence the story here needs to be at least in mainstream school curricula, in mainstream oral history, in mainstream Irish history books, in mainstream history conferences, in mainstream history performances/ pageantry/ festivals/ heritage gatherings. Plus, Plus, Plus.

Above all I share the perspective that this site here in Bessboro needs to be a large ,scale memory site or park. In my head, I’d like to see the whole space as as a prominent commemoration site in our city and in our region.  And that’s my call to An Bord Pleanála – that when the planning process is finished and if it is a negative following on from Cork City Council’s planning department’s deliberations that An Bord Pleanála with the help of central government work with the developer to see what can be done to either directly purchase or CPO the lands for commemoration purposes.

–  And for this to be pursued for many reasons – yes as a sincere nod to those whose personal lives are woven to the Mother and Baby home story but also as a commemoration lighthouse of the journey Irish history and all its nuances still need to travel.

A memorial site with the Folly at the heart of it, where the stones represent the pieces of a puzzle that needs to be resolved and much, a folly as a place of discussion, hope, resilience, justice, human rights, dignity, voices, truth, survival, and inclusion – that the names of the babies accounted for and unaccounted for be detailed in bold, where seats, commemorative sculptures or pieces, healing spaces, thought provoking spaces, history re-telling spaces all exist– a space for all to come and reflect – and not just a Blackrock or commemoration City space – but a national and European site of reflection.

We need government, local government and societal intervention for this and all of us working together on this.

My sincere thanks again to all the team for organising this event for the past ten years and also all the daily work for justice to put the story here on the mainstream Irish history map so to speak.

I remain supportive as a local historian and Councillor in Cork City Council and remain conscious we all need to gather together even more to work through the history, heritage and memory of this particular site and through the other similar but precious sites as well.

Lord Mayor Cllr Kieran McCarthy’s Outgoing Speech, AGM, 21 June 2024

Cork City Events, Cork History, Improve Your Life, Kieran's Council Work, Lord Mayor's Work, Uncategorized
Lord Mayor of Cork Cllr Kieran McCarthy & Lady Mayoress of Cork Marcelline Bonneau, 2023/24
Lord Mayor of Cork Cllr Kieran McCarthy & Lady Mayoress of Cork Marcelline Bonneau, 2023/24

A Return to a Safe Harbour

Dear colleagues, Dear Chief Executive,

As outgoing Lord Mayor of Cork, a very warm welcome to the historic 1936 Council Chamber. A very warm welcome to those who have been re-elected and to those who this is your first time being an elected member of Cork City Council.

We also remember those who retired and those who didn’t make it back through the recent gruelling local elections.

And of course, one of the core parts of our AGM is to appoint our Council chair or the Lord Mayor.

And it will fall to me very shortly to take names of candidates interested in becoming Lord Mayor of Cork for the following year and to pass this eighteenth century chain of history to its next guardian so to speak.

I have but three very short reflections before we proceed.

Firstly, dear colleagues let us rejoice that the democratic process is very much alive in Cork.

My dear colleagues you have not only walked 1000s of kilometres in your quest or pilgrimage to take one of the 31 seats. You have gone to suburbia and into the inner city, and knocked on 1,000s of doors.

You have sacrificed your personal lives in a quest to be in the service of the people of Cork in local government.

It is also important to reflect on that pilgrimage that the process is not as easy as just walking and knocking on doors.

You must have belief in your message. It is a leap of faith. You have been tested. You had to be fit physically and more importantly emotionally.

You met people who befriended you straight away. You met people who closed the door in your face. You met people who had their own message.

You met people who are happy, who are sad, who are very angry, who shout in your face, who don’t want to talk, who are struggling in life, who seek a listener, who seek a chance, who are soaring in life, who buried a loved one, an hour before you called, a mother who just put their child to sleep, people who will ask you in for tea.

You encountered opinionated people and people who have no opinion,

people who are the salt of the earth, people who are guardian angels,

people who you perhaps wept for in your private moments,

people who you laughed with, people who invited you into their house to chat about this and that.

You have met survivors. You have met people who have given up on life. You met people who are lighthouses. Plus many more.

You are a pilgrim of sorts.

All of the conversations, debates and empathy with 1,000s of constituents or citizens and that personal connection piece makes Irish democracy one that is very important.

You have not only rang doorbells and physically pressed the flesh so to speak but deep dived down into citizen life listening to their concerns and now being able through your election as an elected member to bring these concerns into the historic Council Chamber here and to the wider City Hall.

We should never take democracy for granted especially in the world we live in today and that in some parts of the world there is no democracy.

A sincere thanks to all those who voted two weeks ago.

We as local politicians saw another part of the democratic process close up when it comes to counting the votes on ballot papers. The solid count process we have in Ireland and what we have witnessed in Cork is one to be heralded, be proud of and one where great credit is due to the Office of Corporate Affairs and the Office of Franchise in Cork.

And so my first message this evening is a nod on the importance of the canvass pilgrimage of sorts, the democratic process and one of thanks to you, our Council staff and especially to the citizens of our historic city who came out to support our recent local election and its democratic processes.

My second message to you concerns my year as Lord Mayor. Fifty-two weeks ago, the elected Council of the last Council term entrusted me with leadership of the Council.

That has been a really deep honour and it is one thing writing about Cork history, it is another being a part of it. Indeed, it is very difficult to sum up my experiences in a few sentences.

Looking at the diary since the last Cork City Council AGM in late June last year I have been engaged with over 1,600 events. On average there have been about 30-40 events a week depending on the season.

The days have been long and the diary has been very demanding but to get to explore Cork and many of its stories has been very fulfilling. One day can feel like three days when there are so many diary events to juggle!

One hour one could be at a presentation of cheques, or the presentation of certs, and the next you journey on and could be praising someone for their sporting achievement or helping open a new business, meeting an ambassador or giving a talk at one of Cork’s 118 schools or giving a tour of the Lord Mayor’s Office to various community groups.

All of these events look forward and build a sense of identity for Cork’s future. Some events have been varied ranging from a one person engagement to thousands of people. And of course, many of you popped up in the story boards as well to offer support.

However, across all of the events the common denominator has always been Cork. There are thousands of people in Cork engaged in not only its life and its story but enhancing its life and story. Every hour of everyday someone is doing something great for Cork and its communities.

Much of it goes without being seen but the office of Lord Mayor’s gets to what I call “deep dive” down into many stories and moments. In our city such stories matter or indeed such moments need to be cherished.

The sense of togetherness, stories and moments in Cork I have promoted and spoken at length about all year.  

In particular I have harnessed the city’s coat of arms as a message – the two towers and the ship in between and the Latin inscription – Statio Bene Fida Carinis – or translated “a safe harbour for ships”. Whereas the element of shipping has almost moved from the city’s quays, the inscription could also be re-interpreted as a connection to people – that the city is also a safe harbour for people and community life. This is its greatest story and one the City needs to mind, keep vibrant, and for all of us in this historic and innovative city to keep working on.

But during this second message of the importance of stories and togetherness it also falls to me tosincerely thank the Deputy Lord Mayor Cllr Colette Finn for her expertise, support, positiveness and I would like to wish her well for the future,

the Lady Mayoress Marcelline for her patience, support and love, and for her charity work, singing and dancing and all round community building with different groups,

and to my parents, and siblings and wider family members for their support and love.

A sincere thanks to Finbarr Archer, Nicola O’Sullivan, Rose Fahy and Caroline Martin in the Lord Mayor’s office as well as the team in Corporate Affairs ably led by Paul Moynihan with support by Alma Murnane and Nuala Stewart – without such a team the office would not run effectively as it does but it is filled with people – a team – that really cares about the role of the office in our city and all the nuances attached to such a role

and also a sincere thanks to you Chief Executive Anne [Doherty], for your friendship, partnership, curation of activities, story board creation, support and advice over the past year. And I am very conscious that this is your last AGM, so many thanks for all your work.

My dear friends, let me conclude with my third message and if I am going to go down as the singing Lord Mayor let me end my Mayoralty where I started with a verse by Rogers and Hammerstein, which in its own way became a different kind of anthem during the year,

Oh, what a beautiful morning,

oh, what a beautiful day,

I got a beautiful feeling everything’s going Cork’s way,

eh, Oh what a beautiful Day.

Go raibh míle maith agaibh.

Ends.

Kieran’s Our City, Our Town, 13 June 2024

Cork History, Kieran's Council Work, Lord Mayor's Work, Uncategorized
1257a. Sketch of King's Castle c.1600 from George Carew’s Pacata Hibernia (source: Cork City Library).
1257a. Sketch of King’s Castle c.1600 from George Carew’s Pacata Hibernia (source: Cork City Library).

Kieran’s Our City, Our Town Article,

Cork Independent, 13 June 2024

Cork: A Potted History Selection

Cork: A Potted History is the title of my new local history book published by Amberly Press. The book is a walking trail, which can be physically pursued or you can simply follow it from your armchair. It takes a line from the city’s famous natural lake known just as The Lough across the former medieval core, ending in the historic north suburbs of Blackpool. This week is another section from the book.

The King’s Castle:

The Watergate complex, comprising Cork’s medieval port, docks and custom house, would have been impressive. The gate allowed controlled access into a private world of merchants and citizens – the masts of ships, vessels filled with goods and people, creaking as their wooden hulls knocked against the stone quays. Built between two marshy islands, in the middle of a walled town, its entrance was between the two castles – King’s Castle and Queen’s Castle. King’s and Queen’s Castles are signified in the city’s coat of arms with a ship travelling from one tower to another and the latin inscription, Statio Bene Fida Carinis, which means A Safe Harbour for Ships.

In the early seventeenth century the lower part of King’s Castle was converted in two – the county prison, and the upper floor used as the County Courthouse, respectively.

In 1680 a new purpose built court house was constructed. It was described as a plain, accommodating structure with grand jury rooms. In 1806 a further new courthouse was constructed on the site and was renamed King’s Old Castle. It consisted of a handsome parliament of Portland stone supported by fluted Doric columns resting on a rustic basement. The cost of building was £10,000.

After the erection of the new courthouse on great George’s Street these premises for no longer required for the County Court services. The building passed into the possession of William Fitzgibbon who established the Queens Old Castle. The name was a compliment to Queen Victoria who was then reigning.

  William Fitzgibbon was a native of Rathkeale County Limerick. His first drapery store was in Cork’s Mallow Lane, now Shandon Street, and proved a great success. After a few years he transferred the business to Great Georges Street and assembled bit by bit leaseholds and fee simple properties including the disused Cork Courthouse. In 1846 the new drapery warehouse was ready for occupation. It was the first fully equipped monster drapery warehouse in the United Kingdom. It was one of the most popular department stores in Cork.

In 1873 Mr Victor Beare Fitzgibbon of Queen’s Old Castle, Messrs. Alexander Grant and T Lyons, merged the three business into a limited liability company under the title of T Lyons and Co, Limited – and which was focussed on the Queen’s Old Castle warehouse. The three businesses formed the principal members of the directorate. They established a trade, which in point of magnitude and volume had never before been equalled in the annals of commercial enterprise in the South of Ireland. All three firms though continued their respective operations.

The Queen’s Old Castle survived the Burning of Cork in 1920. In 1928 renovation works were entrusted to the firm of Mr T Kelleher, Millerd Street with architectural drawings by Messrs Chillingworth and Levie. Amongst the changes the old shop front was completely removed as well as the heavy masonry piers that supported the Portland stone dork columns. Steelwork encased would close glass mirrors, substituted for the columns and occupied very little space.

There was further change in 1996 when Clarendon Properties bought the building. It closed for refurbishment and when it re-opened there were just two main tenants – catalogue retailer, Argos and Virgin Music Megastore. Both stores have since closed and a Dealz is the only business currently occupying the site.

St Peter’s Church:

Present day, St Peter’s Church, is the second church to be built on its present site overlooking North Main Street. The first church was built sometime in the early fourteenth century. In 1782, the church was taken down and in 1783, the present limestone walled church, was begun to be built. At a later stage, a new tower and spire were added to the basic rectangular plan. The new spire though had to be taken down due to the marshy ground that it was built on.

In recent years and in accordance to the aims of the pilot project of the Cork Historic Centre Action and the finance of Cork City Council and operational support of Cork Civic Trust, St Peter’s Church has been extensively renovated and opened as an arts exhibition centre.

One of the most interesting monuments on display in the church is the Deane monument. This monument, dating to 1710, was dedicated to the memory of Sir Matthew Deane and his wife and both are depicted on the monument, shown in solemn prayer on both sides of an altar tomb.

Now a deconsecrated space, a historic graveyard was attached to the medieval parish church of St Peter. The graveyard is in use as a public amenity space.

In 1750, Charles Smith in his History of Cork in 1750 recorded that some of the gravestones had ‘dates as old as the year 1500”.

Antiquarian John Windele records the discovery in 1838, of numerous tombstones belonging to the “olden era of this Church, forming the foundations of the building which preceded its present steeple. shows to what uses the ancient remains connected with this building have been converted”.

Certainly, the site has undergone modification and possibly significant disturbance to underlying deposits. Burials within the church would have been substantially dislocated during the demolition works of 1782 and the construction of the present church.

During renovations to the church building during the 1990’s skeletal remains were uncovered beneath the floor.

Since 1975, Cork City Council has maintained the graveyard when it was then laid out as a park. There are thirteen headstones lining the northern boundary wall towards the back of the church. The headstones that are legible date to the eighteenth century. They are not in their original spot. The chest tomb of William Rogers (1686), also which remains in its original position in the graveyard.

Captions:

1257a. Sketch of King’s Castle c.1600 from George Carew’s Pacata Hibernia (source: Cork City Library).

1257b. Queen’s Old Castle, present day (picture: Kieran McCarthy).

1257b. Queen’s Old Castle, present day (picture: Kieran McCarthy).
1257b. Queen’s Old Castle, present day (picture: Kieran McCarthy).

Kieran’s Our City Our Town 6 June 2024

Cork City Events, Cork History, Lord Mayor's Work, Uncategorized, Ward Events
1256a. South Gate Bridge by Nathaniel Grogan, c.1790 (source: Crawford Art Gallery).
1256a. South Gate Bridge by Nathaniel Grogan, c.1790 (source: Crawford Art Gallery).

Kieran’s Our City, Our Town Article,

Cork Independent, 6 June 2024

Cork: A Potted History Selection

Cork: A Potted History is the title of my new local history book published by Amberely Press. The book is a walking trail, which can be physically pursued or you can simply follow it from your armchair. It takes a line from the city’s famous natural lake known just as The Lough across the former medieval core, ending in the historic north suburbs of Blackpool. This week is another section from the book.

What’s in a Painting? Nathaniel Grogan’s South Gate Bridge:

Archived in the collections of the Crawford Art Gallery is an evocative painting of South Gate Bridge in the closing decade of the eighteenth century by artist Nathaniel Grogan (c. 1740–1807). He discovered his talent as an artist as a young man, receiving some instruction from the artist John Butts. Grogan enlisted in the British army and went to America for a time. He returned to Cork and became known for his composition skills of drawings of the city and its environs.

  One of Grogan’s popular works is that of South and North Gate Bridges. The image presented is that of South Gate Bridge, which reveals quite a lot of the life and times in this corner of the city, especially in its focus on the bridge, the debtor’s prison and the fishing community.

It is said that the first South Gate Bridge was built sometime in the twelfth century AD as a timber-planked structure, giving access to a Hiberno Norse settlement or access to a well-settled marshland with inhabitants of Viking descendancy. When the Anglo-Normans established a fortified walled settlement and a trading centre in Cork around AD 1200, South Gate drawbridge formed one of the three entrances – North Gate drawbridge and Watergate portcullis being the others.

In May 1711, agreement was reached by the Corporation of Cork that North Gate Bridge would be rebuilt in stone, while in 1713 South Gate Bridge would be replaced with an arched stone structure. South Gate Bridge still stands today in the same form it did over 300 years ago, with the exception of a small bit of restructuring and re-strengthening in early 1994.

  In the painting, the Debtor’s Prison at South Gate Prison is very prominent, with its peaked roof and chimney piece at the left-hand side of the bridge. It is known the prison was built concurrent to the bridge in the 1710s. However, many of its records have been lost to time. What is known is that there were stern penalties if you owed money and could not pay the debt in eighteenth- and nineteenth-century Ireland. The debtor was imprisoned until the money was paid. If they did not have enough money to pay the debt, then it was not unusual for the person to remain in the prison until they died there.

Debtors were not entitled to medical attention. Those who could not get their families to arrange payments of rent at the prison had to take the dampest and darkest cells. If payment was not made for food, they were given bread that was boiled in water three times a day. The practice of imprisoning debtors caused many calls for the reform of laws around debt. It was only in 1872 when the imprisonment aspect was removed by the Debtors Act (Ireland).

In the foreground of the painting there is a focus on fishermen. Records reveal that such fishermen lived around the Frenches Quay, Crosses Green and South Main Street areas. Several resided in the stepped lane known as Keyser’s Hill that runs from Frenches Quay to Barrack Street via Elizabeth Fort. Twentieth-century oral history records that the South Parish fishermen used sturdy open rowing boats, usually around 18 feet in length. The boats were heavy and required considerable strength to row.

Washington Street and the Wide Street Commissioners:

As the late eighteenth century progressed, the population increased and the Corporation of Cork came under pressure to improve the lot of the citizens. The medieval fabric of the city simply could not cope with the demands of the population. Fines were placed on illegal dumping and scavengers, and wheelbarrow men and street sweepers were appointed to keep the streets clean. Many of the buildings in the city were in need of much repair and certain lanes in the old medieval core needed to be reconstructed.

  In 1765 a commission was established to deal with the problems facing the expanding city, especially in relation to the various health risks posed by inadequate facilities. Known as the Wide Street Commission, it was first set up in Dublin. In Cork, its primary job was to widen the medieval lanes and thereby eradicate some of the health problems stemming from them. They also planned to lay out new, wider streets for the benefit of the citizens.

Sixteen commissioners were appointed in 1765, but due to financial restrictions it was the early nineteenth century before they made an impact. At that time, streets such as South Terrace, Dunbar Street and Washington Street (then known as Great George’s Section of Holt’s Map of Cork (1832), showing Great George Street; opened in November 1824) were laid out, and streets such as Shandon Street were widened.

Samuel Lewis, in his section on Cork in his Topographical Dictionary of Ireland (1837), describes the work of the commissioners: ‘The streets were created and repaired under the directions of the commissioners and nearly £6000 is annually expended in paving, cleansing, and improving them.’ The privilege of licensing vehicles of every description plying for hire within the city was also vested in these commissioners.

Lewis describes that the general appearance of the city, particularly since its extensive improvements, is ‘picturesque and cheerful’. He further outlines that “the principal streets are spacious and well paved; most of the houses are large and well built, chiefly of clay-slate fronted with roofing slate, which gives them a clean though sombre appearance; others are built of the beautiful grey limestone of the neighbourhood, and some are faced with cement; those in the new streets are principally of red brick”.

John Windele, in his Historical and Descriptive Notices of Cork (1849), describes a dense habitation prior to Great George’s Street: “The sight of this beautiful street a few years ago was occupied by some of the narrowest and filthiest lanes and alleys of the town and most densely inhabited by a squalid and impoverished population”.

Caption:

1256a. South Gate Bridge by Nathaniel Grogan, c.1790 (source: Crawford Art Gallery).