Category Archives: Cork History

Kieran’s Our City, Our Town, 29 March 2012, Discover Cork: Schools’ Heritage Project 2012

634a Selection of teachers and students

Kieran’s Our City, Our Town Article,

Cork Independent,  29 March 2012

Discover Cork: Schools’ Heritage Project 2012

 

This year marks the tenth year of the Discover Cork: Schools’ Heritage Project co-ordinated by myself. The Project for 2012 culminated recently in two award ceremonies for the project. It  is open to schools in Cork City and County- at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. A total of 48 schools in Cork took part this year. Circa 1200 students participated in the process and approx 200 projects were submitted on all aspects of Cork’s history.

One of the key aims of the project is to allow students to explore, investigate and comment on their local history in a constructive, active and fun way. The emphasis is on the process of doing a project and learning not only about your area but also developing new personal skills. Students are challenged to devise methodologies that provide interesting ways to approach the study of their local history.

Submitted projects must be colourful, creative, have personal opinion, imagination and gain publicity. These elements form the basis of a student friendly narrative analysis approach where the students explore their project topic in an interactive way. In particular students are encouraged to attain primary material generating primary material through engaging with a number of methods such as fieldwork, interviews with local people, making models, photographing, cartoon creating, making DVDs of their area.

Students are to experiment with the overall design and plan of their projects. It attempts to bring the student to become more personal and creative in their approaches. Much of the work could be published as local heritage / history guides to people and places in the County.  For example a winning class project this year focussed on the history of the city centre and mapped out their favourite shops and those older shops around them, thus connecting the past and present. 

This year marks went towards making a short film or a model on projects to accompany history booklets. Submitted DVDs this year had interviews of family members to local historians to the student taking a reporter type stance on their work. Some students also chose to act out scenes from the past. A class in the city this year chose to use the style of British Pathé films and act out a scene from the War of Independence in their area and the consequences. Another group filmed moving lego characters to show a raid on a ringfort whilst others created a rap on why archaeology is important to society.

The creativity section also encourages model making. The best model trophy in general goes to the creative and realistic model. This year the best model in the city went to a set of models from Scoil Mhuire Banríon in Mayfield, which complemented their creative booklets. Indeed models of the Titanic featured this year in several projects. In the county, the top model prize went to a student who re-created the Béal the Bláth memorial with other students creating models of churches and castles as well.

Students are encouraged to compare and connect the past to their present and their immediate future. Work needs to involve re-imagining what life may have been like. One of the key foundations in the Project is about developing empathy for the past– to think about attitudes and experience in the past. Interpretation is also empowering for the student- all the time developing a better sense of the different ways in which people engage with and express a sense of place and time.

Every year, the students involved produce a section in their project books showing how they communicated their work to the wider community. It is about reaching out and gaining public praise for the student but also appraisal and further ideas. This year the most prominent source of gaining publicity was inviting parents into the classroom for an open day for viewing projects or putting displays on in local community centres and libraries. Some class projects were presented in nursing homes to engage the older generation and to attain further memories from participants. Students were also successful in putting work on local parish newsletters, newspapers and local radio stations and also presenting work in local libraries. 

Overall, the Discover Cork: Schools’ Heritage Project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about your local area but also about the process of learning by participating students. The project in the city is kindly funded by Cork Civic Trust (viz the help of John X. Miller), Cork City Council (viz the help of Niamh Twomey), the Heritage Council and the Evening Echo. Prizes were also provided in the 2012 season by Lifetime Lab, Lee Road (thanks to Meryvn Horgan), Sean Kelly of Lucky Meadows Equestrian Centre Watergrasshill and Cork City Gaol Heritage Centre. The county section is funded by myself and students. A full list of winners, topics and pictures of some of the project pages for 2012 can be viewed at www.corkheritage.ie and on facebook on Cork: Our City, Our Town.

Back to the Crawford Municipal Technical Institute next week…

 

Caption:

634a. Selection of teachers and students involved in the City Edition of the Discover Cork: Schools’ Heritage Project at the recent award ceremony in Silversprings Convention Centre, Cork (picture: Yvonne Coughlan)

Douglas Historical Walking Tour, 24 March 2012

Thanks to everyone who supported the historical walking tour of Douglas today and for your contributions. It will be run again in the near future.

Historical walking tour of Douglas with Cllr Kieran McCarthy, 24 March 2012

Did you Know?

·  The district of Douglas takes its names from the river or rivulet bearing the Gaelic word Dubhghlas or dark stream.

· In an inquisition of the lands of Gerald de Prendergast in 1251, Douglas is first mentioned. In 1299, Douglas was one of the towns listed in County Cork, where the King’s proclamation was to be read out.

· In 1372, in an inspection of the dower of Johanna, widow of John de Rocheford, there is a reference to allotments of land to her in Douglas. The Roches originally came from Flanders, then emigrated to Pembrokeshire in Wales, before three of the family – David, Adam and Henry de la Roch – joined Strongbow in the Anglo-Norman invasion of Ireland in the 12th century. In all there are sixteen Rochestowns in Ireland and innumerable Roche castles.

· In 1586, the townlands in Douglas that are mentioned are “Cosdusser (south of Castle Treasure house), Castle Treasure, Ardarige and Gransaghe”.

· On the 1st June 1726, Douglas Factory was begun to be built. Samuel Perry and Francis Carleton were the first proprietors. They were also members of the Corporation of Cork.

· The 18th century was the last golden age for wooden sailing ships, before the 1800s made steam and iron prerequisites for modern navies and trading fleets.  It was a golden age too for maritime exploration, with the voyages of James Cook amongst others opening up the Pacific and the South Seas.

· Robert Stephenson, technical expert on linen industry, who visited every linen factory in Munster, Leinster and Connaught on behalf of the linen board visited Cork on 9 August 1755: “Near this city and in it are carried on the only sail cloth manufacturers worth notice at present in the Kingdom; Douglas Factory, the property of Messrs. Perry, Carelton and Co. contains about 100 looms, with Boylers, Cesterns, Kieves and every apparatus for preparing the Yarn to that Number”

· On the 21st July 1784, “the Corporation of Cork granted £50 to Messrs. John Shaw (Sailcloth manufacturer), Jasper Lucas (gentlemen), Aylmer Allen (merchant) and Julius Besnard towards the new church now erecting at Douglas, provided that, a seat shall be erected in said Church for the use of the Corporation.”

· In 1863, Wallis and Pollock’s Douglas Patent Hemp Spinning Company were the largest ropeworks in the south of Ireland, which had been established within the former Douglas sailcloth factory, erected scotching machinery.

· The surviving multi-storey flax-spinning mill at Donnybrook was designed and built by the Cork architect and antiquarian, Richard Bolt Brash, for Hugh and James Wheeler Pollock in 1866. It’s essential design, like that of the Millfield flaz-spinning mill, was modelled closely on contemporary Belfast mills.

· In 1889, the mill was bought by James and Patrick Morrough and R.A. Atkins, the High Sheriff of Cork. In 1903, the mill employed 300 people, many of whom were housed in the 100 company-owned cottages in Douglas.

· In 1883, the O’Brien Brothers built St. Patrick’s Mills in Douglas Village. It was designed by a Glasgow architect.

· O’Brien’s Mills were extended in the closing decades of the nineteenth century, and by 1903 it operated with some 80 looms and employed 300 workers, many of whom lived in company-owned houses in Douglas village.

· In 1837, there were 40 or so seats or mansions and demesnes in the environs of Douglas, which made it a place where the city’s merchants made their home and also these suburban spaces make for an interesting place to study in terms of ambition. Those landscapes that were created still linger in the environs of Douglas Village.

Historical walking tour of Douglas with Cllr Kieran McCarthy, March 2012

Historical walking tour of Douglas with Cllr Kieran McCarthy, March 2012

Historical walking tour of Douglas with Cllr Kieran McCarthy, March 2012

Douglas, as per Guy's Directory of Cork, 1875

Kieran’s Lifelong Learning Festival Events 2012, Our City, Our Town Article, 22 March 2012

633a-douglas-village-by-william-lawrence1

Kieran’s Our City, Our Town Article,

Cork Independent, 22 March 2012

Kieran’s Events, Lifelong Learning Festival

 

Next week coincides with the advent of the Cork Lifelong Learning festival during which a myriad of events will take place showcasing the importance of community spirit and education within the city. The motto of the festival, “investigate, participate and celebrate” are strong verbs to describe the festival as a feast of learning opportunities. I have two events taking place. The first presents a historical walking tour of Douglas village, and the second is a lecture on Cork in the 1920s and 1930s (Wednesday, 28 March, 10.30am, Curraheen Family Centre meeting room, Church of the Real Presence, Curraheen Road).

The Douglas Village walking tour, in association with Young at Heart, starts at 2pm, Saturday, 24 March, at St. Columba’s Church carpark and takes a circular tour around the village talking about seven or eight sites of heritage that offer an insight into how the village developed. The District of Douglas takes its names from the river or rivulet bearing the Gaelic word Dubhghlas or dark stream. As early as the late thirteenth century King John of England made a grant of parcels of land, near the city of Cork to Philip de Prendergast.  On 1 June 1726, the Douglas Sailcloth Factory is said to have been founded by a colony of weavers from Fermanagh. The eighteenth century was a golden age for wooden sailing ships, before the 1800s made steam and iron prerequisites for modern navies and trading fleets.  The era was also a golden age too for maritime exploration, with the voyages of James Cook amongst others opening up the Pacific and the South Seas. Douglas in its own way added in part to this world of exploration.

Douglas Village is lucky that it has been written about in depth by local historians in the 1980s and 1990s, scholars such as Con Foley and Walter McGrath, both of whom shone a huge spotlight on the depth and range of material available. Con Foley’s book on the history of Douglas shows his love of place and his participation in sitting down for years, penning notes, walking the ground, using ordnance survey maps and pondering on and mapping interconnections between the different memories of families active in the village and environs through time.

In subsequent editions of his work, Con Foley presents two evocative photos on the front and back cover of his book. The first, an image from the William Lawrence Photographic Collection, presents East Douglas Street and a tram departing or stopping at the scene (remembered in the nearby Tramway Terrace) where the old street surface or gravel and mud can be clearly seen and an absence of traffic. The second image shows a hunt beginning at the Fingerpost. The picture shows a stoutly built wooden road sign, of a type rarely seen nowadays, it stood at the junction of the Maryborough and Rochestown Road. Embedded in a beehive shaped pile of stone, it is about fifteen feet high, including the base. Apart from its value as a road sign, it was of some local historical significance. A local man, Phil Carty of Donnybrook, is said to have been hanged on the original Finger Post for his part in the 1798 Rebellion and his corpse left dangling in chains there. For many decades subsequently, men passing by would raise their caps and bless themselves.

The Lawrence Collection now appears more or less in full on the National Library’s website (www.nli.ie) under catalogues and databases. The man who took all the photographs, other than studio portraits, for the firm of William Lawrence from the late 1870s to 1914 was Dublin man Robert French. He took at least 40,000 photographs over approximately 30 years. During that time railways criss-crossed the land. Irish cities in particular were being transformed. Public transport was being introduced. Dublin, Cork and Belfast were expanding rapidly. Whole new suburbs were built. Indeed, the story of Douglas and its environs seems to be in part a story of experimentation, of industry and of people and social improvement; the story of one of Ireland’s largest sailcloth factories is a worthwhile topic to explore in terms of its aspirations in the eighteenth century;  that coupled with the creation of 40 or so seats or mansions and demesnes made it a place where the city’s merchants made their home it and also these suburban spaces make for an interesting place to study in terms of ambition. Those landscapes that were created still linger in the environs of Douglas Village.

My interest in local history tries to present the human experience involved in creating it, and those visible and invisible qualities of a sense of place and identity, and how they are constructed. Indeed, apart from the data of the nineteenth century and previous ones, residents and visitors to the present area are constantly changing the memories associated with the place. Indeed, a key aspect of giving any talk is the wealth of information in front of you in the room. Those in the audience are as important as those in the past in aiding the process of investigating, participating and celebrating local history.

To be continued…

Captions:

633a. Photograph of Douglas Village, c.1900 by William Lawrence (source: National Library of Ireland)

Historical Walking Tour of Douglas Village, Saturday 24 March 2012

Cllr Kieran McCarthy continues his exploration of the heritage and local history of the south east corner of Cork City by organising a historical walking tour on Douglas Village and its environs.  The event, in association with Young at Heart and the Lifelong Learning Festival, takes place on Saturday, 24 March 2012, start 2 pm leaving from the carpark of St. Columba’s Church. Cllr McCarthy noted that: The story of Douglas and its environs seems to be in part a story of experimentation, of industry and of people and social improvement; the story of one of Ireland’s largest sailcloth factories is a worthwhile topic to explore in terms of its aspirations in the eighteenth century;  that coupled with the creation of 40 or so seats or mansions and demesnes made it a place where the city’s merchants made their home it and also these suburban spaces make for an interesting place to study in terms of ambition. Those landscapes that were created still linger in the environs of Douglas Village.”

The District of Douglas takes its names from the river or rivulet bearing the Gaelic word Dubhghlas or dark stream. As early as the late thirteenth century King John of England made a grant of parcels of land, near the city of Cork to Philip de Prendergast.  On 1 June 1726, Douglas Factory was begun to be built. Samuel Perry & Francis Carleton, became the first proprietors. The Douglas Sailcloth Factory is said to have been founded by a colony of weavers from Fermanagh. The eighteenth century was a golden age for wooden sailing ships, before the 1800s made steam and iron prerequisites for modern navies and trading fleets.  The era was also a golden age too for maritime exploration, with the voyages of James Cook amongst others opening up the Pacific and the South Seas. Douglas in its own way added in part to this world of exploration.

Satelite image of Douglas Village Cork

 

Kieran’s Our City, Our Town, 15 March 2012

632a wood work room

  

Kieran’s Our City, Our Town Article,

Cork Independent, 15 March 2012

Technical Memories (Part 10)

Top Floor Values

 

“The time and attention of the staff have been fully occupied during the last session with getting the institute into working order; much of the work about the building, having to be done after classes, had commenced in October last; hence it is too early to prophesy what developments are likely to become of permanent value in the Institute” (John H. Grindley, principal).

In the 1912 Journal of the Technical Instruction Committee of Ireland, John H. Grindley, the appointed principal of the Cork institute, wrote about the many class rooms in the 1912 building (continued from last week). A wide concrete staircase led from the right of the vestibule to the first floor landing. At that point various decorative arches gave the staircase a “handsome” look. On the Sharman Crawford street of the first floor were the main drawing offices for engineering and building construction; the remainder of the floor was taken up by the botany laboratory, the two painters’ shops, the typographical room, the tailors’ cutting room, the material medica class room, the junior technical course class-room and the ladies’ staff room.

The engineering drawing offices were large and lofty and lit by a double series of lights, one inverted and the other pendant or overhanging. The idea of the inverted ones being that the reflected light from the ceiling prevented shadows on the desks and papers while the overhanging lights were used during lectures. The botanical laboratory had a specially fitted demonstration table and four long working benches fitted with electric light fittings for work with the microscope, and four specimen cases.

The typographical room possessed modern printing equipments and the latest model no.4 linotype machine was installed. The linotype machine was a “line casting” machine used in printing. Along with letterpress printing, linotype was the industry standard for newspapers, magazines and posters from the late 1800s to the 1960s and 70s, when it was largely replaced by offset lithography printing and computer typesetting. The typographical room of the Cork institute also had a unique collection of appliances, including a “foolscap folio Arab with new impression regulator, power and treadle fixtures etc”. Dummy keyboards were also brought in.

From the first floor, two separate staircases led to the chemistry department and domestic science section respectively. The two main chemical laboratories were fitted up, the larger for inorganic chemistry and the smaller for organic chemistry. There were five large fume closets in the rooms and two special tables for combustion work. The fumes from the fume closets and lecture bench are carried away through flues in the walls, the draught in each being caused by a gas flame in the flue. The floor troughs, which carried the waste material, were timber troughs pitched inside and given a slope. The lecture theatre had a specially designed demonstration table, 18 feet long, with pneumatic trough, sink, four water supplies, four gas supplies, and a fume pipe leading to a small flue. Three storerooms, a preparation room and lecturer’s room completed the chemistry section.

The domestic science section was reached by a special staircase. The section when it opened in October 1911 became so popular that it had to be enlarged. Most of the classes in the section were full and many of them had to duplicated to accommodate large numbers of interested students. The rooms were fully occupied every evening to overflow. Three large rooms, opening from the landing at the head of the stairs, were devoted to cookery, cookery and laundry work and dress-making, needlework and millinery. The kitchen contained a large kitchen range, a large gas cooker and an electric cooker. There was also a pantry. The laundry was divided into two parts, the smaller part been used as a drying room and the smallest part been used as a drying room. In the larger part were two geysers for hot water supply, a gas fired boiler, two large wall sinks for heavy work, and a selection of gas irons and electric irons.

In the overall building John H Grindley noted that “the general provisions for lighting, ventilation and heating are thoroughly modern. Electricity is the illuminant; the ventilation is planned on the most approved principles, and the heating was on the Haden low pressure hot water system. It is satisfactory to know that all the furniture is of local manufacture, everything including the castings of desk standards being the work of Cork firms”. In his summary and conclusion, he comments that the working of the Institute classes was attracting more attention from employers. A free studentship scheme was in operation by which students could obtain a complete education in any branch of science or technology taught in the institute without the payment of fees. In his closing comments he noted “the work of the institute cannot fail to have far reaching affects for good on the intellectual well being of the workers, in training the intelligence of the leaders of industry, the managers and foremen and finally in that training of character without which all other education is of little use.”

To be continued…

Caption:

632a. Wood work room, Crawford Municipal Technical Institute, Cork 1912 (source: Souvenir opening booklet, 1912)

 

Douglas Village, Local History Talk, Saturday 24 March 2012

Cllr Kieran McCarthy continues his exploration of the heritage and local history of the south east corner of Cork City by organising a historical walking tour on Douglas Village and its environs.  The event, in association with Young at Heart and the Lifelong Learning Festival, takes place on Saturday, 24 March 2012, start 2 pm leaving from the carpark of St. Columba’s Church. Cllr McCarthy noted that: The story of Douglas and its environs seems to be in part a story of experimentation, of industry and of people and social improvement; the story of one of Ireland’s largest sailcloth factories is a worthwhile topic to explore in terms of its aspirations in the eighteenth century;  that coupled with the creation of 40 or so seats or mansions and demesnes made it a place where the city’s merchants made their home it and also these suburban spaces make for an interesting place to study in terms of ambition. Those landscapes that were created still linger in the environs of Douglas Village.”

The District of Douglas takes its names from the river or rivulet bearing the Gaelic word Dubhghlas or dark stream. As early as the late thirteenth century King John of England made a grant of parcels of land, near the city of Cork to Philip de Prendergast.  On 1 June 1726, Douglas Factory was begun to be built. Samuel Perry & Francis Carleton, became the first proprietors. The Douglas Sailcloth Factory is said to have been founded by a colony of weavers from Fermanagh. The eighteenth century was a golden age for wooden sailing ships, before the 1800s made steam and iron prerequisites for modern navies and trading fleets.  The era was also a golden age too for maritime exploration, with the voyages of James Cook amongst others opening up the Pacific and the South Seas. Douglas in its own way added in part to this world of exploration.

Satelite image of Douglas Village Cork

 

Kieran’s Our City, Our Town, 8 March 2012

631a Staff at Crawford Municipal Technical Institute Cork 1912

Kieran’s Our City, Our Town Article,

Cork Independent,  8 March 2012

Technical Memories (Part 9)

A Technical Institute is Born

 

A strong discussion arose on the application to be made to the Local Government Board to sanction the proposed loan of £16,000 for building a new technical institute in Cork. In addition the Department of Technical Instruction would guarantee £600 a year while the Development Grant lasted.

A very heated discussion took place at the meeting of the Cork Corporation on the 8 April 1909 in connection with the proposed Municipal Technical Institute. Councillor Sisk moved the adoption of the resolution giving out the grant outlining the gift made from Mr. Crawford and how he bought the disused brewery site on Fitton Street from Messrs. Murphy and Co. to present it to the Cork Technical Instruction Committee. He noted the Corporation in Belfast had invested £200,000 to provide an institute, Limerick Corporation was providing £11,000, and Dublin Corporation provided £150,000. Councillor (and Sir) Edward Fitzgerald said the resolution could not be considered for three months unless there was a four-fifths majority, as it upset a previous resolution. However, a vote was taken and the previous resolution was overturned. The upshot was that a resolution, which Sir Edward Fitzgerald strongly opposed, was carried by a majority.

In the 1912 Journal of the Technical Instruction Committee of Ireland, John H. Grindley, the appointed principal of the Cork institute gave a detailed description of Arthur Hill’s building and the functions of the various rooms. The entrance hall was decorated with marble plasters showing the principal varieties of Irish marbles, and the mosaic flooring also contained Irish marbles. The columns separating the main staircase from the entrance hall were of Galway granite. Opening from the entrance hall was the large examination or lecture hall, which was to seat comfortably 400 people. The hall formed practically the centre of the whole building. There was an oak dado, 8 feet high running round the room, and the wall behind the platform was a concave one, forming an excellent screen for lantern and cinematograph work. The lecture table had connections for gas, water, and electricity. The trusses, which carried the roof over this room were old trusses used in about the same positions as in the old brewery.

On the ground floor on the east side (Sharman Crawford Street) were situated the administration offices, library and physics laboratory; the general office had two enquiry office windows in the entrance hall. The library was to be used for reference and lending for home reading books on science and technology, and also had various scientific journals. The physics laboratory was fitted with four central benches and the walls were fitted with gas and electric and water supply.

On the south side of the building next to the physical laboratory was the preparation room, which served both the laboratory and the electrical engineering lecture room. The latter was fitted with a specially designed lecture bench on which electricity could be obtained from any of the machines in the electrical laboratory. Large lecture room ampere and volt-meters were installed.

On the south side of the building across the yard were two workshops for plumbing and carpentry of practically equal size. The former had a considerable part of the wall timber sheeted for the erection of students’ work and experimental apparatus. The carpentry room provided a full complement of wood-working benches and tool chests.

At the south-west corner of the main building was situated the electrical engineering laboratory, the main room been equipped with several electrical machines. The dynamos and motors were all raised on glazed glass piers, and the controlling switchboards were set along the south western wall with plenty of room to pass between and behind them in order to be able to see where each wire goes. The equipment included direct, alternating and three phase generators and motors, brakes, arc lamps, an Irwin Oscilliograph, and an experimental telephone installation. From this laboratory opened the instrument room with its adjunct room, the photometry room. It was fitted with a 10 candle power Pentane standard lamp. The instrument room contained the usual electric instruments such as galvometers.

On the ground floor on the west side was the mechanical engineering department. The laboratory contained appliances and models for the experimental study of dynamics and statics. The workshop was well equipped with modern machine tools including screw cutting lathes, one of which was designed to work with high speed tool steels, a forge, a compound vertical milling and drilling machine, a shaping machine and a drilling machine, all driven by an electric motor. The heat engine laboratory contained an oil engine, fitted up for experimental purposes, but arranged so as to drive the machines in the workshop if necessary, a steam engine, a vertical boiler to supply steam, and a bench fitted with gas and water connections for experiments on heat.

On the east side of the first floor over the entrance hall and general office were the botanical laboratory and the two engineering drawing offices. The other rooms on this floor were the building construction room, tailor’s cutting room, two introductory course classrooms, Junior dress-making room, two painters’ and decorators’ shops, printers’ workshop.

 

To be continued…

Caption:

631a. Staff, Crawford Municipal Technical Institute, Cork 1912 (source: Souvenir opening booklet, 1912)

 

Kieran’s Our City, Our Town, 1 March 2012

630a Arthur Hill

 

 

 

 

 

 

 

Kieran’s Our City, Our Town,

Cork Independent, 1 March 2012

Technical Memories (Part 8)

Arthur Hill’s Incursion

 

In an obituary in the Irish Independent, 16 July 1943, it notes that Arthur Frederick Crawford was born in Dublin in 1862 and educated at Eastbourne College. He was Deputy Lieutenant for County Cork and a member of the Synod of the Church of Ireland.  He was a well known as a yachtsman and a former commander of the Munster Royal Yacht Club. He was also a founder of Cork Golf Club. For a time he also joined in the meets of the United Hunt, of which he was a Joint Master for a time.

On his bequest of the building and site of Arnott’s Brewery to the Cork Technical Instruction Committee, an article in the Freeman’s Journal in February 1909 notes:

“There is a rent of £124 on the site, which is now given free of all rent and charges. The walls of the building are perfectly sound, and the ground is so solid as to obviate the necessity for extra foundations and the spending of thousands of pounds on such work. The offer is appreciated as another manifestation of the public spirit and generosity, which gave the southern city the Crawford School of Art many years ago”.

In October 1909, the tender of Samuel Hill was accepted for the building of the new institute. Irish materials were ordered to be used wherever possible, and in October 1911, the building was sufficiently advanced as to enable a full scheme of classes for the session 1911-12 to be held in it. The Institute was formally opened on 18 January 1912 by the then Lord Mayor of Cork, Alderman James Simcox.

In planning the building the chief aim of the architect Arthur Hill was to take the greatest possible advantage of the old buildings on the site and to incorporate them in the scheme so as to produce a substantial building for the amount of money available. Those old buildings, which had to be removed formed a very useful supply of building materials and it was noted that to obtain the same cubic capacity of classrooms, laboratories, the cost would have almost doubled, if full advantage had not been taken of the old buildings. The new part was built in Classic Architecture of Ballinphellic brick, and local limestone from the Little Island (County Cork) quarries.

Arthur Hill (1846-1921) was a reputable architect in his day and has left Cork city with many beautiful architectural set pieces, all of which are worth of multiple studies in themeselves. In an obituary to him in 1921 in the Journal of the Cork Historical and Archaeological Society, it highlights that Arthur was born in Cork on 8 June 1846, the son of the well-known Cork architect, Henry Hill, by whom he was sent to the local School of Art at an early age. Later Arthur attended a private school for general education afterwards graduating in the Queen’s University as Bachelor of Engineering, in 1869. He served in the office of the famous architect, Thomas Henry Wyatt, at the time when the Liverpool Cotton Exchange was being erected, and attended the lectures of Professor Heyton Lewis at University College, Cork.

Arthur became a life student of the Royal Academies in London. His measured drawing of the round part of Temple Church gained for him an award of a Silver medal in 1871. He also attended classes at the Architectural Association and the West London School. His devotion to his art convinced him to travel over many parts of Europe to draw architectural objects by pencil. He expressed an enormous interest in the ancient buildings of Ireland, particularly the development of ‘Celtic Romanesque’. The Institute of British Architects, presented him with two silver medals for his careful surveys and manuscripts relating to Ardfert Cathedral, Temple Monaghan, Kilmalchedar and Cormac’s Chapel. In the early 1870s, he entered into partnership with his father, the firm being known as Henry and Arthur Hill.

At this period Arthur’s work was inspired from Gothic, Early French and ancient Irish models, which he incorporated with many of his modern draughts, such as 31 and 80, Patrick Street. The former, unfortunately, was destroyed by the burning of Cork in December 1920, and the latter was pulled down for the erection of the Pavilion Cinema in 1924. The Munster and Leinster Bank at Kilmallock is also built from plans embodying ancient architecture. The Crawford School of Art and Gallery, opening in 1885, were constructed after drawings from the firm. When his father died in 1887, Arthur took direction of the firm.

Arthur was architect for many important buildings such as, the additions to the North Infirmary, the Victoria Buildings, no.13 and 16 Patrick Street (both destroyed in 1920), the Cork Examiner Printing Works as well as many shops in Cork and the country towns, and designed numerous pretty villas in Cork and its hinterland. The science laboratories at University College, Cork, the Cork Technical Institute and the Munster and Leinster Bank were his chief works previous to the war. For many years he held the post of Lecturer on Architecture at the College.

To be continued…

Caption:

630a. Arthur Hill (source: Richard Hodges, 1911, Cork and County Cork in the Twentieth Century)

Kieran’s March Community Programme 2012

Saturday 3 March 2012, McCarthy’s Design a Public Park, Art Competition/ Project

21st/ 22nd March 2012, Award ceremonies, Discover Cork Schools’ Heritage Project 2012, Silversprings Hotel, 7.15pm, start for City and County ceremonies.

Saturday 24 March 2012, New historical walking tour of Douglas, 2pm start from the carpark of St. Columba’s Church, Douglas, in association with Young at Heart, Douglas.

25 March 2012, McCarthy’s History in Action, Re-enactors at Our Lady of Lourdes N.S., Ballinlough as part of their Easter get-together

Wednesday 28 March 2012, 10am Lecture by Kieran, Creating an Irish Free State City, Cork in the 1920s and 1930s, Curaheen Family Centre next to the Church of the Real Presence, Curaheen, as part of the Cork Lifelong Learning Festival

 

Kieran’s Our City, Our Town, 23 February 2012

629a Arnotts Brewery c1900

 

 

 

 

 

 

 

 

Kieran’s Our City, Our Town Article,

Cork Independent,  23 February 2012

Technical Memories (Part 7)

The Matter of Arnott’s Brewery

 

When no positive outcome of funding came from Westminster, other means of raising income to fund a purpose built municipal technical institute in Cork City was considered. In May 1908, a national conference was held in Cork in association with the National Department of Agriculture and Technical Instruction. This sparked the initiative that perhaps the Corporation of Cork could fund such a building.

The Cork technical instruction committee asked the Corporation of Cork to raise a loan of £18,500, on the security of municipal rates in order to construct a new science school. The Head Science Master, Mr. E.A. O’Keeffe, also suggested to the committee that if the Department’s annual development grant of £800 could be capitalised, it might be possible to erect a new technical institute from funds there as well. After consultation with the Department’s officials, this proposal was finally approved, within certain limits, on 8 March 1909.

In May 1908, the local government board sanctioned the appointed of Arthur Hill of Cork as architect for a new building. However, the architect had no site to work from. Difficulties were experienced by the committee in obtaining a suitable site, which were not overcome until early February 1909 when Arthur Frederick Crawford presented to the committee, a site in Fitton Street. It was previously occupied by Arnott’s Brewery, together with the old buildings then on the site.

Arnott’s Brewery began its life under Samuel Abbott in 1805. By 1858, the time George Waters took over the firm, the brewery made 600 barrels of ale per week. The brewery bought by Sir John Arnott in 1861. John was one of the city’s entrepreneurs and philanthropists. Born at Auchtermuchty, Fifeshire, Scotland, on 26 June 1814 and having spent his boyhood years in his native country, he came to Cork when about 21 years of age. He established many business concerns in almost all parts of the United Kingdom. They comprised drapery establishments, breweries, shipping companies and docks, and newspapers. Among the other businesses he started or was involved in included Cash and Company Cork, Baldoyle and Cork Race Park Meetings, the City of Cork Steamship Company, Passage Docks Shipbuilding Company, the Bristol General Steam Navigation Company and Arnott’s Brewery Cork.

For a considerable period of time, John Arnott occupied a prominent place in public life, in which he gained many honours. He was thrice elected Mayor of the City (1859, 1860 and 1861) by the Corporation of the time. There is a plaque on St Patrick’s Bridge in Cork that commemorates its opening by him on 12 December 1861.While Mayor, he was also elected to sit in Parliament for the town of Kinsale and spent five years at Westminster.

John Arnott was a philanthropist and was heavily involved in providing charity to the poor of the city. The journalist writing his obituary in the Southern Star of 2 April 1898 writes of him: “He always saw the cause and most liberally supported it…for instance – and it is only one of many-will he not be missed by the hundreds of poor people who annually, on Christmas Eve, made their way to Woodlands [his house], there to receive the contributions which Sir John invariably gave during the festive season”.

Linking his charitable side to Arnott’s Brewery (also became known as St Finbarr’s Brewery), in the Freeman’s Journal of 10 January 1862, it was noted:

“Sir John Arnott sometime since intimated his intention of carrying out a munificent system of relief to the poor of Cork, by undertaking upon a large scale the establishment of a bakery, a soup kitchen, and brewery…The soup kitchen is the first the visitor meets with entering these extensive premises…the kitchen itself is a square brick room, containing an immense boiler, opposite to which, at the other side of the apartment, are three large iron pans, capable of containing 150 gallons of soup each…to the rear of the kitchen is a very comfortable room for serving out the soup to the public. There are several wooden troughs in the yard, where all the vegetables are washed and cleansed before being sent into the kitchen and also a well aired room where the meat. The bakehouse alone will contain six enormous ovens, the largest, we understand ever introduced into this city”.

By 1876, the affect of the soup kitchen is unknown but the brewery was producing up to 50,000 barrels of stout per year. The brewery’s cooperage was situated on the opposite side of Fitton Street and the bottling stores adjoining the brewery. The Chamber of Commerce in its book Cork: Its Commerce and Trade in 1919 notes that Lady’s Well Brewery and the Murphys acquired the St Finbarr’s Brewery and Riverstown Ale Brewery and Maltings in 1901. They closed and dismantled both those breweries, but continued to work the malt houses. Arthur Sharman Crawford was a director of Messrs. Beamish and Crawford since its formation and had been earlier been a partner in the firm. For many years he was Chairman of the Cork Technical Instruction Committee. His offer of the brewery site was gratefully accepted by the committee.

To be continued…

 

Caption:

629a. Arnott’s Brewery, c.1900 (source: Crawford College of Art and Design)