Category Archives: Landscapes

Kieran’s Our City, Our Town, 10 April 2014

736a. Heritage relationships, Grand Parade boardwalk with Holy Trinity Church and Parliament Bridge, 17 March 2014

Kieran’s Our City, Our Town Article,

Cork Independent, 10 April 2014

Cork City Heritage Plan, 2014-2018

 

The new Cork City Heritage Plan (2014-2018) is an action plan and sets out a series of realistic and practical actions to protect conserve and manage the city’s heritage over the next five years and a methodology on the implementation of these actions. The draft reports outlines that Cork City’s heritage is diverse, vibrant and can be seen all around us. It includes archaeology, built heritage, natural heritage and cultural heritage together with our archives, museum, libraries and other collections. Other important elements of our heritage include landscapes, geology, and parks. It also includes local history and folklore, turns of phrase and accents, local customs and traditional food.

Cork City Heritage Plan 2007-2012 was the first plan of its kind in Cork City. The plan had four principal objectives and there were forty seven actions covering all aspects of heritage protection and focusing on built heritage, archaeology, cultural heritage and natural heritage. Perhaps the more successful elements were the hands-on elements such as Heritage Open day, which recently won Best Interactive Event for National Heritage
Week 2013. Other successful actions included publications e.g. a Guide to the Record of Protected Structures and A Guide to Nature in the City (which is very much worthwhile googling and downloading to read), Surveys and Studies e.g. the Bridges of Cork City, Development of Heritage Trails in Cork City, Training e.g. Seminar on Ironwork in Cork City, Museum Basics, Events e.g. Cork Heritage Open Day and Heritage Week, and annual projects such as the Cork City Heritage Grants Scheme and the Discover Cork Schools Heritage Project.

The new draft plan does not contain actions on every aspect of heritage, as this would be impossible to achieve in five years. A conscious decision was made by the diligent Heritage Officer Niamh Twomey to keep to a realistic number of actions and in so doing 30 priority actions were identified. However, the draft plan calls for the public to respond to it. Niamh rightly comments that “heritage is more than just the individual material assets and environment of a place. It is also about the relationship between all these elements and the people of Cork City. In truth heritage is all of these things. It is what we as a community have inherited from the past and it is what defines our city, making it unique and separate from any other place”.

Stand on any public space in Cork and one can view is a city of contrasts and is a mixture of many varied cultural traditions. As the draft plan denotes; “ The heritage of Cork City maps and mirrors this diverse and continuous change in Cork and its citizens, from the Vikings through to the Victorians and into the modern day. It is this heritage which helps make Cork City the vibrant and interesting place it is today”. All elements of heritage can be experienced in Cork City. The archaeology of the city can be seen in the medieval street pattern of the North and South Main Streets, the historic graveyards such as St Joseph’s and St Finbarr’s and medieval and early post medieval structures such as Red Abbey Tower and Elizabeth Fort. Cork’s industrial archaeology and historic remains still survive in the contemporary City e.g. the Butter Market in Shandon and the bonded warehouse in the Port of Cork.  Natural heritage has also always thrived in Cork, no doubt due to its estuarine and wetland origins. Many mammals, birds, invertebrates and wild plants have adapted to life alongside humans in our urban landscape.

There are four objectives of the draft heritage Plan. Firstly, caring and managing our heritage is at the core of what the plan sets out to do. This is achieved through promoting best practice and encouraging the care, conservation and protection of our heritage. Secondly, the need for better communication of the heritage message was one of the clearest outcomes from the heritage plan review process. Good communication is required to raise awareness of heritage issues and garner public support for the protection and care of our heritage while also facilitating greater enjoyment of Cork City’s rich heritage for everyone. Heritage events will play a key role in attracting more people to explore and enjoy their heritage.  Thirdly support education, research and training is key. Learning more about our heritage by collaborating with collecting and research institutions and bodies and commissioning research which adds to our knowledge, is important, as is providing training opportunities for those interested in managing their local heritage.  The fourth objective is to increase level of community activity for heritage and forge stronger links with business and tourist interests. Heritage groups and organisations, dedicated individuals and local communities play a key role in caring for and raising awareness of our heritage and in adding to our knowledge of our heritage.

The draft Cork City Heritage Plan is available to download from www.corkcityheritage.ie/newsandevents or by contacting the Heritage Officer at heritage@corkcity.ie or tel. 021 4924086. The closing date for comments is Friday 25 April 2014.  Please forward all submissions in writing to Niamh Twomey, Heritage Officer, Cork City Council, City Hall, Cork. 

 

Caption:

 

736a. ‘Heritage relationships’, Grand Parade boardwalk with Holy Trinity Church and Parliament Bridge, 17 March 2014 (picture: Kieran McCarthy)

Kieran’s Our City, Our Town, 4 April 2014

735a. Illustration of central industrial hall, Cork International Exhibition 1902

 

Kieran’s Our City, Our Town Article,

Cork Independent, 4 April 2014

Talk on Cork’s Exhibitions

Next week on Wednesday morning, on 9 April, as part of Cork Lifelong Learning Festival, I present a public lecture on a history of Cork Exhibitions (10.30am, Meeting room, Church of the Real Presence, Curaheen).  Cork has had three exhibitions (1852, 1883 & 1902/3) and one fair (1932). All put the city in a highly visible place in Irish public life and in the popular imagination. All developed social tools to push forward an ideology, representation and symbolism that marked Cork’s and Ireland’s place in the British empire under British rule and in the context of the 1932 fair in the early twentieth century.

The exhibitions were the brain child of Cork’s social elite. The exhibitions became a marketing strategy where spectacle and culture merged. Aesthetics of architecture, colour, decoration and lighting were all added to the sense of spectacle and in a tone of moral and educational improvement. The events also aimed to consolidate ideologically and extend the authority of the city’s corporate, political and scientific leadership. Each stand in its own way promoted ideas about the relations of the Cork city and other nations, the spread of education, the advancement of science, the nature of domestic life and the place of art in society.

The 1902 exhibition, for example, had several hundred exhibits on display from May to October in the Mardyke in prefabricated timber buildings. The main categories of exhibits included a women’s section, raw materials section, geological specimens section, natural history section, modern science section, archaeological and historical section, raw materials industrially treated section, forestry section, educational section and a nature study section. By the close of the Exhibition, over one million people had visited the Cork site. The newspapers of the day wrote about the exhibition enchanting and diverting the masses from more serious matters such as unemployment and housing conditions.

The ideals and symbols of the exhibitions were even magnified for their opening day where the Exhibition organisers sought to embrace the wider public. The Cork exhibitions presented a national narrative of modernity – how the fusion of Irish national values were reflected and materialised. The opening day on 1 May 1902 was observed as a general holiday. The large drapery houses remained closed till 2 pm by which the procession had passed through the thoroughfares. From an early hour, people anxious to watch the spectacle densely crowded advantage points. Special trains ran on all the railway systems converging on the city. Previous to the procession, various trades, national bodies, city bands and county contingents formed in Anglesea Street at the Municipal Building

A lavish opening ceremony marked the opening outlined key speeches that were made. The Concert Hall possessed comfortable seating accommodation in the auditorium for two thousand persons, while the organ loft afforded ample room.  The opening speeches embraced a forward looking universalising future, a creative entrepreneurialism, the quest to create a spectacle of technological innovation whilst engaging a national past.  They asserted difference while maintaining internal communication within an Empire culture.  

 

The Cork Examiner noted of the canata “The Building of the Ship” being performed. The canata had been especially composed for the Leeds Musical Festival of 1886 and was written by Henry Wadeworth Longfellow and composed by John Francis Barnett. Henry Wadsworth Longfellow was a commanding figure in the cultural life of nineteenth-century America. Born in Portland, Maine, in 1807, he became a national literary figure by the 1850s, and a world- famous personality by the time of his death in 1882. Henry Wadeworth Longfellow was an American poet and educator whose works include Paul Revere’s Ride, The Song of Hiawatha and Evangeline. He was also the first American to translate Dante Alighieri’s The Divine Comedy.

The story of the Building of the Ship poem deals with the Master who heard his merchant’s word with delight and who designed the model of a ship of modern mould, built for “freight and yet for speed, a beautiful and gallant craft, which was to be completed by a youth, “the heir of desterity”, who when he had built and launched the ship, was to receive the hand of the old man’s daughter. The vessel was to be built of “cedar of Maine and Georgia Pine”- indicating the northern and southern states of the US – and the “ Union” was to be her name.

The whole process of construction is elaborately and eloquently described, how the heavy hammers and mallets were plied until at length at the mast head the stars and stripes unrolled and all is finished and the bridal day is the day of the launching. The poem concluded; “Then, too sail on, O Ship of State, Sail on, O Union, strong and great”. The poem was read in Cork to symbolise the unity of purpose of Industrial Ireland – north and south – how the project was built up and how on its completion it was publicly launched with the best wishes of all classes of the community, with the hope that it may be “safe from all adversity”. These sentiments are also echoed in the origins of many of the stands at the 1902 Exhibition, with many coming from the southern and northern Ireland (more at the lecture).

 

Caption:

735a. Illustration of central industrial hall, Cork International Exhibition, 1902 (source: Cork Museum)

Draft Cork City Heritage Plan 2014-2018

The draft Cork City Heritage Plan 2014-2018 is now available for public comment. 

 
The Cork City Heritage Plan is an action plan and sets out a series of realistic and practical actions to protect conserve and manage our heritage over the next five years and a methodology on the implementation of these actions.  The formulation of what is the second Heritage Plan for Cork City presents an opportunity to build on the achievements of the previous plan and to renew the efforts to protect, manage and promote Cork City’s heritage. The aim of the draft Cork City Heritage Plan 2014-2018 is “To protect and promote the heritage of Cork City and to place the care of our heritage at the heart of the community”
 
Organisations and individuals are invited to make submissions and express their views and opinions on what they believe are key heritage issues in the city and what they would like to see in the new Heritage Plan.
 
The draft Cork City Heritage Plan is available to download from www.corkcityheritage.ie/newsandevents  or by contacting the Heritage Officer at heritage@corkcity.ie or tel 021 4924086
 
The closing date for comments is Friday 25th of April 2014.  Please forward all submissions in writing to
Niamh Twomey, Heritage Officer, Cork City Council, City Hall, Cork, Or email to heritage@corkcity.ie

Kieran’s Our City, Our Town, 27 March 2014

734a. Model of Blackrock Castle from student in St Vincent's Secondary School, Cork

Kieran’s Our City, Our Town Article,

Cork Independent, 27 March 2014

Discover Cork: Schools’ Heritage Project 2014

 

This year marks the eleventh year of the Discover Cork: Schools’ Heritage Project co-ordinated by myself. The Project for 2014 culminated recently in two award ceremonies for the project. It  is open to schools in Cork City and County- at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. A total of 48 schools in Cork took part this year. Circa 1600 students participated in the process and approx 220 projects were submitted on all aspects of Cork’s history.

One of the key aims of the project is to allow students to explore, investigate and comment on their local history in a constructive, active and fun way. The emphasis is on the process of doing a project and learning not only about your area but also developing new personal skills. Students are challenged to devise methodologies that provide interesting ways to approach the study of their local history. Submitted projects must be colourful, creative, have personal opinion, imagination and gain publicity. These elements form the basis of a student friendly narrative analysis approach where the students explore their project topic in an interactive way. In particular students are encouraged to attain primary material through engaging with a number of methods such as fieldwork, interviews with local people, making models, photographing, cartoon creating, making DVDs of their area.

Students are to experiment with the overall design and plan of their projects. It attempts to bring the student to become more personal and creative in their approaches. Much of the work could be published as local heritage / history guides to people and places in the region. For example a winning class project this year focussed on the history of the Church of the Annunciation, Blackpool, researched it, mapped out its memories through interviewing local people.

This year marks went towards making a short film or a model on projects to accompany history booklets. Submitted DVDs this year had interviews of family members to local historians to the student taking a reporter type stance on their work. Some students also chose to act out scenes from the past. A class in the city this year chose to narrate their own film on what it is to be a Cork Citizen. Another group created a short film on University College Cork and Fota House.

The creativity section also encourages model making. The best model trophy in general goes to the creative and realistic model. This year the best model in the city went to a model of St Anne’s Church, Shandon, which complemented her creative booklet. Indeed models of Cork churches featured this year in several projects. In the county, the top model prize went to students from Scoil Aban Naofa, Baile Mhuirne who re-created different archaeological monuments associated with St Gobnait.

Students are encouraged to compare and connect the past to their present and their immediate future. Work needs to involve re-imagining what life may have been like. One of the key foundations in the Project is about developing empathy for the past– to think about attitudes and experience in the past. Interpretation is also empowering for the student- all the time developing a better sense of the different ways in which people engage with and express a sense of place and time.

Every year, the students involved produce a section in their project books showing how they communicated their work to the wider community. It is about reaching out and gaining public praise for the student but also appraisal and further ideas. Some class projects were presented in nursing homes to engage the older generation and to attain further memories from participants. Students were also successful in putting work on local parish newsletters, newspapers and local radio stations and also presenting work in local libraries. This year the most prominent source of gaining publicity was inviting parents and grandparents into the classroom for an open day for viewing projects or putting displays on in local community centres and libraries. 

Overall, the Discover Cork: Schools’ Heritage Project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about your local area but also about the process of learning by participating students. The project in the city is kindly funded by Cork Civic Trust (viz the help of John X Miller), Cork City Council (viz the help of Heritage Officer Niamh Twomey), the Heritage Council. Prizes were also provided in the 2014 season by Lifetime Lab, Lee Road (thanks to Meryvn Horgan), Sean Kelly of Lucky Meadows Equestrian Centre Watergrasshill and Cork City Gaol Heritage Centre. The county section is funded by myself and students. A full list of winners, topics and pictures of some of the project pages for 2014 can be viewed at www.corkheritage.ie and on facebook on Cork: Our City, Our Town. For those doing research, www.corkheritage.ie has also a number of resources listed to help with source work.

Forthcoming lectures with Kieran; Wednesday 2 April, 7.30pm South Parish Historical Society at St John’s College, talk on the River Lee; Wednesday, 9 April, 10.30am, Meeting room, Church of the Real Presence, Curaheen, talk on Cork’s Great Exhibitions.

Caption:

734a. Model of Blackrock Castle, from a student in St Vincent’s Secondary School (picture: Kieran McCarthy)

Kieran’s Our City, Our Town, 20 March 2014

733b. Gouldings, Centre Park Road, Cork, 1958

Kieran’s Our City, Our Town Article,

Cork Independent, 20 March 2014

Technical Memories (Part 76) – Goulding’s Heritage”

 

Picking up from last week’s column, in 1872 a change took place when the Goulding business became a limited company with a capital of £150,000. The first Board of Directors was composed of William Goulding, Chairman, H M Goulding, B Haughton, N D Murphy MP, and J S Smithson. The prospectus of the new company referred to 500 duly appointed agents in the United Kingdom, France, Portugal, Russia and America. It was reported that Gouldings were the first firm to ship a cargo of manures into the United States, and in addition to the countries referred to above, an extensive export trade was carried on with Norway and Natal in South Africa. A special manure was supplied to the latter for the sugar cane crop. The year 1872 was also noteworthy in that a further factory was opened at Singland in Limerick, where a 20-year lease was taken on the premises.

In the manufacture of superphostate, the use of mineral phosphates steadily replaced bones. At what date Gouldings first used the mineral phosphate is unknown, but in 1873, the company purchased phosphate beds in France. These deposits, belonging to a group known as Quercy phosphates, were situated near Cahora in the French Department of Lot. The material varied widely in quality and was difficult to mine. The Goulding Phosphate Company Ltd was formed to operate the mines. In 1876 this company leased a mill at Mercuès in the vicinity of the phosphate deposits and a works was in operation at Laberaudie in the same district. Operations were continued until 1880 when Gouldings ceded their rights to a French firm.

In 1874, a cargo of rock phosphate was imported from Pernambuco in Brazil, and in subsequent years this raw material was obtained from a variety of sources. In addition to the French phostate referred to, there was Estramadure phosphate from Spain, Sombrero phosphate from the West Indies, phosphates from Norway, Canada, Belgium and Russia. American phosphate from South Carolina was in use and in later years, particularly when a Florida factory was opened, the American material was used extensively.

Another new works was started in 1878 at Gracedieu, Waterford and in 1884, new works were commenced on Bressay one of the islands in the Shetland group.  In the same year 1884, William Goulding died at the age of 67, having spent half a lifetime in the fertiliser business. From small beginnings, he rapidly built up and expanded the company until at the time of his death it consisted of five factories and was one of the largest concerns within Britain and Ireland. Seven years previous to this, Humphrey Manders had died at the age of 57. Following William Goulding’s death, his son, William Joshua Goulding, was appointed Chairman of the Company.

In 1902, sales of manures by the Goulding group had reached 119,337 tons and the building of a new factory at Newrath, Waterford was commenced. This now gave the company six factories in Ireland, situated at Londonderry and Belfast in the north, two at Dublin in the east, and at Waterford and Cork in the south, this making distribution to any part of the country an easy matter.  Phosphates from North Africa began to replace material from other sources and eventually North Africa became the sole supply. During the next twenty years, output from these factories was gradually increased by improved processes and extensions to the factories. In 1919 a controlling interest was purchased in two further companies, namely the Drogheda Chemical Manure Company Ltd. and the Dublin and Wicklow Manure Company.

From 1920 to the commencement of World War II, production of fertilisers showed a steady increase from the factories in operation and the total deliveries rose to 178,000 tons. The company also went through two chairmanships, Sir William Joshua Goulding and his son Sir Lingard Amphlett Goulding. On Lingard’s death in 1935, Sir Basil Goulding took over as Chairman.

The World War II years coincided with a serious reduction in trade brought about by difficulties of obtaining shipping for imports of raw materials, but after the end of the of the war, production rose to surpass the pre-war level in a most spectacular manner. The post-war years were a time of immense activity, many items of plant were in a state of disrepair and other items were becoming obsolete. As a result all the factories witnessed extensive replacement of old equipment with modern machinery and methods of manufacture.

By 1956, due to the increasing demands on the Glen Factory, the first steps were taken towards the construction of a new factory on a 17-acre compound on the deep water site at the Marina, Cork on which the company had had an option for some years. The Irish Times for 29 March 1958 records that work began on the preparation of the Cork site at the Marina and the piling in October, 1955. There were 303 piles driven and the contractors started work in February, 1956. In all, 16,500 cubic yards of concrete were used in the construction of the factory, 291 tons of reinforced steel and 700 tons of steelwork.

To be continued…

 

Caption:

733a. Gouldings, Centre Park Road, Marina, 1958 (source: The Irish Times, 29 March 1958)

733a. Cork City with Docklands, 1968 (source: Cork City Library)

Kieran’s Our City, Our Town, 13 March 2014

732a. Cork Docklands, 1949, source: Cork City Library

Kieran’s Our City, Our Town Article,

Cork Independent, 13 March 2014

Technical Memories (Part 75) – Outputs and Targets”

 

The day before Verolme Dockyard was officially opened on 15 October 1960, the two and half million pounds factory of Messrs. Goulding Fertilisers Ltd at the Marina, Cork, was opened. Again Seán Lemass did the honours in the presence of a large and distinguished audience. In his speech, recorded in the Cork Examiner, he highlighted Ireland’s work in seeking out new export markets; “In the struggle for export markets everything, which makes for great output at lower costs, is vital and all the available evidence supports the view that greater use of fertilisers and lime is essential for the realisation of high production targets”.

The new factory was another milestone in Cork’s ever-widening industrial progress. It completed the final stages of an ambitious project conceived by the company some years previously for the creation in the Southern region of a modern fertiliser plant. The first stage for the compounding of fertilisers in powder and granular form was completed in 1958. The opening of the factory in 1960 marked the second and final stage, and its purpose was to produce single superphosphate in largely increased quantities and also for the first time in the country, triple superphosphates together with the large amounts of sulphuric acid required for both projects. The Marina plant was planned with an eye to the future, for it had been so designed that large-scale additions could be made conveniently in spaces reserved for them whenever the need arose.

When the Taoiseach arrived at the new factory, he was met by Sir Basil Goulding, who presented him with a symbolic key and invited him to unlock the gates and declare the factory opened. The Goulding family had deep commercial roots in Cork and this is outlined in the special supplement in the Cork Examiner. William Goulding was born in 1817, the first son of Joshua Goulding, of Birr in King’s County, and Sarah, née Manders, of Blackpool, in Cork. Three years later, a second son, Humphrey Manders Goulding, was born. When Joshua Goulding died in 1829, it is thought that the family moved to Cork. Certainly by 1842 William Goulding was living in the city and carrying on the business of an oil and colour merchant at 22 Maylor Street. In the following year, this business was transferred to 108 Patrick’s Street, premises which were occupied by the firm for many years and now the site of the site of the Savoy Cinema. The title W and H M Goulding came into being in 1846 when Humphreys Manders Goulding joined his elder brother in the business at the age of 26.

An early interest in agricultural materials was shown by the sale of Goulding’s Anti-smut Composition for seed wheat, which appeared on the market in 1844. The firm became agents for patent sheep and cattle dressings in 1854, and in the same year sold fertilisers produced by the British Economical Manure Company. The year also marked the beginning of Goulding’s interest in superphosphate manufacture. A small tonnage of superphostate was thus produced in their premises available at St Patrick Street and Nelson Place (now Emmett Place) and would have been inadequate and unsuitable for large scale manufacture. The results of these pilot-plant experiments must, however have been sufficiently encouraging to warrant bigger operations, for the Goulding Brothers procured additional premises for superphostate production in the following year, 1856. During 1855 and 1856, the premises of the Glen Distillery at Blackpool, in Cork, came on the market. This property comprised mills, kilns, stores, chimneys, spacious yards and various items of machinery and plant, and it was this property which, the Goulding brothers obtained for their manure works.

Superphostate manufacture at this time involved treating ground bones with sulphuric acid, the reaction being carried out in wooden tubs, cast-iron horse troughs, or even on the bare ground. The resulting material was removed to stores and allowed to dry out. All operations were by hand, and output was necessarily small. For example the total sales for the season 1860/ 61 season were no more than the 1960 production of superphosphate from one works for one week.

While bones were available locally, sulphuric acid had to be imported during the early years. The purchase of acid from outside sources was a serious drawback to the early development of the business. To remedy the situation, an acid plant, was built in 1860 and had been extended to five chambers by 1868. The sulphuric acid was produced from sulphur initially, but pyrites were also used at an early stage, and certainly not later than 1864. The pyrites could be purchased for £1/5 per ton and was readily available from the Avoca mines in Co Wicklow, while sulphur cost £7 per ton. In 1861, following the introduction of the acid plant, five special manures were offered in addition to superphostate. During the period 1861 to 1888 delivery of manures from Cork rose from 857 tons to 7,139 tons, and the demand was so great that it was considered to open a new factory. Dublin was selected as the location for this new works as it had good port facilities and was well placed for the delivery of manures.

To be continued…

 

Caption:

732a. Cork Docklands, 1949 (source: Cork City Library)

Kieran’s Our City, Our Town, 6 March 2014

731a. Verolme Dockyard,1960

Kieran’s Our City, Our Town Article,

 Cork Independent, 6 March 2014

Technical Memories (Part 74) – Keel Encounters”

 

Verolme occupied the site of the old yard at Rushbrooke, where ship repair work had been carried on for a century. The new yard covered a much larger area, a great deal of which was reclaimed from the estuary of the River Lee. The outstanding features of the new yard in 1960 were the huge 230 feet long plating shop and the new 668 feet building slip-way. The slip-way was flanked by two giant mobile 40-ton cranes, which were used to transport the plates from the workshop to the slip-way.

In accordance with the Verolme system of using the most modern techniques, the work was carried out by methods of prefabrication in the plating shop, which contained the most up-to-date shipbuilding machinery, and was equipped with a variety of cranes, some of which were run on overhead girders. As one journalist noted at the time “everything was designed for efficiency, combined with speed in production”. The opening on Saturday 15 October 1960 coincided with the laying of the keel of the first ship to be built in the new yard, a 14,700 ton dry cargo vessel for Irish Shipping Ltd. The vessel, 500 feet long, was the biggest to be built in the country, outside of Belfast. Guests who attended the opening of the shipyard – they numbered over 400 and included a large party form Dublin – saw some of these modern techniques in operation at the keel-laying ceremony. The keel section, which had been prefabricated in the workshop, was something new in keel construction. Instead of a single plate, as was usual in other yards, it consisted of a bottom and inner keel, joined together by separating plates. The section, weighing about 38 tons, was picked up in the workshop by the large 40-ton overhead crane, which travelled along the workshop on rails.

Outside the doors of the workshop the keel section was picked by one of the great mobile cranes, which then moved down its tracks and placed the keel section in the correct position on the slipway.  The first stage in the actual building of the first ship in the new dockyard was completed in a matter of minutes. Incidentally the ship had not been given a name, and had been known only as no. 645 on the Verolme books. The beginning of shipbuilding had not awaited the final completion of the yard. Steel was imported from Great Britain for the building of the new ship. The conveyor system which was to bring the imported steel from the ships, unloading at a nearby jetty, to the workshop, was still in the course of completion. It was to be some time before the jetty was ready. In the meantime, a special crane equipped with magnets, was used to lift the plates and get them on the conveyor.

Although part of the keel was been laid, work was still proceeding on the building of the slip-way, about two thirds of which was completed. The construction of the slip-way, and the dockyard area generally, involved a great deal of excavation work and extensive piling had gone on for a number of years by the Irish Engineering and Harbour Construction Co. Ltd Dublin. John A Wood Ltd supplied all the gravel for reclamation and all aggregates for the concrete work at the yard. Another new feature of the Dockyards efficiency was an optical tower, in which, by an ingenious system of photographic enlargements, the plans of desired sections of the plates were projected onto the steel for speedy and accurate marking. This was the first time that such a method had been used in ship-building in this country, north or south. In addition new to Ireland was the use of automatic cutters or burners for the shaping of the profiles of plates – another example of modern techniques in the building of ships.

Irish workers were especially trained in Holland for work in the Cork Dockyard. Under the direction of these men, more workers were to be trained in the dockyard at Rushbrooke. Proposing a toast to the venture on the day of the official opening, An Taoiseach Seán Lemass recalled that he had first seen the dockyard 30 years previously. It was then derelict – an area of desolation – and its equipment was rusty, and was shortly afterwards to be sold as scrap. He then entertained the hope that day that the dockyard might be restored, but the outlook in the depressed thirties had not been bright and at the time dozens of vessels lay at permanent anchor before going on their last journey to the ship breakers. The picture remained unchanged until the war and the foundation of Irish Shipping Ltd and the taking over of the old dockyard to maintain and repair the collection of vessels acquired by Irish Shipping and which remained Ireland’s Lifeline through those difficult years. Seán Lemass spoke of the decision to carry on the work of the shipyard in the post war years and the important event in 1958 when the Irish Ambassador in the Hague made contact with Mr Cornelis Verolme and put him and the board of Cork Dockyard Ltd in touch with each other.

To be continued…

 

Caption:

732a. Verolme Dockyard, 1960 (source: John Brennan, The Yard, A History of Shipbuilding at Rushbrooke, Cobh).

Kieran’s Our City, Our Town, 30 January 2014

726a. Aerial view of ESB Marina near completion, c1954, ESB Archives

Kieran’s Our City, Our Town Article,

Cork Independent, 30 January 2014

Technical Memories (Part 69) – A Sphere of National Life”

 

“Built to the design and specifications prepared by the Electricity Supply Board’s own engineering staff, the Marina Station is one of the most up-to-date of its kind in Europe. This station is yet another link in the ESB plan to double the present output of electricity by 1961. The everyday demands for electricity in every sphere of our national life show such a tremendous increase that this programme is essential if electrical self sufficiency is to be maintained (Editorial, Irish Independent, 7 October 1954)”.

Following on from introducing the Marina ESB station last week, the local press wrote of the plant as one of the most up-to in terms of using modern scientific breakthroughs and technology. When oil as a fuel was used it was fed from the tanker on the adjacent quay through an oil pipe line to the 4,500 ton oil tanks located on the far side of Centre Park Road. A pump house beside these tanks pumped to the boilers as required. Heavy fuel oil was used as to make it free-flowing enough for pumping it to be steam heated. Hot air was blown through a rotary air heater; the oil was atomised by steam and injected into the boilers. The jet of oil was burned in suspension in the same way as the pulverised coal.

Cooling water for condensing the steam was drawn from the River lee, and was circulated by four pumps capable of handling 54,000 gallons of water a minute. It was essential that the tubes carrying the cooling water be maintained absolutely free and unclogged. As river water was being used, a special screening and chlorination plant was installed to remove impurities from the water before it entered the tubes. Water for the boilers was provided from the Cork City water supply, and a 21,000 gallon storage tank was used to maintain supply.

Care was taken to avoid the dissemination of undesirable material from the 220-ft high chimney which served the station. Incorporated in the system was a grit collector where the grit in the gases was removed. Ash particles which fell to the bottom of the boiler were collected and sluiced out daily to a piece of adjoining waste land. This waste land set aside for ash disposal took in an area of 18 acres, and if the station were to operate on coal all the time, it could have filled up in nine years. A special testing station was established on the hill at Montenotte across the River Lee to check the deposits before the station was in operation and to ensure that no damage was caused to residents in the area.

The blessing ceremony was performed by Bishop Lucey on 22 September 1955 and was recorded by the Cork Examiner the day after. Owing to the disposition of the Minister for Industry and Commerce, William Norton, the opening ceremony was performed by his Parliamentary Secretary P J Crotty, Mr Crotty opened the outer door of the main block with a gold key and later cut a tape in the turbine room to signify that the station was now well and truly in official commission. The scissors was presented to Mr Crotty by the youngest employee at the station, the 14-year-old messenger boy, Liam O’Sullivan. The Bishop, Mr Crotty and all the other guests were taken on a conducted tour of the station. The chairman of the ESB, Dr R F Browne, welcomed guests. They were shown the machinery for the pulverising of coal to be fed into the three boilers and the two big turbines.

Later at a luncheon in the Imperial Hotel, Dr Browne noted of a steady expansion of electricity grids in the city: “It has rendered necessary the building of a large generating station…A station was first placed in commission in Cork in 1897 [on Albert Road] and it gave good service over the years. The station opened today is some twelve times larger and has an installed capacity of 60MW and can be readily be extended to 120MW”. In thanking the many contractors to the scheme, the list of names echo the ESB’s focus on the use of cutting edge western European technology. The steam turbine alternator sets, switchgear and control room equipment came from Siemens Schukert of Germany. Babcok and Wilcox provided the boilers. Transformers and other switchgear came from ACEC Belgium and AEG Germany and from Brown Boveri Switzerland. The main civil works were carried out by McNally and Co. Ltd and by the Irish Piling Company.

Mr Browne further highlighted that to meet supply requirements, there were under construction in 1955, two large and four small peat stations, two hydro schemes and a large station in Dublin, similar to that in Cork. Native sources of power were being relied on and the focus was being placed on water and peat. With water, Mr Browne noted that the scope for further hydro development was limited as 70 per cent of the potential power in the country had been harnessed. The remaining 30 per cent was in very small rivers and streams, which to harness were not cost effective.

To be continued…

 

Caption:

 

726a. Aerial view of ESB Marina near completion, c.1954 (ESB Archives, Dublin)

Kieran’s Our City, Our Town, 23 January 2014

725a. ESB Marina Station, Present Day

 

Kieran’s Our City, Our Town Article,

Cork Independent, 23 January 2014

Technical Memories (Part 68) – Down the Marina”

 

With plenty of opportunities for technological minded students and workers, the second of the ESB’s led projects in 1950s Cork was that that of the steam powered station on The Marina. Irish industry showed an overwhelming preference for electric power because of its availability, economy and convenience. The demand showed an increase of 49 million units in 1953 – an increase of 47 per cent in the number of units used by consumers connected under rural electrification and a figure which strongly demonstrated the necessity for such extra electrical power. The Irish Independent remarked; “Every day more and more farmers are making use of electricity for such everyday tasks as milking, churning, root pulping, grinding and so on. The farmer’s wife has a big welcome for such amenities as a cooker, washing machine, a kettle, an iron or a refrigerator, formerly available only to her city sister”. 

Up to the late 1940s, power came from Ardnacrusha, Pigeon House on the Liffey, and Alleywood or Portarlington. In the event of Ardnacrusha not operating for any reason, power had to be transmitted over long distance, which, experience had shown was an unsatisfactory arrangement. Before World War II, this possible difficulty was foreseen and plans were laid by the ESB for a Cork station. Owing to immediate post-war difficulties the preliminary work could not be undertaken until 1950, and the near completion of such a big undertaking in such as short space of time represented a ‘notable achievement’.

On 7 October 1954, the Irish Independent wrote about the Marina station near completion. Construction began in 1951. Operating from 1954, it fed electric power into the national network for use in homes, factories, streets, highways and farms throughout the south of Ireland. The station was the seventh power station to go into operation since the end of the war. For the preliminary development of the station two 30,000 kw steam turbo-generating sets were installed. These gave an annual estimated output of 240 million units per year. These turbines were the biggest in use in Ireland and were of the latest two-cylinder type and generated the electricity at 105kv. Transformers stepped up this figure to 110kv for easier transmission with minimum losses. A series of step-down transformers assisted in the ultimate delivery to the consumer at 220 volts. Steam was delivered to the two steam turbines at 850 F. The output from these sets was regulated from the station control room. Visual audible warning signs were given to the engineer in charge of the control room in the event of any fault developing in the plant. The station was linked to the central Load Despatch Office in Dublin.

The Marina Station occupied a commanding location on a 13 acre site facing Cork quays, its towering brick-fronted bulk was deemed as the Irish Independent noted as having a “pleasing architectural alignment with the extensive structures of adjacent industrial undertakings”. Surrounding it was Messrs Henry Ford and Son’s Motor assembly works, Dunlops Ltd rubber factory; and the mills, with their towering silos of the Cork Milling Co. Ltd and National Flour Mills Ltd. The selection of the Marina station site was influenced by its excellent access by road and the availability of deep-water wharfage for the unloading of coal and oil directly from ships.

There were many features of the new Marina station, which gave it a cutting technological status. It was the first of its kind to use both oil and coal for primary generation. The station’s fuel consumption was to be in the region of 120,000 tons of coal or 80,000 tons of oil. The reason that either coal or oil could be used to provide the necessary steam power was linked to cheaper operating costs. These fuels were competitive and the station was to operate on whichever was the cheaper at any given time.

The three huge boilers used in the station scored several notable ‘firsts’. They were the largest ever to be installed in Ireland and were of the very latest pattern; they were the first of their type to be used in Ireland for the generation of electricity. Capable of producing 600,000 lbs of steam per hour under normal operating conditions, they could rise to 660,000 lbs should the occasion demand.

In the event of coal being used it was unloaded at the wharf by a transporter crane capable of handing 120 tons an hour. This transporter delivered to bunkers beside the boilers or to the main coal yard, which could accommodate 60,000 tons of coal. A drag scaper distributed the coal around the yard and reloaded it on to the conveyors for transportation to the bunkers. Each boiler had a bunker capacity of 270 tons of coal which represented over a day’s storage –each boiler using about ten tons an hour. The coal from the bunkers fell onto weighers on the floor below and from there went to the ball-type mills which pulverised it. Hot air, blown through the mill, carried the pulverised coal away to the boilers where it ignited as it entered the furnace.

To be continued…

Captions:

 

725a. ESB Marina station, present day (picture: Kieran McCarthy)