Advertisement in Irish Examiner, taken out by Cork City Council, 16 September 2017
Category Archives: Landscapes
Cllr McCarthy: Open Tramore Valley Park, 11 September 2017
Funding for outstanding capital works and revenue operational costs for Tramore Valley Park will be considered in the context of both the Cork City Council’s Draft 2018 Estimates and, the 2018-2020 Capital Budget Programme. Should the necessary finances be available, the intention is to open the park on a phased basis from late summer/early autumn 2018. A figure of between e.50,000 and e.75,000 per annum has been pitched as needed for staffing.
Kieran’s Our City, Our Town, 7 September 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 7 September 2017
Discover Cork: Schools’ Heritage Project 2017-18
This year coincides with the fifteenth year of the Discover Cork: Schools’ Heritage Project. Brochures have been sent to all Cork schools. Launched again for the new school term, the Project is open to schools in Cork – at primary level to the pupils of fourth, fifth and sixth class and at post-primary from first to sixth years. There are two sub categories within the post primary section, Junior Certificate and Leaving Certificate. A student may enter as an individual or as part of a group or a part of a class entry.
Co-ordinated by myself, one of the key aims of the project is to encourage students to explore, investigate and debate their local heritage (built, archaeological, cultural and natural) in a constructive, active and fun way. Projects on any aspect of Cork’s rich heritage can be submitted to an adjudication panel. Prizes are awarded for best projects and certificates are given to each participant. A cross-section of projects submitted from the last school season can be gleamed from this link on my website, www.corkheritage.ie where there are other resources, former titles and winners and entry information as well.
Students produce a project on their local area using primary and secondary sources. Each participating student within their class receives a visit and workshop in October 2017. The workshop comprises a guide to how to put a project together. Project material must be gathered in an A4/ A3 size Project book. The project may be as large as the student wishes but minimum 20 pages (text + pictures + sketches). Projects must also meet five elements. Projects must be colourful, creative, have personal opinion, imagination and gain publicity before submission. These elements form the basis of a student friendly narrative analysis approach where the student explores their project topic in an interactive and task oriented way. In particular, students are encouraged to attain material through visiting local libraries, engaging with fieldwork, interviews with local people, making models, photographing, cartoon creating, making DVDs of their area. Re-enacting can also be a feature of several projects.
For over fifteen years, the project has evolved in how students actually pursue local history. The project attempts to provide the student with a hands-on and interactive activity that is all about learning not only about heritage in your local area (in all its forms) but also about the process of learning by participating students. The project is about thinking about, understanding, appreciating and making relevant in today’s society the role of our heritage our landmarks, our oral histories, our scenery in our modern world for upcoming citizens. So, the project is about splicing together activity on issues of local history and heritage such as thinking, exploring, observing, discovering, researching, uncovering, revealing, interpreting and resolving. This year as well there is a focus on the theme – the Past in our Present.
The importance of doing a project in local history is reflected in the educational aims of the history curricula of primary and post-primary schools. Local heritage is a mould, which helps the student to become familiar with their local environment and to learn the value of it in their lives. Learning to appreciate the elements of a locality, can also give students a sense of place in their locality or a sense of identity. Hence the Project can also become a youth forum for students to do research and offer their opinions on important decisions being made on their heritage in their locality and how they affect the lives of people locally. I know a number of students who have been involved in the project in schools over the years who have took their interest further and have gone on to become professional tour guides, and into other related college work.
The project is open to many directions of delivery. Students are encouraged to engage with their topic -in order to make sense of it, understand and work with it. Students continue to experiment with the overall design and plan of their work. For example, and in general, students who have entered before might engage with the attaining of primary information through oral histories. The methodologies that the students create provide interesting ways to approach the study of local heritage. Students are asked to choose one of two extra methods (apart from a booklet) to represent their work. The first option is making a model whilst the second option is making a DVD. It is great to see students using modern up todate technology to present their findings. This works in broadening their view of approaching their project.
This project in the City is free to enter and is kindly funded by Cork City Council (viz the help of Niamh Twomey, Officer) and. Prizes are also provided by the Cork Civic Trust (viz the help of John X Miller), Lifetime Lab, Lee Road, Learnit Lego Education, and Sean Kelly of Lucky Meadows Equestrian Centre, Watergrasshill (www.seankellyhorse.com). There is also a County Cork edition. Overall, the Schools’ Heritage Project for the last fifteen years has attempted to build a new concerned generation of Cork people, pushing them forward, growing their self-development empowering them to connect to their world and their local heritage. Spread the word please.
Captions:
911a. Front cover of 2017-18 brochure for Discover Cork Schools’ Heritage Project (source: Kieran McCarthy)
911b. Page from school history project on Blackrock Castle 2017 (source: Kieran McCarthy)
Pictures, Kieran’s Historical Walking Tours, National Heritage Week, August 2017
Thanks to everyone who supported the 7 walking tours for National Heritage Week. There were 500 participants on the tours across the week.
Kieran’s Our City, Our Town, 17 August 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 17 August 2017
Cork Heritage Open Day, 19 August 2017
Another Cork heritage open day is looming. The 2017 event will take place on Saturday 19 August. For one day only, over 40 buildings open their doors free of charge for this special event. The team behind the Open Day, Cork City Council and building owners, have grouped the buildings into general themes, Steps and Steeples, Customs and Commerce, Medieval to Modern, Saints and Scholars and Life and Learning – one can walk the five trails to discover a number of buildings within these general themes. These themes remind the participant to remember how the city spreads from the marsh to the undulating hills surrounding it, how layered and storied the city’s past is, how the city has been blessed to have many scholars contributing to its development in a variety of ways and how the way of life in Cork is intertwined with a strong sense of place and ambition. For a small city, it packs a punch in its approaches to national and international interests.
The Saints and Scholars route lies to the South side of the city and takes in the birth place of Frank O’Connor and the burial place of Nano Nagle and panoramic views from Elizabeth Fort. The route encompasses places of learning and places of worship finishing up at South Gate Bridge with fabulous views of the magnificent St Fin Barre’s Cathedral.
One of Cork’s most distinctive landmarks, St. Fin Barre’s Cathedral is located where Cork’s Patron Saint founded his first Church and School. It is the diocesan cathedral of the Church of Ireland and the Bishop’s residence is directly opposite the cathedral gate. St Fin Barre’s was designed by the notable architect, William Burges, who also designed the stained glass, the sculptures, the mosaics, the furniture and metal work for the interior. The foundation stone was laid in 1865 and the building was consecrated in 1870. The Cathedral is stylistically late thirteenth century pointed Gothic and is cruciform in shape. It has triple spires with portals to the west front and an abundance of external stone carved detail.
The Religious Society of Friends (Quakers) Meeting House on Summerhill South was designed by WH Hill and was purpose built in 1938 following a move from the old Meeting House in Grattan Street, which dates back to 1677. It is a simple, unadorned meeting room that is used for Quaker worship, as well as a number of community activities. The burial ground lies to the rear of the building. The plain and nearly identical grave stones are a symbol of the Quaker belief in the intrinsic equality of all. These simple headstones are representative of the form and design of Quaker grave markers and were clearly executed by skilled craftsmen.
The wonderful complex of buildings at Nano Nagle Place form a rich architectural assemblage. The triangular wedge of land upon which it sits appears in early maps of Cork. It is not clear when it came into the possession of the Nagle family. The family passed the land to Nano Nagle and when she in turn passed it to her community, the function and shape of the site were set to prevail. The oldest remaining building is the convent that Nano Nagle built for the Ursuline Sisters in 1771. Recent research has shown that many original design details remain, perhaps specified by Nano herself. The Ursuline sisters thrived here and built extensions to that original building in 1775, 1779, and 1790. When the Ursulines moved to Blackrock in 1825 the buildings passed to the Presentation Sisters.
Elizabeth Fort was first built in 1601 by Sir George Carew, the then president of Munster during the reign of Queen Elizabeth 1. The fort was built on a rocky outcrop overlooking the city from the south. Following the death of Elizabeth in 1603, the fort was attacked by the citizens of Cork, however, when the city was re-taken, they were compelled to rebuild it at their own expense. It was replaced in 1624 by a stronger, stone fort, much of which survives today. It is reputed that improvements were also made by order of Oliver Cromwell in 1649.
Backwater Artists Group, Cork Printmakers and CIT Wandesford Quay Gallery are located on Wandesford Quay. This three-bay, four-storey warehouse was originally built circa 1840. Its first use was as a grain store, probably for the nearby distillery. It was then used as a timber yard and went on to become Coleman’s Printers. Backwater Artists Group is one of the largest artist-led studio groups in Ireland, with 29 studios and over 40 artists working from the complex. They are open to the public for Cork Heritage Day, Cork Culture Night and for guided tours, artists’ talks and exhibitions during their annual Open Studio Event, in November. There will be an exhibition of members work on view in our exhibition space.
See www.corkheritageopenday.ie for more information on the city’s great heritage open day and then followed by Heritage Week (information at www.heritage week.ie). My tours are posted at www.kieranmccarthy.ie under the walking tours section or follow my facebook page, Cork Our City, Our Town.
Captions:
908a. Stained glass window of St Finbarr, Chapel of Presentation Convent, Douglas Street (picture: Kieran McCarthy)
908b. Recent Medieval Open Day, Elizabeth Fort (picture: Kieran McCarthy)
Kieran’s Our City, Our Town, 10 August 2017
Kieran’s Our City, Our Town Article,
Cork Independent, 10 August 2017
Kieran’s Heritage Week Tours, 19-26 August 2017
National Heritage Week is upon us again at the end of next week (19 – 26 August). It is going to be a busy week. For my part I have organised seven tours. These are all free and I welcome any public support for the activities outlined below. There are also brochures detailing other events that can be picked up from Cork City Hall and City libraries. If you are up the country on holidays, check out www.heritageweek.ie for the listings of national events.
Saturday 19 August 2017 – Historical Walking Tour of Cork City Hall with Kieran, 11am, ticketed (free, duration: 75 minutes; details at www.corkheritageopenday.ie)
Learn about the early history of Cork City Hall and Cork City Council, learn about the development of the building and visit the Lord Mayor’s Room The current structure, replaced the old City Hall, which was destroyed in the ‘burning of Cork’ in 1920. It was designed by Architects Jones and Kelly and built by the Cork Company Sisks. The foundation stone was laid by Eamonn de Valera, President of the Executive Council of the State on 9 July 1932.
Sunday, 20 August 2017, Cork Through the Ages, An introduction to the historical development of Cork City with Kieran; meet at the National Monument, Grand Parade, 6.45pm (free, duration: two hours)
Cork City possesses a unique character derived from a combination of its plan, topography, built fabric and its location on the lowest crossing point of the river Lee as it meets the tidal estuary and the second largest natural harbour in the world. Indeed, it is also a city that is unique among other cities, it is the only one which has experienced all phases of Irish urban development, from circa 600 AD to the present day. This tour explores the city’s earliest historical phases.
Monday 21 August 2017, Blackpool: A Living Heritage, historical walking tour with Kieran; meet at the gates of North Mon School, Gerald Griffin Avenue, 6.45pm (free, duration: two hours)
The walking tour weaves its way from the North Mon into Blackpool, Shandon and Gurranbraher highlighting nineteenth century life in this corner of Cork from education to housing to politics, to religion, to industry and to social life itself. Blackpool was the scene of industry in Cork in the eighteenth and nineteenth centuries for industries such as tanning through big names such as Dunn’s Tannery and distilling through families such as the Hewitts. The leather industry at one vibrant in Blackpool with no fewer than 46 tanyards at work there in 1837 giving employment to over 700 hands and tanning on average 110,000 hides annually.
Tuesday 22 August 2017, The Victorian Quarter; historical walking tour with Kieran of the area around St Patrick’s Hill – Wellington Road and McCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.45pm (free, duration: two hours)
This is a tour that brings the participant from the top of St Patrick’s Hill to the eastern end of McCurtain Street through Wellington Road. The tour will speak about the development of the Victorian Quarter and its hidden and beautiful architectural heritage. All are welcome and any old pictures and documents that people have of these areas, please bring along.
Thursday 24 August 2017, The City Workhouse, historical walking tour with Kieran; meet at the gates of St Finbarr’s Hospital, Douglas Road, 6.45pm (free, duration: two hours)
The Cork workhouse, which opened in December 1841, was an isolated place – built beyond the toll house and toll gates, which gave entry to the city and which stood just below the end of the wall of St. Finbarr’s Hospital in the vicinity of the junction of the Douglas and Ballinlough Roads. The Douglas Road workhouse was also one of the first of over 130 workhouses to be designed by the Poor Law Commissioners’ architect George Wilkinson.
Friday 25 August 2017, The Lough and its Curiosities; historical walking tour with Kieran; meet at green area at northern green of The Lough, entrance of Lough Road to The Lough; 6.45pm (free, duration: two hours)
This new walking tour circles the Lough and explores the area’s origins and histories. In such a corner of the city, stories abound ranging from duels, ice-skating, market gardening, Victorian nurseries and legend making as well as housing and church sites.
Saturday 26 August 2017, Fitzgerald’s Park: The People’s Park; historical walking tour with Kieran, meet at band stand, 1pm, note the afternoon time (free, duration: two hours)
Looking at the physical landscape of the Park, there are clues to a forgotten and not so familiar past. The entrance pillars on the Mardyke, the Lord Mayor’s Pavilion, the museum, the fountain in the middle of the central pond dedicated to Fr Mathew and timber posts eroding in the river were once parts of one of Cork’s greatest historical events, the Cork International Exhibitions of 1902 and 1903. Just like the magical spell of Fitzgerald’s Park, the Mardyke exhibitions were spaces of power. Revered, imagined and real spaces were created. They were marketing strategies where the past, present and future merged. The entire event was the mastermind of Cork Lord Mayor Edward Fitzgerald, after which the park got it name.
Captions:
907a. Group on Kieran’s historical walking tour of Sunday’s Well (picture: Kieran McCarthy)
907b.Group on Kieran’s historical walking tour of the Lough (picture: Kieran McCarthy)
Kieran’s Our City, Our Town, 3 August 2017
Kieran’s Our City, Our Town Article
Cork Independent, 3 August 2017
The Wheels of 1917: The Cost of War
The first week of August 1917 coincided with the third anniversary of the declaration by Germany of war against Russia, France and Germany. The 16th (Irish) Division and 36th (Ulster) Division both spent the war on the Western Front and sustained enormous casualties. Large numbers of Corkmen served in the 16th (Irish) Division. The 16th Irish Division was subject to a terrible gas attack in Easter Week 1916 that killed 550 mostly Irish soldiers at Hulluch, in northern France. The 36th (Ulster) Division had substantial casualties on the first day of the Somme offensive, the worst day in the history of the British army. The division sustained about 5,500 casualties on that day, 1 July 1916.
The 16th Irish Division and 36th Ulster Division were involved in the successful Battle of Messines, at Ypres, in May 1917. Their actions are marked by the Island of Ireland Peace Park, at Messines, which was opened by President Mary McAleese and Queen Elizabeth II in 1998. Both divisions suffered terrible casualties at Passchendaele in August 1917. The battle took place on the Western Front, from late July to November 1917, for control of the ridges south and east of the Belgian city of Ypres in West Flanders. Passchendaele lay on the last ridge east of Ypres, eight kilometres from a railway junction at Roulers, which was vital to the supply system of the German 4th Army.
As at the Somme the previous year Passchendaele proved a highly costly failure. The 16th Irish Division and 36th Ulster Division were completely exhausted after 13 days of moving weighty equipment under heavy shelling. The battalions advanced through deep mud towards well-fortified German positions. By mid-August, the 16th had suffered over 4,200 casualties, the 36th almost 3,600, or more than 50% of their numbers. Papers such as the Cork Examiner, counted the human cost of World War I as they spread the pictures of dead soldiers across its pages.
There were also media supplements on the effects on shipping, exports and imports. The ocean-going, vessels on the United Kingdom register, before the War represented between 17 and 18 million tons gross. Of this tonnage over 15 million tons were regularly employed in trade with the United Kingdom, the remainder being engaged in trades between foreign countries, the various parts of the British Dominions. A large amount of this distant trading was cut and brought home to deal with war need. By 1917 the ocean-going shipping on the United Kingdom register was a little over 15 million tons, of which 14 million tons were employed in the home service. Of the 14 million tons employed, however, only about one half was available for the trade of the country. About 6 ½ million tons was allocated entirely to the needs of the Navy, the Army, the Allies, and the Dominions overseas. A further million tons was available for imports.
From the beginning of the war, British ships were steadily being requisitioned by the Government and run in the National instead of in the private interest. The rates paid to shipowners soon became lower than the freights, which could be earned by their own trade. The situation reached a stage where it was necessary to take complete control of all British shipping. All British liners were requisitioned and were run on Government accounts. The owners received hire fees at Government rates, and the profits derived from private freight carried at market rates went to the Government, and not to the shipowner. In many instances, the trades built up by the shipowners suffered severely from the depletion of shipping caused by the diversion of the steamers from their usual routes.
A considerable number of the fastest and most efficient vessels of the mercantile marine was converted into auxiliary cruisers, and others into floating hospitals. A whole fleet was engaged in raking coal and oil to the Navy; many of the mercantile ships were converted into transports, and were constantly carrying troops from Great Britain and the British Dominions to all fields of war: many were occupied in taking supplies from all parts of the world to the Navy and to the Armies at the various fronts; others in mind-sweeping and patrol work in all seas. A very substantial number were assigned to the Allies to supply their urgent needs for munitions and other imports, and a large number have been sold off to carry wheat and other essential foodstuffs to the Allies. With regard to personnel, the total numbers moved across the seas up to Spring 1917 were 8 million men, over 9 million of supplies and explosives, one million sick and wounded, over one million horses and mules with petrol alone amounting to 47.5 million gallons.
The diversion of liners from long distance to short distance trades inflicted injury on many British export trades (particularly to India and the Far East). A very far-reaching programmes of restriction of imports was put into effect. Luxuries (including many commodities produced by Colonies and Britain’s Allies) were excluded, and the import even of essential articles was reduced to the lowest level compatible with national security. The restriction of coasting facilities created inevitable hardship for coastal towns up and down Britain’s and Ireland’s coastline, which traditionally rolled out sea-borne supplies.
Kieran’s historical walking tours for National Heritage Week in August (19-27) are now posted at www.kieranmccarthy.ie and will appear here next week.
Captions:
906a. Commemorative Round Tower at the Island of Ireland Peace Park, at Messines, Belgium, which was opened by President Mary McAleese and Queen Elizabeth in 1998 (picture: Kieran McCarthy)
906b. Menin Gate Memorial Ypres, Belgium; it is dedicated to the British and Commonwealth soldiers who were killed in the Ypres Salient of World War I and whose graves are unknown. It was designed by Sir Reginald Blomfield and built and maintained by the Commonwealth War Graves Commission; it was unveiled on 24 July 1927 (picture: Kieran McCarthy)
Cllr McCarthy: Atlantic Pond, Tests Return No Indications of Pollution
Cllr Kieran McCarthy has called for that any future plans for the Atlantic Pond area to continue to protect this historic amenity and its environs. At recent City Council meetings concerns were raised with regards to flooding and possible pollution at the Atlantic Pond.
On foot of the issues raised an initial inspection of the Atlantic Pond was undertaken by the Director of Recreation, Amenity and Environment and Parks Section. The results of this initial inspection indicate that the recent flooding, which occurred in the area at high tides, due to the malfunctioning non-return valve at the pond outlet to the river, has resulted in the brackish salt water causing some “wilting” of the vegetation in the areas that were flooded i.e. the green areas and island. It is the view of the Parks Department that the trees and shrub vegetation will fully recover however some of the lawn areas may need to be reseeded. At present a more detailed examination of the soil and vegetation is being arranged in order to verify these initial findings.
Cllr McCarthy noted: “it has been pointed out to ward councillors by the Director of Recreation, Amenity and Environment that at this point in time there is no evidence that the issues seen at present in the Atlantic Pond are associated with pollution or other such harmful substance in the water. It has also been confirmed that there is no link between the issues being experienced at present and those that occurred in January 2017 has been found”.
In January 2017, there was a discolouration issue in one of the rivers feeding the Atlantic Pond. Cllr McCarthy continued; “this incident was fully investigated by the Environment & Recreation Directorate however the source of the discolouration could not be identified despite significant survey and investigative works. The water samples analysed in January during the discolouration incident did not contain any harmful substances in the water and no negative impacts on either plant or animal life were recorded associated with this incident”.
Kieran’s July and August Public Historical Walking Tours 2017
July Tours
Wednesday 19 July 2017, Shandon historical walking tour, with Cllr Kieran McCarthy; discover the history of one of Cork’s oldest streets woven with tales of castles, butter and historical churches; meet at North Gate Bridge, 6.45pm (free, duration: two hours)
Thursday 20 July 2017, Sunday’s Well historical historical walking tour with Cllr Kieran McCarthy; discover the original well and the eighteenth century origins of the suburb, meet at St Vincent’s Bridge, North Mall end, 6.45pm (free, duration: two hours)
Thursday, 27 July 2017, The Friar’s Walk, with Cllr Kieran McCarthy; discover Red Abbey, Elizabeth Fort, Callanan’s Tower and Greenmount area; meet at Red Abbey tower, 6.45pm (free, duration: two hours)
Friday 28 July 2017, The Lough and its history, historical walking tour with Cllr Kieran McCarthy; discover the legends and stories of the Cork Lough, meet at the green on northern end of the Lough, Lough Church end, 6.45pm (free, duration: two hours)
August Tours:
Kieran’s Heritage Week, 19-26 August 2017 as part of National Heritage Week, all free, 2 hours
Sunday, 20 August 2017, Cork Through the Ages, An introduction to the historical development of Cork City with Cllr Kieran McCarthy; meet at the National Monument, Grand Parade, 6.45pm (free, duration: two hours)
Monday 21 August 2016, Blackpool and its history, historical walking tour with Cllr Kieran McCarthy; Discover the history of education, industry and social housing, meet at the gates of North Mon School, Gerald Griffin Avenue, 6.45pm (free, duration: two hours)
Tuesday 22 August 2017, The Victorian Quarter; historical walking tour with Cllr Kieran McCarthy of the area around St Patrick’s Hill – Wellington Road and McCurtain Street; meet on the Green at Audley Place, top of St Patrick’s Hill, 6.45pm (free, duration: two hours)
Thursday 24 August 2017, The City Workhouse, historical walking tour with Cllr Kieran McCarthy; learn about the workhouse created for 2,000 impoverished people in 1841; meet at the gates of St Finbarr’s Hospital, Douglas Road, 6.45pm (free, duration: two hours)
Friday 25 August 2017, Legends and Histories of The Lough (new); historical walking tour with Cllr Kieran McCarthy, explore the local history from the Legend of the Lough to suburban development; meet at green area at northern end of The Lough, entrance of Lough Road to The Lough; 6.45pm (free, duration: two hours)
Saturday 26 August 2017, Fitzgerald’s Park; historical walking tour with Cllr Kieran McCarthy; learn about the story of the Mardyke to the great early twentieth century Cork International Exhibition, meet at band stand 1pm, note the afternoon time (free, duration: two hours)
Kieran’s Our City, Our Town, 22 June 2017
Kieran’s Our City, Our Town Article
Cork Independent, 22 June 2017
Secret Cork
Our City, Our Town article number 900 coincides with the launch of my new book Secret Cork. It is over twenty years since I gave my first walking tour across the flat of Cork City and eighteen years since I began writing my weekly column series Our City, Our Town in the Cork Independent. Both have given me much joy and I have really enjoyed researching and promoting Cork’s story. It is a great story to research and to tell. One cannot but be pulled into the multitudes of narratives, which have framed Ireland’s southern capital.
For all the tours and for all the columns and themes though, I still seek to figure out what makes the character of Cork tick. I still read between the lines of historic documents and archives. I get excited by a nugget of information, which completes a historical puzzle I might have started years ago. I have sat in the library pouring over a book or old newspaper on many an occasion trying to figure out where a piece of information sits in my researches. I still look up at the architectural fabric of the city to seek new discoveries, hidden treasures and new secrets. I encourage people on my tours to look up and around and always they see something that I have not seen. I am still no wiser in teasing out all of Cork’s biggest secrets. But I would like to pitch that it’s biggest secret is itself, a charming urban landscape, whose greatest secrets have not been told and fully explored.
We all become blind to our home place and its stories. We walk streets, which become routine spaces – spaces, which we take for granted – but all have been crafted, assembled and storified by past residents. It is only when we stand still and look around can we hear the voices of the past and its secrets being told.
I have articulated over the years that there is a power of place – that the concept of place matters. Cork is a place of tradition, continuity, change and legacy. It is a place of direction and experiment by people, of ambition and determination, experiences and learning, of ingenuity and innovation and a place of nostalgia and memory. Cork’s urban landscape is filled with messages about the past – from positive to negative. That beyond the physical surfaces of a city such as Cork, there is a soulful and evocative character etched across the flat of the city, the estuary of the river Lee and surrounding valleysides. Place matters in Cork. Within this topographical frame is a heritage – physical and spiritual to a degree – that needs to be minded, cherished and nourished.
Cork’s place and story has been carved over many centuries and all those legacies can be found in its narrow streets and laneways and in its built environment. was built by a combination of native and outside influences, its ever-changing townscape and society shaped by different cultures since its origin as a monastic settlement. Cork possesses a unique character, derived from a combination of its plan, topography, built fabric and location.
Cork is unique among other Irish cities in that it alone has experienced all phases of Irish urban development, from c.AD600 to the present day. The settlement at Cork began as a monastic centre in the seventh century, founded by St FinBarre. Legacies echo from being an old ancient port city where Scandinavian Vikings plied the waters 1,000 years ago – their timber boats beaching on a series of marshy islands – and the wood from the same boats forming the first foundations of houses and defences. We will never know and will always speculate upon their raison d’être to construct such a settlement upon a wetland.
Themes of survival, living on the edge, ambition, innovation, branding and internationalisation are etched across the narratives of much of Cork’s built heritage and are amongst my favourite topics to research. Indeed, I fully believe that these are key narratives that Cork needs to break the silence on more and this is a book constructed on those themes.
Secret Cork, my 20th book, is part of my own campaign over the years to promote Cork. It is a companion volume to Cork City Centre Tour (2016) and contains sites that I have not had a chance to research and write about in any great detail over the years. Secret Cork takes the viewer on a walking trail of over fifty sites. It starts in the flood plains of the Lee Fields looking at green fields, which once hosted an Industrial and Agricultural fair, a series of Grand Prix’s, and open-air baths. It then rambles to hidden holy wells, the city’s sculpture park through the lens of Cork’s revolutionary period, onwards to hidden graveyards, dusty library corridors, gazing under old canal culverts, across historic bridges to railway tunnels. Secret Cork is all about showcasing these sites and revealing the city’s lesser-known past and atmospheric urban character.
Secret Cork is available from Cork bookshops and from www.amberley-books.com; previous publications are listed on www.corkheritage.ie. Previous columns are also available here.
Note:
Saturday 24 June, 12noon, Old Workhouse Tour with Kieran; meet at entrance to St Finbarr’s Hospital, Douglas Road, in association with the Friends of St Finbarr’s (free, 2 hours)
Captions:
900a. Front cover of Secret Cork (2017) by Kieran McCarthy
900b. St Patrick’s Bridge, c.1900 (source: Cork City Museum)
